Simone Aliprandi | 21 May 19:29
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opendata diagram

I realized a diagram including all the most important opendata
licenses that are now available, and classifying them according to
their legal effects (attribution and share-alike, attribution only,
public domain). I hope this work can be useful to better understand
the actual situation of database (open)licensing.
Comments (on the blog) are welcome.
http://aliprandi.blogspot.it/2012/05/opendata-graph.html
Bye,
--

-- 
Simone Aliprandi - http://www.aliprandi.org
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nathaniel | 12 May 18:32
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(no subject)

timekeeper3341@...
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zmiller | 9 May 20:04
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forum

Hi,


I'd like to join the forum.  I registered, but I'm unclear whether I now need to email this address first to complete the registration, or whether I am supposed to email forum questions to this email address.  

Thanks!
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Timothy Vollmer | 26 Apr 00:27

open position at Creative Commons: Project Coordinator for Science and Data

FYI - Here's a new job opening at CC. Please help spread the word to your networks. 

Blog post - http://creativecommons.org/weblog/entry/32434

Full description - http://creativecommons.org/opportunities#scienceanddata 

Creative Commons is seeking a Project Coordinator for Science and Data! The Project Coordinator will organize, coordinate and manage projects related to data policy and governance and perform research and analysis on data governance topics across relevant sectors — particularly for science — and communicate results and recommendations from the project via writing and related outreach.

We are looking for someone who is experienced in policy analysis, development and processes, in addition to Open Source Software, Open Access/Open Data and other Open content projects. A science and/or legal background with international experience is highly desirable — especially as the position will be representing Creative Commons at global events in the Open Data and Open Science communities! See the job posting and apply at our opportunities page. Position is open until filled.

Thank you,  


--
Timothy Vollmer
phone = +016086982403 | skype = timothyvollmer | tw =  <at> tvol

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Danny Piccirillo | 22 Apr 19:30
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Cultural Appropriation and IP

Hello all, 


I'm writing a paper an cultural appropriation and IP. 

Specifically, there are one or two points I want to make. 
 * IP is not a good way to protect against cultural appropriation
 * IP may encourag cultural appropriation

For the former, I need to show how IP has been ineffective for protecting marginalized cultures from appropriation, how there may be a separate legal framework, and draw on examles of successful protections in the past. If a legal framework is not necessary, what else can be done? 

For the latter, it's a point i'm not sure can be made, but any help building or criticizing the idea is appreciated! 

What do you all think? Please forward this to anyone you think would be knowledgeable on this

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This email is: [  ] bloggable   [ x ] shareable with consent   [  ] lethal if repeated or forwarded

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Patrick Anderson | 20 Apr 21:01
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Code is Art (was: Version 4:0:Rebranding "noncommercial" to "commercial rights reserved": please don't!)

 Heather Morrison wrote:
> it would be optimal if CC-BY did NOT grant commercial rights

Would the GNU GPL be a 'better' license if it were NC?

Why or why not?

Is there really any difference between code and art?

Consider the case of a computer game that generates
it's artwork dynamically, using algorithms written in c.

What about a game that generates the music within
that game using code written by the author?

Why is code not considered art, and if it *IS* art, then
why does the GNU GPL not require attribution, and why
does the GNU GPL allow commercial distribution?

Sincerely,
Patrick Anderson
http://SocialSufficiencyCoalition.BlogSpot.com
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Jay Yoon | 19 Apr 03:05
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"Let's CC" is released as open source

Dear all,


As some of you know, CC Korea has opened a search service, so called 'LetsCC' http://eng.letscc.net.

 

Let’s CC offers quick and easy access to search services provided by some companies from one single 

page like search.creativecommons.org. It makes use of the APIs provided by Fiickr, Jamendo, ccMixter, 

Youtube and Slideshare, so you can find CC-licensed images, sounds, videos and docs at once with just 

one click. You can also save your favorite contents, add tags to them, search them and check most favorite 

contents of all users. Let’ CC‘ let contents which is to be set favorites locate the top of search results 

so as to let users find more relevant contents easily. We has tried to put emphasis on simplicity, 

convenience and efficiency for designing this service. 


Now the code of "Let's CC" http://eng.letscc.net, is distributed as open source.

I hope you find it useful.

If you have any idea related to Lets CC, feel free to let us know via me or creative-+2GKGYw0ye5AfugRpC6u6w@public.gmane.org .


Thanks

Jay


Jongsoo Yoon (Jay Yoon)
Project Lead, Creative Commons Korea
Presiding Judge, Seoul Northern District Court
mobile : 82-10-9187-9476
email :  iwillbe99-Re5JQEeQqe8AvxtiuMwx3w@public.gmane.org
twitter : iwillbe99

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Patrick Anderson | 18 Apr 17:49
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On the Impossibility of Sharing Hardware (was: The Liberated Pixel Cup: FSF + CC + OpenGameArt game authoring competition)

Alan Cox wrote:
> And you are unable to make good use of scales of economy
> and trade with other groups in order to be efficient.

I don't understand what would stop groups of consumers
from funding an operation large enough to enjoy economies
of scale and therefore undercut any for-profit corporation.

Consumers already pay for all of the Costs of production
*and* they pay Profit because they do not have ownership.

Why would we not be able to attract consumers to pre-pay
for internet connectivity or cell-phone service or food
production or any/all of the goods and services we *already*
pay for?

The only difference now is that we pay *late*, and so
never gain the ownership needed to avoid also paying Profit.

This logistical problem is already being somewhat addressed
under the title "Crowd Funding", but in that case the people
that pre-pay for Product do not become real co-owners, and
so they continue to pay Profit and beg the real owners to do
"the right thing" while having no actual control of that production.

> For product it's not clear you can construct such
> an organisation. It's certainly impractical to build one without some
> Stasi like police force to control it.

Yikes.  What would these vicious cops be enforcing?

>> I usually think of it as a Terms of Operation for groups
>> that want to share the costs of some physical asset while
>> insuring it will remain "Free as in Freedom" (not necessarily
>> zero cost) for all Users.
>
> This seems mostly nonsensical. In the software and abstract world I can
> make infinite copies at basically no cost. I can exercise my right to
> modify something without hindering you. With a shared service or a shared
> piece of equipment it's very different. If I modify the service I affect
> other users.

Are you saying it is impossible to share hardware?

Sincerely,
Patrick Anderson
http://ImputedProduction.BlogSpot.com

http://P2PFoundation.net/Imputed_Production
http://SocialSufficiencyCoalition.BlogSpot.com
http://patware.freeshell.org/thesis.htm
http://P2PFoundation.net/User_Owned
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melanie dulong | 14 Apr 19:57
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Communia book release "The Digital Public Domain: Foundations for an Open Culture"

-- sorry for cross posting --

The book "The Digital Public Domain: Foundations for an Open Culture",
edited by Melanie Dulong de Rosnay and Juan Carlos De Martin, is out.

Digital technology has made culture more accessible than ever before.
Texts, audio, pictures and video can easily be produced, disseminated,
used and remixed using devices that are increasingly user-friendly and
affordable. However, along with this technological democratization
comes a paradoxical flipside: the norms regulating culture's use -
copyright and related rights - have become increasingly restrictive.
This book brings together essays by academics, librarians,
entrepreneurs, activists and policy makers, who were all part of the
EU-funded Communia project. Together the authors argue that the Public
Domain - that is, the informational works owned by all of us, be that
literature, music, the output of scientific research, educational
material or public sector information - is fundamental to a healthy
society. The essays range from more theoretical papers on the history
of copyright and the Public Domain, to practical examples and case
studies of recent projects that have engaged with the principles of
Open Access and Creative Commons licensing.

Under a CC Attribution license, the PDF can be downloaded here:
http://www.communia-association.org/wp-content/uploads/the_digital_public_domain.pdf
The book can be purchased in all formats (hardback, paperback, and
digital editions) on the website of OpenBookPublishers:
http://www.openbookpublishers.com/

The book is an output of the Communia European Thematic Network on the
Digital Public Domain (http://www.communia-project.eu/) which took
place between 2007 and 2011 and is at the origin of Communia
International Association on the Public Domain
(http://www.communia-association.org/).
The association created in 2011 has been incorporated in 2012 under
Belgian law and is inviting new members to join:
http://www.communia-association.org/about-2/

Thanks and best wishes,
Melanie Dulong de Rosnay

--
Download the book:
http://www.communia-association.org/wp-content/uploads/the_digital_public_domain.pdf
Buy the book: http://www.openbookpublishers.com/product/93/the-digital-public-domain--foundations-for-an-open-culture/5b64e9b86d9d0674689d965259eeb3a4
Communia international association: http://www.communia-association.org/
Communia european network (2007-2011): http://www.communia-association.org/

Contents of the book:

Foreword, Charles Nesson

Introduction, Melanie Dulong de Rosnay and Juan Carlos De Martin

Manifesto and Policy Recommendations

I. Introducing the Digital Public Domain

1. Communia and the European Public Domain Project: A Politics of the
Public Domain, Giancarlo Frosio

II. Legal Framework

2. Consume and Share: Making Copyright Fit for the Digital Agenda, Marco Ricolfi

3. Evaluation of the Directive 2001/29/EC in the Digital Information
Society, Lucie Guibault

4. Building Digital Commons through Open Access Management of
Copyright-related Rights, Giuseppe Mazziotti

III. Developments and Case Studies

5. Contractually-constructed Research Commons: A Critical Economic
Appraisal, Enrico Bertacchini

6. Social Motivations and Incentives in Ex Situ Conservation of
Microbial Genetic Resources, Tom Dedeurwaerdere, Per M. Stromberg and
Unai Pascual

7. Open Knowledge: Promises and Challenges, Rufus Pollock and Jo Walsh

8. Science Commons: Building the Research Web, Kaitlin Thaney

9. The DRIVER Project: The Socio-economic Benefits of a European
Scientific Commons, Karen Van Godtsenhoven

10. ccREL: The Creative Commons Rights Expression Language, Hal
Abelson, Ben Adida, Mike Linksvayer and Nathan Yergler

11. The Value of Registering Creative Works, Roland Alton Scheidl, Joe
Benso and Martin Springer
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creative commons in the fine arts

hi all,

i just wanted to share some pictures of an installation i've done last year in berlin.
you will find them here:

the installation was part of my soloshow 'Configuration No 7'.
the audience could take away the whole exhibition on their USB-Sticks.

it has been the first demonstration of #TakeAwayArt and has also been 
one of the most sophisticated uses of creative commons in the field of fine arts.

best wishes
florian



*** HOME <at> ***
twitter <at> fkuhlmann
skype florian_kuhlmann

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The Liberated Pixel Cup: FSF + CC + OpenGameArt game authoring competition

Hi all,

I'm extremely pleased to announce the Liberated Pixel Cup, a project
that brings together Creative Commons, the Free Software Foundation, and
OpenGameArt to run a gaming competition:

  http://lpc.opengameart.org/

There will be a style guide written, and both a (CC BY-SA + GPL dual
licensed) game art authoring competition, and a game coding (GPL)
competition that uses those assets.

I'm extremely excited about the launch of this project, and hope you
are also!  Please do spread the news!

More from Creative Commons' press release here:
  http://creativecommons.org/weblog/entry/32322

Thanks!
 - Christopher Allan Webber
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Gmane