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barnabas yianni | 12 Feb 2012 13:41
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Re: Attachments

Hello sanlist members!

Kindly provide attachments by hosting them elsewhere and posting a link within your sanlist submission.
I suggest box.com simply because their service is free and permanent.
I look forward to accessing your documents in the near future.

barnabas y.
_______________________________________________

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To register an account: http://www.soundandmusic.org/user/register

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David Lloyd-Howells | 12 Feb 2012 13:04
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REVIVING THE SONIC ARTS NETWORK - DLH


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Date: Sun, 12 Feb 2012 10:55:59 +0000 (GMT)
From: David Lloyd-Howells <david_lloyd_howells <at> yahoo.co.uk>
Reply-To: David Lloyd-Howells <david_lloyd_howells <at> yahoo.co.uk>
Subject: REVIVING THE SONIC ARTS NETWORK - DLH
To: "sanlist <at> lists.sonicartsnetwork" <sanlist <at> lists.sonicartsnetwork>
MIME-Version: 1.0
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=A0=0A=A0=0ASONIC ARTS SURVEY / DATABASE UK=0A=A0=0AColleagues,=0A=A0=0ARes=
ponding to feedback and progressing the matter, re above, see attached here=
with.=0A=A0=0ARegards=0A=A0=0ADavid Lloyd-Howells=0A=A0=0Awww.composersofwa=
les.org/member.php <at> id=3D120
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<html><body><div style=3D"color:; background-color:; font-family:times new =
roman, new york, times, serif;font-size:12pt"><div>&nbsp;</div>
<div>&nbsp;</div>
<div>SONIC ARTS SURVEY / DATABASE UK</div>
<div>&nbsp;</div>
<div>Colleagues,</div>
<div>&nbsp;</div>
<div>Responding to feedback and p<VAR id=3Dyui-ie-cursor></VAR><VAR id=3Dyu=
i-ie-cursor></VAR>rogressing the matter, re above, see attached herewith.</=
div>
<div>&nbsp;</div>
<div>Regards</div>
<div>&nbsp;</div>
<div>David Lloyd-Howells</div>
<div>&nbsp;</div>
<div><A href=3D"http://www.composersofwales.org/member.php <at> id=3D120">www.co=
mposersofwales.org/member.php <at> id=3D120</A></div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div>&nbsp;</div></div></body></html>
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CEC jef chippewa | 11 Feb 2012 19:55
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[CALL] JTTP 2012 -- Call for Works / Appel d'oeuvres


PRESS RELEASE / COMMUNIQUÉ DE PRESSE
For Immediate Release / Pour diffusion immédiate
11-ii-2012

JTTP 2012 -- Jeu de temps / Times Play
Communauté électroacoustique canadienne (CEC) 
Canadian Electroacoustic Community
http://cec.sonus.ca/jttp

[E] Call for New Works from Young and / or Emerging Sound Artists / Composers

The deadline for submission to the annual JTTP 
competition is 1 May 2012. More information on 
how to submit your work and eligibility is found 
at the following web address:
http://cec.sonus.ca/jttp/call.html

As of the 2010 edition, multichannel submissions 
and videomusic works may be submitted.

[F] Appel d'¦uvres aux compositeurs(trices) et 
artistes sonores, jeunes ou émergents

La date limite pour les soumissions à ce concours 
annuel est le 1er mai, 2012. Pour plus 
d'informations à propos des soumissions et votre 
éligibilité, voir le lien suivant :
http://cec.sonus.ca/jttp/appel.html

Depuis 2010, les oeuvres en format multicanal et 
les vidéomusiques peuvent être soumises.

jef chippewa & Yves Gigon, CEC
Contact: jttp <at> sonus.ca

-----------------------------------------------------------

Detailed information about the project / Information détaillé sur le projet
http://cec.sonus.ca/jttp/info.html

-30-

-- 

[CALL/APPEL] eContact! 14.2 -- Turntable
http://cec.sonus.ca/econtact/14_2/call.html
[CALL/APPEL] eContact! 14.3 -- Biotech
http://cec.sonus.ca/econtact/14_3/call.html

Communauté électroacoustique canadienne (CEC) 
Canadian Electroacoustic Community
http://cec.sonus.ca | cec <at> sonus.ca
http://facebook.com/cec.sonus | http://twitter.com/CEC_ca

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stewart collinson | 10 Feb 2012 23:08
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The Man in the White Suit 1951

Hello,

Can anyone provide information on the origins of the sound created for Sidney Stratton's laboratory apparatus in the Ealing film The Man in the White Suit?


I watched the film recently, for the first time in many years, ( I'm currently researching the "Visionary" in wartime/postwar British cinema within
the wider context of an ongoing project.

I was immediately struck by the sound composition created for the experimental apparatus and it's discovery.

The scene is edit/composed in a way that is both restrained and exuberant.

Any further information or commentary appreciated,

Stewart Collinson

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Pierre Alexandre Tremblay | 9 Feb 2012 12:10
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Electric Spring 2012 - a Free festival of Electronic Music in Huddersfield

Dear all

This is the press release of our festival next week. Feel free to distribute.

see you there

pa

===

Electric Spring 2012
University of Huddersfield
15.2-19.2/12

Brighten up those cold bitter nights with five extraordinary concerts of electronic music presented on
the HISS (Huddersfield Immersive Sound System) 

Held in the Phipps Hall, Creative Arts Building at the University of Huddersfield from 15-19th February,
this year's festival features world class improv, live electronics, circuit bending, video music and
acousmatic opera with performances by Evan Parker/Adam Linson,  <at> C, Derek Holzer, Annette Vande Gorne
and Michael Rüsenberg/Peter Hölscher, Nicolas Bernier, Jaydev Mistry and Maria Castro

As always, all events start at 8pm are totally free. Each concert is preceded by an informal talk at 5.30pm by
each of the featured artists hosted by co-Directors Monty Adkins and Pierre Alexandre Tremblay.

Our annual Max/MSP Powerusers Symposium will take place on Saturday 18th Feb. at 1pm in the Creative Arts
Building and will feature presentations by Timo Rozendal, Andrea Agostini and Luke Woodbury. The event
is free and seeks to provoke a lively debate and exchange of ideas.

Don't miss this opportunity to hear some of the most exciting new music around.

Visit www.electricspring.co.uk for full details
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David Berezan | 8 Feb 2012 19:09
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MANTIS Spring Festival March 3 - 4 2012 (Manchester UK)


MANTIS Spring Festival March 3 -
4 2012 (Manchester UK)
 
MANTIS presents concerts curated
by guest composers Jonty Harrison and Diana Salazar, as well as new
electroacoustic works by composers based at the University of Manchester,
featuring the MANTIS multiple loudspeaker sound diffusion system.
 
John Thaw Studio Theatre (Martin
Harris Centre), University of Manchester
 
Concert 1: March 3 18.00 Works by
Kingston-based composers
Concert 2: March 3 19.30 8-ch works
by Jonty Harrison
Concert 3: March 4 14.00 Works by
Manchester-based composers
 
Tickets:
1 concert: £7.50/5.00/4.00
2 concerts: £12.00/8.00/6.40
3 concerts: £18.00/12.00/9.60
The Martin Harris Centre for Music and Drama
The University of Manchester
Bridgeford Street, Manchester, M13 9PL. 
Telephone:0161 275 8951
Email for enquiries: boxoffice <at> manchester.ac.uk
Box Office Hours: 14:00 -
16:00 Monday to Friday.
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Ryan Jordan | 8 Feb 2012 14:04
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Super-Collide or Die Workshop 18-19/02/12

feel free to forward to ... >>>

> Super-Collide or Die Workshop
>
> A 2-day intensive intermediate/advanced workshop for the SuperCollider
> programming environment. Participants already familiar with the basics of
> supercollider will be guided into a hands-on exploration of more advanced
> concepts like designing GUIs and virtual instruments, writing classes,
> networking via OSC, interacting with arduino and analogue sensors,
> live-coding, NRT composition, generative music techniques.
>
> SuperCollider has established itself as probably the most powerful
> programming environment for real time sound synthesis,
> algorithmic/generative music and all sorts of other audio-related
> applications. It is widely used by artists and scientists alike for both
> research and actual artistic creation. It features a powerful
> state-of-the-art sound engine and an easy to learn fully featured object
> oriented language. More, it is open-source and totally free of charge.
>
> Saturday 18th - Sunday 19th Feb 2012
> 11am-5pm daily
>
> nnnnn, Unit 73a, Regent Studios
> 8 Andrews Road, E8 4QN
>
> http://nnnnn.org.uk/
>
> Cost £60 / £50 conc.
>
> Booking email ryan <at> nnnnn.org.uk
>
> Workshop leader
> Marinos Koutsomichalis
> http://www.marinoskoutsomichalis.com/
>
> Download Super Collider
> http://supercollider.sourceforge.net/
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Pierre Alexandre Tremblay | 8 Feb 2012 12:27
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Job at Huddersfield for Music for Film Specialist and/or Pop Musicologist

Dear all

This might interest some of you... sorry for the cross-posting!

Feel free to contact my boss for more details: Dr. Geoffrey Cox <g.m.cox <at> hud.ac.uk>

pa

UNIVERSITY OF HUDDERSFIELD

SCHOOL OF MUSIC, HUMANITIES AND MEDIA

SENIOR LECTURER IN MUSIC TECHNOLOGY (Music and the Moving Image)

Post Ref:         6100  

Salary: Grade 8 (£36,271 upwards)

We are looking for an individual expert with practical and theoretical experience in music and the moving
image as it relates to music technology who will join a thriving team teaching Music Technology at
Huddersfield and who will make a major contribution to a new degree focussing on music, technology and the
moving image. The ideal applicant would also be able to contribute to the popular music curriculum as a
composer, performer or musicologist.

A degree in music, film/popular music or music technology and a PhD (or nearing completion) in a relevant
area  are essential requirements for this role. Experience of teaching in Higher Education is highly
desirable. Whilst specializing in music and the moving image and also preferably popular music,
expertise in any of the following is also desirable: creative programming with MAX/MSP, sampling,
sequencing, and the music business.

You will be expected to contribute at an international level (or show potential to do so) to the maintenance
and development of the Department’s high standing in research (rated 75% world leading or
internationally excellent RAE 2008).

Further details and application forms may be downloaded from www.hud.ac.uk/hr/jobs or obtained from the
Personnel Office, University of Huddersfield, Queensgate, Huddersfield HD1 3DH.
Tel: 01484 472845
E-mail: personnel <at> hud.ac.uk
Text phone: 01484 473150

We would particularly welcome applications from ethnic minority groups and people with disabilities who
are under‑represented in the University.
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Ed Wright | 8 Feb 2012 11:32
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Caernarfon Electroacoustic Concert

Concert 11th Feb , Capel Ebeneser Caernarfon . 7pm tickets £5 / £3 under 12 free.
Blipfonica is renowned for staging experimental sonic arts in unexpected places (castles , swimming
pools) and now they are bringing an 8 channel surround sound experience to a chapel in Caernarfon .
Blipfonica founder Emma Louis explains why this will be her most personal event so far - "I spent an awful lot
of my childhood in this chapel, as my taid was the hugely respected gweinidog Ifan Hefin Williams. He was
involved with Capel Ebeneser my whole life. It is a huge honour to be able to present a concert in this
beautiful building with so many memories."

For the first time ever, Emma will also be taking the Blipfonica concert stage as a performer, " I have
produced sonic installations before but as this is such a personal tribute to my Taid it is important to me
to perform in his Capel "

I am also bringing in a very special artist from Liverpool , I have seen Simon Jones perform many times with
Noise Club and Frakture . I am a great admirer of his works , the man is a sonic genius . It is so exciting to be
hosting him with his solo project Hot Hail . 
Along with Emma and Simon , also taking the stage are Allen Ince, Chaparral Andrew Hodges and Ed Wright ahead
of his installation presentation in Y Galeri Caernarfon .
We are really looking forward to bringing our sounds to the people of Caernarfon , and we look forward to
meeting new people and some old friends at what will be such a momentous occasion . From the profits of this
event a donation will be made towards the chapel .  .

Thanks
Ed
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john drever | 7 Feb 2012 22:53
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SPR events featuring Michael Rüsenberg and Hans-Ulrich Werner

Two events featuring Michael Rüsenberg and Hans-Ulrich Werner, hosted by 
the Unit for Sound Practice Research, Goldsmiths, University of London

Monday 20/02/12
NAB LG02, 7.30-9.00pm

Concert
“see what you don´t hear - hear, what you don´t see!”

Audio-visual and sonic work by Peter Hölscher, Michael Rüsenberg and 
Hans-Ulrich Werner and researchers from the Unit for Sound Practice 
Research, Goldsmiths

Organised by the Unit for Sound Practice Research

Tuesday 21/02/12
RHB Small Cinema 5.00 – 7.00pm

Music Department Graduate Forum
"from reporter in sound to drone aesthetics"
The Unit for Sound Practice Research presents sound artist Michael 
Rüsenberg who will give a lecture on his collaborations with Hans-Ulrich 
Werner.


Michael Rüsenberg will chart a line of his sound art works, starting 
from the "documentary" orientated work with Hans Ulrich Werner, "Lisboa - a 
soundscape portrait", 1994, to "Notre Dame de Paris" (working title), 2011, 
his first work that is not based on field recordings but music recordings 
of other composers, notably Leonin and Perotin from 13th Century France. 




Michael Rüsenberg, born 1948, has done jazz-radio since 1973, started his 
interest in soundart in the early nineties, both as journalist and artist. 
Half a dozen albums, 4 soundart videos with Peter Hoelscher recently. 
http://www.realambient.de/
Hans-Ulrich Werner has worked in radio and written extensively on 
soundscape art. He is a Professor for Sound, AudioVisual Media, 
Intercultural Media Design at Offenburg University of Applied Sciences 
(Southern Germany, en face de Strasbourg) Department of Media and 
Information, since 2005.
http://mi.fh-offenburg.de/mi_site_docs/personen/hwerner/hwerner.php

All welcome!!

===============================
Dr John Levack Drever
Senior Lecturer in Composition
Head of the Unit for Sound Practice Research (SPR)
MMus Studio Composition - Pathway Leader

Department of Music
Goldsmiths, University of London
New Cross
London SE14 6NW
020 7919 7652

http://www.gold.ac.uk/music/staff/drever/
http://www.last.fm/music/John+Levack+Drever
http://www.myspace.com/johnlevackdrever
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Manuela Benetton | 7 Feb 2012 14:05
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ECM Series: NORBERT MÖSLANG / ERIKM at N.K. Projekt

With apologies for cross-posting

N.K.: Tuesday Feb 28th Doors 21:00 Concert 21:30 Sharp!

ECM Series: NORBERT MÖSLANG / ERIKM / DJ Pato

Curated by Manuela Benetton

With the kind support of INM


Norbert Möslang is from St.Gallen, Switzerland. He plays cracked everyday electronics. Möslang was the member of the band Voice Crack until the end of 2002 and has also played in Poire_z. Additionally, he has collaborated with many musicians including Borbetomagus, Otomo Yoshihide, Günter Müller, ErikM, Jerome Noetinger, Lioinel Marchetti, Jim O'rourke, Kevin Drumm, Jason Kahn, Oren Ambarchi, Tomas Korber, Keith Rowe, I-sound, Carlos Zingaro, Florian Hecker and others.
 Möslang has received the swiss film award and the Cinema Eye award for the original score of the Sounds of Insects: Record of a Mummy by Peter Liechti. He also works in visual arts.

http://moeslang.com/

Since 1992, eRikm has extended the field of artistic experimentation on the international scene. Maintaining a constant fusion between thought, instinct and sensitivity, he pursues a simultaneity of practices and addresses the interplay between various compositional modes, relating to and using all languages. From his early experience as a guitarist through to his later visual work, he is a maverick genre-bender who breaks down anyone’s attempts to conveniently classify him.
Quickly recognised as a virtuoso turntablist and sound artist (1996), eRikm has made a longlife habit of crossing all territories and « world-systems » deemed “independent”, “institutional”.

Throughout his career, collaborations have naturally occurred with his audiences and contemporaries, most notably : Luc Ferrari, Christian Marclay, Akosh S., Mathilde Monnier, Bernard Stiegler, FM Einheit… The kind of coincidences which have confirmed his instinctive search for transmutation, and to play on several levels. eRikm is a Marseille based artist (Friche Belle de Mai)

www.erikm.com


DJ Pato
patooo.net


N.K. Elsenstrasse 52,
2. Hinterhaus, 2. Etage,
12059 Berlin Neukölln
www.nkprojekt.de 
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Gmane