[ This message is from and posted for
Gary Richmond (by Ransdell) ]
Martin, List,
When Joe remarked here that some of André DeTienne's work on phaneroscopy would
be put up at Arisbe, and that you, Martin, had suggested that you might be
willing to discuss phenomenology/phaneroscopy on the peirce-list, I couldn't
have been more pleased and eager to have that discussion begin and to actively
participate in it. Joe seems to have an uncanny sense of what topics might
*now* be productively discussed on peirce-l.
As I recently posted a longish preview of my thought on the topic, I won't
rehash any of that now (still, I am most certainly eager to read list members
reaction to those ideas). However, today I would like only to respond to
certain passages in your message below, Martin, and will interleave my remarks
within that.
But permit me just one word before that. Joe has soundly argued here that
phaneroscopy--and so, I would imagine, iconoscopy as well--cannot in themselves
be considered sciences. This I hope at least is beyond dispute at this stage of
the discussion, at least for phaneroscopy (it seems to me that iconoscopy
remains an unsettled question in this regard).
So, if these 'scopics' are not sciences, what are they? And what are they in
relation to a putative 'category theory'? Could category theory be conceived as
*completing* these 'scopes', explicating the findings of these pheneral
observations? Can these three together (phaneroscopy, iconoscopy, and category
theory) be seen as an authentic cenoscopic science preparing the way not only
for semeiotic, but perhaps for all three normative sciences? At any rate,
that's how I see the principal problematics of the discussion up to the point
of reading your letter to Joe. Please permit me the following remarks and
questions.
You wrote to Joe:
[ML]I think it would be worthwhile to discuss Andre De Tienne's views on
Phaneroscopy. I admit I initially had some resistance to his views when he
first published his piece in RS/SI (I recall thinking that he was bringing
Peirce too close to certain aspects of Husserlian phenomenology -- though I'm
no specialist of the latter), but he's written further essays (some of which
are on Arisbe) that, together with the 2000 piece, make a very strong and
documented case.
[GR] I wholeheartedly agree that De Tienne's work on phaneroscopy offers
"a very strong and documented case" for the importance of that
activity (and, indeed, for the one following it, iconoscopy) to the development
of this altogether 'peculiar' science, Peircean phenomenology (or whatever it
may eventually come to be called).
[GR] By the way, I do not see much--if any--Husserlian phenomenology being
introduced into De Tienne's analysis (although I myself think these
aforementioned scopes require, to be practiced at all, something like an epoche
(or, perhaps, something not unlike the meditational standpoint Auke spoke of).
The main thrust of Husserlian (or, for that matter, Hegelian) phenomenology is
entirely unlike Peirce's.
You continued:
[ML] In an interesting move he [De Tienne] distinguishes between the
"lived" phaneron -- of which no assertion can be made since it
constitutes a continuum ‹- and the "objectified" phaneron which
is best represented through an icon (a diagram). The "Phaneronal"
continuum, moreover, is seen as a virtual semeiotic continuum.
[GR] I agree. Perhaps there are several distinctions to be made here. First,
the one you mentioned above, that between the "lived" phaneron, as
you put it, and the "objectified" one, the image or icon. In
addition, if what is discovered in iconoscopy is "a virtual semeiotic
continuum", it is, ipso facto, not an actual semeiotic one; thus,
semeiotic has all its work before it (so to speak). Semeioticians have nothing
to fear from the development of a full-blown Peircean phenomenology, and
everything to be gained from it, in my opinion.
But it seems to me that that "full-blown" phenomenology needs
something like category theory (tricategorial theory) to gather up the findings
of these 'scopics' in the interest of preparing for the normative sciences,
especially semeiotic.
You wrote:
[ML] 1. Phenaroscopy is the first science concerned with (the possibility of
worldly) experience. It investigates the quality of experience, that is to say
how experience is made possible through the agency of the categories. It seeks
to describe the phaneron which makes possible the emergence of experience (and
that of semiosis). According to De Tienne, the phaneron is, in a manner of
speaking, a reworking of the concept of Substance found in the New List.
I agree that the phaneron is "a reworking of the concept of Substance
found in the New List." Out of that vague Substance (now, the phaneron)
come the perceptual judgments which may become signs (or are they already signs,
or perhaps proto-signs until they become subject to semeiotic analysis)
Continuing:
[ML] 2. As "lived", however, the phaneron cannot be described. It
corresponds to the continuous background of consciousness, that which I am
directly (though not mediately) aware. But it is also that which I may become
conscious of as it enters the semiosic stream or continuum.
[GR] Again the question of the transition from the phaneron through the image
or icon to the sign arises. Your example is most telling:
[ML] For instance, as I write this e-mail I begin to notice that it has started
to rain [skipping ahead] [. . . ] In other words, the taping on the roof had
already started and I've just now realized that I was aware of it even though I
had so far paid no attention to it whatsoever
[GR] But then, having paid no attention, perhaps you now do pay attention. As
you wrote:
[ML] ". . . my mind was busy attending [to] some other matter. Through
perception a passage has taken place from the "lived" to the
"objectified" phaneron and, in so doing, this passage introduced the
phaneron into the semiosic continuum."
[GR] This fine, decidedly cenoscopic description is as instructive as any I've
read. Indeed I would recommend that interested person study your entire
"raindrop" example. What you've described exemplifies a kind of
ordinary experience which each of us passes through most each day, moving from
perceptual 'coalescence' (De Tienne) through perceptual judgments, perceptual
facts (the percipuum) to more clearly semiosic events. I would only suggest
that when we consider what cenoscopic science might best analyze this
process, iconoscopy seems insufficient, and a real--albeit,
'peculiar'--(partial)science, what I'm calling 'category theory', is needed.
Concluding your 'rain drop' example, you wrote:
[ML] This objectifiable selection is, on the phaneronal side, a potential or
virtual sign; on the "objectified" semiotic side this corresponds to
the percipuum as that which is represented by the perceptual judgment.
[GR] But what one arrives at here is, at best, I think, something term-*like*,
a more or less 'raw' firstness, tending towards a semeiotic analysis, perhaps,
but yet not quite there.
Continuing:
[ML] 3. Following De Tienne's reading of Peirce, the passage from phaneron to
sign is based on the fact that the phaneron -- as that which is immediately
present to the mind -- is structured by the three categories. For nothing can
be present to the mind -- immediately or mediately -- that isn't structured by
them.
[GR] Or, there are *only* three universes of experience. Immediately following:
[ML] It is precisely this structure, moreover, that makes possible the passage
from phaneron to sign, the passage from negative generality (the phaneron as
potential sign, as Qualitatively Third) to positive generality (the sign in
actu). Furthermore, this passage from virtuality to actuality is modeled on
Peirce's own account of cosmological evolution (or growth) as discussed, among
other places, in "New Elements".
[GR] I do see in De Tienne's account the firstness of 1ns and the (seemingly
impossible. but really not so) secondness of 1ns. But I do not so far see the
(equally seemingly impossible) thirdness of 1ns there. Determining the
character of this thirdness as particular genuinely tricategorial relations
seems to me to be the general purpose and value of establishing category
theory.
Leaping ahead to your consideration of what phaneroscopy might "do",
you write:
[ML] [. . .] As soon as the phaneron is iconically repre-sented in a diagram,
its ingredients having been separated and classified according to their
categorial distribution, the observer can begin to scrutinize with ³minute
accuracy² (CP 1.287, 1905) the interplay and agency of the categories within
the diagram, displaying the part(s) played by each, the effects created through
their commingling, and the types of experience that each of their guises
actualize.
[GR] I believe that this analysis [following De Tienne] may conflate two steps
in this process: First there will be 'images' of what is 'separated' from the
'phaneral coalescence'--and this is the work of iconoscopy. But, as a separate
step, I have been arguing that the relations holding between these various
'images' is to be observed as a diagram which explicates (principally) genuine
trichotomic relations, vectorial relations of movement through the categories,
etc. This, I believe, is the work of category theory.
[GR] I'll not get into "the algorithm of the procedure", as you
phrased it, as this introduces complexities which will not be easily settled as
the question of the firstness of each of the three categories is a crucial, but
difficult one to grasp on many fronts. Still, I found your next comment quite
helpful here:
[ML] Now, categorial analysis or ³prescissive abstraction² is only one portion
of phaneroscopic work. One cannot simply reduce phaneroscopy to the
determination of the valency of different portions of the diagram; this is
useful, but there is much more to do in phaneroscopy (or molecular analysis)
than that, much more than keeping ³rediscovering² the three categories, as it
were. The phaneroscopist would also want to exhibit how these categories
actually combine and cooperate to shape experience, or the emergence of the
manifest. He asks: ³How are the elements concurring to form this or that
particular portion of the phaneron?² He no longer looks for unknown categories
but strives to find out where and how they come into play within the phaneron.
[GR] Following Parmentier, I have termed what you've pointed to as 'vector
analysis' in my work, *trikonic* (a proposed practical science of Trichotomic
in diagrammatic form which I won't even try to introduce here).
You write:
[ML] A deeper and deeper analysis requires that those questions be repeated
over and over again, hence Peirce's recurrent method of inquiry.
[GR] In my opinion, "Peirce's recurrent method of inquiry" ought be
seen as but nascent here, even in a vectorial analysis moving through the
categories (for example, evolution as commencing in chance 'sporting' (1ns),
leading to the forming of new habits (3ns), resulting in a structural change
(2ns). We can observe diagrams of trichotomic relations, and perhaps
retrospectively (i.e., after engaging in logic as semeiotic) begin to make some
sense of them through employing a logica utens. Still, no science is required
to do all the work, and it seems to me that category theory need only explicate
all tricategorial relations (cf. Hegel's unsuccessful attempt in his
Encyclopedia), vectorial movement through these, trichotomies of trichotomies,
strings of these, etc. Category theory does not, in a word, need to logically
analyze them in the formal sense of logic as semeiotic.
[GR] And I would agree that [ML] "One has just to catch a glimpse of
Peirce's many descriptions of the categories to realize the scope of the
work."
[GR] This represents the principal reason why I have strenuously opposed Joe's
tendency to reduce all analysis to semeiotic analysis.
The rich, suggestive complexities od the rest of your message (especially
in your camera example, which I again would recommend list members interested
in this topic to study) seem to me matters best taken up in semeiotic, not
category theory, certainly not iconoscopy. However, I remain quite 'muddy'
regarding much of the above, so that Ilook forward to a critique of all this.
Best.
Gary
---------------------------------------------------------
>
> Joe, List,
> Below is the message Joe alluded to earlier and
> which I had sent him off-list a little over a week
> ago now. I've also added a few items.
> I think it would be worthwhile to discuss Andre De
> Tienne's views on Phaneroscopy. I admit I initially
> had some resistance to his views when he first
> published his piece in RS/SI (I recall thinking that
> he was bringing Peirce too close to certain aspects
> of Husserlian phenomenology -- though I'm no
> specialist of the latter), but he's written further
> essays (some of which are on Arisbe) that, together
> with the 2000 piece, make a very strong and
> documented case. In an interesting move he
> distinguishes between the "lived" phaneron -- of
> which no assertion can be made since it constitutes
> a continuum ‹- and the "objectified" phaneron
> which is best represented through an icon (a
> diagram). The "Phaneronal" continuum, moreover, is
> seen as a virtual semeiotic continuum.
> 1. Phenaroscopy is the first science concerned with
> (the possibility of worldly) experience. It
> investigates the quality of experience, that is to
> say how experience is made possible through the
> agency of the categories. It seeks to describe the
> phaneron which makes possible the emergence of
> experience (and that of semiosis). According to De
> Tienne, the phaneron is, in a manner of speaking, a
> reworking of the concept of Substance found in the
> New List.
> 2. As "lived", however, the phaneron cannot be
> described. It corresponds to the continuous
> background of consciousness, that which I am
> directly (though not mediately) aware. But it is
> also that which I may become conscious of as it
> enters the semiosic stream or continuum. For
> instance, as I write this e-mail I begin to notice
> that it has started to rain (I can hear the rain
> taping on the roof -- I can't see out the window
> from where I'm sitting) -- this is an inference --
> but I also only now (i.e. after the fact) notice
> that I was aware of the rain taping on the roof
> before I said to myself: "it's raining", that is to
> say: before I became mediately conscious of it. In
> other words, the taping on the roof had already
> started and I've just now realized that I was aware
> of it even though I had so far paid no attention to
> it whatsoever -- and it's not like I don't know what
> causes such taping, but my mind was busy attending
> some other matter. Through perception a passage has
> taken place from the "lived" to the
"objectified"
> phaneron and, in so doing, this passage introduced
> the phaneron into the semiosic continuum. Not only
> do I now distinctly hear the taping (as a result of
> a perceptual judgment -- itself an irrisistible
> abduction), but I can now consider it to be a sign
> of rain (I'll check my hypothesis later by looking
> out the window). Strictly speaking, however, the
> "objectified" phaneron is not the phaneron per se,
> but a selection of phaneronal ingredients. This
> objectifiable selection is, on the phaneronal side,
> a potential or virtual sign; on the "objectified"
> semiotic side this corresponds to the percipuum as
> that which is represented by the perceptual
> judgment.
> 3. Following De Tienne's reading of Peirce, the
> passage from phaneron to sign is based on the fact
> that the phaneron -- as that which is immediately
> present to the mind -- is structured by the three
> categories. For nothing can be present to the mind
> -- immediately or mediately -- that isn't structured
> by them. It is precisely this structure, moreover,
> that makes possible the passage from phaneron to
> sign, the passage from negative generality (the
> phaneron as potential sign, as Qualitatively Third)
> to positive generality (the sign in actu).
> Furthermore, this passage from virtuality to
> actuality is modelled on Peirce's own account of
> cosmological evolution (or growth) as discussed,
> among other places, in "New Elements".
> 4. As for what phaneroscopy might "do", De Tienne
> writes:
> An important step in the passage from observation to
> description is that of analysis. Once the general
> elements of the phaneron have been made out, they
> must be rendered distinct, and this requires that
> their ³features² or ³marks² be brought to light.
> Removing the various disguises under which those
> elements hide demands highly discriminative powers,
> and for Peirce this is clearly the most difficult
> part of the task, as difficult as isolating and
> describing the properties of a chemical element-some
> elements are indeed extremely unstable when
> isolated. Analysis of the diagram is equivalent in
> fact to its description. As soon as the phaneron is
> iconically repre-sented in a diagram, its
> ingredients having been separated and classified
> according to their cate-gorial distribution, the
> observer can begin to scrutinize with ³minute
> accuracy² (CP 1.287, 1905) the interplay and agency
> of the categories within the diagram, displaying the
> part(s) played by each, the effects created through
> their commingling, and the types of experience that
> each of their guises actualize. Peirce provides the
> algorithm of the procedure:
> "We begin by asking what is the mode of being of the
> subject of inquiry, that is, what is its absolute
> and most universal Firstness? The answer comes, that
> it is either the Firstness of Firstness, the
> Firstness of Secondness, or the Firstness of
> Thirdness.
> We then ask what is the universal Secondness, and
> what the universal Thirdness, of the subject in
> hand.
> Next we say that Firstness of Firstness, that
> Firstness of Secondness and that Firstness of
> Thirdness, that have been described, have been the
> Firstness of Firstness in each case. But what is the
> Secondness that is involved in it and what is the
> Thirdness?
> So the Secondnesses as they have been first given
> are the Firstnesses of those Secondnesses. We ask
> what Secondness they involve and what Thirdness. And
> so we have endless questions, of which I have only
> given you small scraps." (CP 1.543, 1903)
> Now, categorial analysis or ³prescissive
> abstraction² is only one portion of phaneroscopic
> work. One cannot simply reduce phaneroscopy to the
> determination of the valency of different portions
> of the diagram; this is useful, but there is much
> more to do in phaneroscopy (or molecular analysis)
> than that, much more than keeping ³rediscovering²
> the three categories, as it were. The phaneroscopist
> would also want to exhibit how these categories
> actually combine and cooperate to shape experience,
> or the emergence of the manifest. He asks: ³How are
> the elements concurring to form this or that
> particular portion of the phaneron?² He no longer
> looks for unknown categories but strives to find out
> where and how they come into play within the
> phaneron. A deeper and deeper analysis requires that
> those questions be repeated over and over again,
> hence Peirce's recurrent method of inquiry.
> One has just to catch a glimpse of Peirce's many
> descriptions of the categories to realize the scope
> of the work. (in "Is Phaneroscopy as a Pre-Semiotic
> Science Possible?" - in Semiotiche -- and found on
> Arisbe)
> Now, I've been thinking recently of how given things
> -- like images, for instance -- can be used in
> various semiotic contexts and serve different
> semioses. A simple example: the image taken with my
> camera can serve as an index of my recent trip to
> France,
but it can just as well serve as an index
> (among other things) of my camera's malfunction if
> the photo is somewhat fuzzy or overexposed. It seems
> to me that phaneroscopy, as De Tienne conceives of
> it, might prove useful in understanding (or mapping)
> those various virtual (in potentia) semiotic
> relations that are likely to objectify themselves in
> one context or another. Thus, in the case of my
> example, neither usages of the photograph as index
> imply the same icon. Moreover we could ask: what are
> the various qualities of Firstness, Secondness and
> Thirdness of a photograph and how different are they
> from those of a drawing, a painting or a moving
> picture? We might even wonder why certain qualities
> and relations objectify themselves in use habits
> while other don't. Having said this, however, I'm
> not sure how one would go about concretely achieving
> such "mappings" or diagrams -- notwithstanding of
> course Peirce's own approach to graphs.
> Martin Lefebvre
>
From: Martin Lefebvre
[mailto:lefebvre <at> alcor.concordia.ca]
Sent: Friday, July 31, 2009 10:56
AM
To: Peirce Discussion Forum
Subject: [peirce-l] André DeTienne
on phaneron and phenomenology
Below is the message Joe alluded to earlier and which
I had sent him off-list a little over a week ago now. I've also added a few
items.
I think it would be worthwhile to discuss Andre De
Tienne's views on Phaneroscopy. I admit I initially had some resistance to his
views when he first published his piece in RS/SI (I recall thinking that he was
bringing Peirce too close to certain aspects of Husserlian phenomenology --
though I'm no specialist of the latter), but he's written further essays (some
of which are on Arisbe) that, together with the 2000 piece, make a very strong
and documented case. In an interesting move he distinguishes between the
"lived" phaneron -- of which no assertion can be made since it
constitutes a continuum
- and the "objectified" phaneron which is best represented through an
icon (a diagram). The "Phaneronal" continuum, moreover, is seen as a
virtual semeiotic continuum.
1. Phenaroscopy is the first science concerned with
(the possibility of worldly) experience. It investigates the quality of
experience, that is to say how experience is made possible through the agency
of the categories. It seeks to describe the phaneron which makes possible the
emergence of experience (and that of semiosis). According to De Tienne, the
phaneron is, in a manner of speaking, a reworking of the concept of Substance
found in the New List.
2. As "lived", however, the phaneron cannot
be described. It corresponds to the continuous background of consciousness,
that which I am directly (though not mediately) aware. But it is also that
which I may become conscious of as it enters the semiosic stream or continuum.
For instance, as I write this e-mail I begin to notice that it has started to
rain (I can hear the rain taping on the roof -- I can't see out the window from
where I'm sitting) -- this is an inference -- but I also only now (i.e. after
the fact) notice that I was aware of the rain taping on the roof before I said to myself: "it's
raining", that is to say: before I became mediately conscious of it. In
other words, the taping on the roof had already started and I've just now
realized that I was aware of it even though I had so far paid no attention to
it whatsoever -- and it's not like I don't know what causes such taping, but my
mind was busy attending some other matter. Through perception a passage has
taken place from the "lived" to the "objectified" phaneron
and, in so doing, this passage introduced the phaneron into the semiosic
continuum. Not only do I now distinctly hear the taping (as a result of a
perceptual judgment -- itself an irrisistible abduction), but I can now
consider it to be a sign of rain (I'll check my hypothesis later by looking out
the window). Strictly speaking, however, the "objectified" phaneron
is not the phaneron per se, but a selection of phaneronal ingredients. This
objectifiable selection is, on the phaneronal side, a potential or virtual
sign; on the "objectified" semiotic side this corresponds to the
percipuum as that which is represented by the perceptual judgment.
3. Following De Tienne's reading of Peirce, the
passage from phaneron to sign is based on the fact that the phaneron -- as that
which is immediately present to the mind -- is structured by the three
categories. For nothing can be present to the mind -- immediately or mediately
-- that isn't structured by them. It is precisely this structure, moreover,
that makes possible the passage from phaneron to sign, the passage from
negative generality (the phaneron as potential sign, as Qualitatively Third) to
positive generality (the sign in actu). Furthermore, this passage from
virtuality to actuality is modelled on Peirce's own account of cosmological
evolution (or growth) as discussed, among other places, in "New
Elements".
4. As for what phaneroscopy might "do", De
Tienne writes:
An
important step in the passage from observation to description is that of
analysis. Once the general elements of the phaneron have been made out, they
must be rendered distinct, and this requires that their 3features2 or 3marks2
be brought to light. Removing the various disguises under which those elements
hide demands highly discriminative powers, and for Peirce this is clearly the
most difficult part of the task, as difficult as isolating and describing the
properties of a chemical element-some elements are indeed extremely unstable
when isolated. Analysis of the diagram is equivalent in fact to its
description. As soon as the phaneron is iconically repre-sented in a diagram,
its ingredients having been separated and classified according to their
cate-gorial distribution, the observer can begin to scrutinize with 3minute
accuracy2 (CP 1.287, 1905) the interplay and agency of the categories within
the diagram, displaying the part(s) played by each, the effects created through
their commingling, and the types of experience that each of their guises
actualize. Peirce provides the algorithm of the procedure:
"We
begin by asking what is the mode of being of the subject of inquiry, that is,
what is its absolute and most universal Firstness? The answer comes, that it is
either the Firstness of Firstness, the Firstness of Secondness, or the
Firstness of Thirdness.
We then ask what is the universal Secondness, and what the universal Thirdness,
of the subject in hand.
Next we say that Firstness of Firstness, that Firstness of Secondness and that
Firstness of Thirdness, that have been described, have been the Firstness of
Firstness in each case. But what is the Secondness that is involved in it and
what is the Thirdness?
So the Secondnesses as they have been first given are the Firstnesses of those
Secondnesses. We ask what Secondness they involve and what Thirdness. And so we
have endless questions, of which I have only given you small scraps." (CP
1.543, 1903)
Now,
categorial analysis or 3prescissive abstraction2 is only one portion of
phaneroscopic work. One cannot simply reduce phaneroscopy to the determination
of the valency of different portions of the diagram; this is useful, but there
is much more to do in phaneroscopy (or molecular analysis) than that, much more
than keeping 3rediscovering2 the three categories, as it were. The
phaneroscopist would also want to exhibit how these categories actually combine
and cooperate to shape experience, or the emergence of the manifest. He asks:
3How are the elements concurring to form this or that particular portion of the
phaneron?2 He no longer looks for unknown categories but strives to find out
where and how they come into play within the phaneron. A deeper and deeper
analysis requires that those questions be repeated over and over again, hence
Peirce's recurrent method of inquiry.
One has
just to catch a glimpse of Peirce's many descriptions of the categories to
realize the scope of the work. (in "Is Phaneroscopy as a Pre-Semiotic Science
Possible?" - in Semiotiche -- and found on Arisbe)
Now, I've been thinking recently of how given things
-- like images, for instance -- can be used in various semiotic contexts and
serve different semioses. A simple example: the image taken with my camera can
serve as an index of my recent trip to France, but it can just as well
serve as an index (among other things) of my camera's malfunction if the photo
is somewhat fuzzy or overexposed. It seems to me that phaneroscopy, as De
Tienne conceives of it, might
prove useful in understanding (or mapping) those various virtual (in potentia)
semiotic relations that are likely to objectify themselves in one context or
another. Thus, in the case of my example, neither usages of the photograph as
index imply the same icon. Moreover we could ask: what are the various
qualities of Firstness, Secondness and Thirdness of a photograph and how
different are they from those of a drawing, a painting or a moving picture? We
might even wonder why certain qualities and relations objectify
themselves in use habits while other don't. Having said this, however, I'm not
sure how one would go about concretely achieving such "mappings" or
diagrams -- notwithstanding of course Peirce's own approach to graphs.
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