conal browning | 3 Dec 2004 21:34

Please unsubscribe me

As mauch as I enjoy hearing all the latest cage news I fear the sheer 
volume of emails is to much for me at the present time, therefore I 
would like to be unsubscribed please.
Thanks, Conal.

Marcthor97 | 5 Dec 2004 09:38
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Re: John Cage Books

John Cage, Themes and Variations, Barrytown, NY: Station Hill Press 1982
John Cage, The First Meeting of the Erik  Satie Society, Osiris Press, NY1985

Vai Becker Jason Steve | 5 Dec 2004 16:39
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John Cage Influences

Hi all, I have a general question that I think all "new to Cage" people will ask, maybe you guys have answered many times, but please kindly do it again!:0
 
Obviously Erik Satie played a heavy role in Cage's influences and some non-music artists(i.e. Marcel Duchamp), also his fellows, mentors, contmeporaries. Other than these have he mentioned others? Cage is very into the "Zen" thing and Chinese herbs, I wonder if Chinese (ancient) music have an influence on him, and also Greek (ancient) music, he used to study Greek in high school, dosen't he?
 
Please discuss
 
regards,
Ryan

借過、一拍兩散、奇洛李維斯回信...
全港最大手機下載中心
http://mobile.yahoo.com.hk/

Ralph Lichtensteiger | 5 Dec 2004 21:15
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Studies and Montage-Pieces (2004)

dear all,
please check out my new CD at:

http://www.lichtensteiger.de/studies04_CD.html

Ralph Lichtensteiger | Studies and Montage-Pieces (2004)

1 Study #1 "homicide" 8:14
2 Study #2 7:00
3 Study #3 "optimism is continuous" for John Cage 5:24
4 Study #4 "directed me before" 3:02 | listen mp3
5 Study #5 "unconsciously calculating" 3:20 | listen mp3
6 Study #6 "millions of artists create" for Marcel Duchamp 3:49 | listen 
mp3
7 Study #7 for Allen Ginsberg 8:14 | listen mp3
8 Study #8 for Jack Kerouac 3:05
9 Study #8a 2:42
10 Study #9 "the divorce of State & industry" for John Cage 6:16 | 
listen mp3
11 Study #10 2:16
12 Study #11 3:53
13 Study #12 "do fish run out of patience" 1:14
14 Study #12a 2:59

Recorded: October, November and December 2004

All compositions by Ralph Lichtensteiger
Limited release, Edition of 50 CD's
© 2004 by musique trouvé Frankfurt

Ralph Lichtensteiger:
piano, digital piano, electronics, percussion, digital percussion, 
claves, double bass, violin, pedal harmonium, flute, cymbals, radio, 
homemade instruments, toys, cardboard horns, gurgle shells and sampler

External material:
Track 1: Samples from soundtrack "SE7EN" by David Fincher
Track 3 & 10: J. Cage voice-samples, "Diary" (part VIII) by John Cage
Track 4: Laura Elena Harring voice-sample
Track 6: Marcel Duchamp voice-sample
Track 7: Allen Ginsberg voice-samples
Track 8 & 8a: Jack Kerouac voice-samples

"Art's not empty if it shows its own emptiness."

— Allen Ginsberg, Mind Breaths, Manifesto, 1974

"I played the wrong wrong notes." — Thelonious Monk

"A concept is about how to look at the earth from the moon without ever 
getting there..."

— Allen Ginsberg, 'Is About', Death & Fame, Last Poems 1993-1997

"Schoenberg said that music was repetition—repetition and variation. And 
he said variation is also repetition with some things changed and others 
not."

— John Cage remembering Schoenberg's teaching

"Montage (Film) - The art and technique of motion-picture editing in 
which contrasting shots or sequences are used to effect emotional or 
intellectual responses. It was developed creatively after 1925 by the 
Russian Sergei Eisenstein; since that time montage has become an 
increasingly complex and inventive way of extending the imaginative 
possibilities of film art. In still photography a composite picture, 
made by combining several prints, or parts of prints, and then 
rephotographing them as a whole, is often called a montage or a 
photomontage."

— The Columbia Electronic Encyclopedia, Copyright © 2003
Ralph Lichtensteiger | Studies and Montage-Pieces (2004)

€ 12,90 | order

incl. shipping (Germany)
plus € 4 (Europe)
plus € 6 (international)

ALL CDs AND DVDs ARE UNIQUE (with No.) AND ISSUED IN LIMETED EDITION 
WITH ORIGINAL PHOTOGRAPHS AND DESIGN ELEMENTS. ALL CDs MIXED AND 
RECORDED VIA HIGH RESOLUTION DIGITAL AUDIO TECHNIQUE AND EQUIPMENT.

All Compositions by Ralph Lichtensteiger. Copyright 2004 by
RALPH LICHTENSTEIGER | musique trouvé Frankfurt

You can order all CDs via email lichtconlon <at> t-online.de | subject: CD order

If you order outside Germany there are additional costs. Shipping costs 
for Europe: 4,00 €
Shipping costs for USA/Canada/Asia: normal mail 6,00 € | air mail 8,00 €

Please let me know if you have any further questions.
Kind regards,

Ralph Lichtensteiger

Marcthor97 | 5 Dec 2004 23:10
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Re: John Cage Influences


In a message dated 12/5/04 10:40:15 AM, rwmk_110385 <at> yahoo.com.hk writes:

<< Obviously Erik Satie played a heavy role in Cage's influences and some 
non-music artists(i.e. Marcel Duchamp), also his fellows, mentors, 
contmeporaries. Other than these have he mentioned others?  >>

The question of influences on Cage is an interesting one. Offhand I cant 
think of another composer who writes and talks so extensively about artists, 
writers, and philosophies--rather than other composers--as influences. Overall he 
is quite stinting in his praise and finds practically nothing of interest in 
traditional Western music, the major sticking points being repetition 
(especially melodic),  rhythmic regularity, and harmony (although his attitudes softened 
with age). He does approve of  Mozart, Schoenberg, and (for a while at least) 
Webern, but in terms of specific aspects (respectively, multiplicity of 
ideas, continual development, silence and discontinuity) rather than in terms of 
technique, style, or anything else for that matter. Similarly, when he speaks 
positively of Ives it is often in personal rather than musical terms, and he 
chooses those ideas in Ives's philosophy that jibe with his own beliefs. Even 
Satie, a composer for whom Cage's admiration is unconditional, is pressed into 
service to justify Cage's own aesthetics and compositional practices. This 
pattern can be seen in passages from Conversing with Cage (edited by Richard 
Kostelanetz) and in his writings in Silence, for instance, when discussing Feldman, 
Cowell,  and others.  

"fellows, mentors, contemporaries" certainly covers a lot. Perhaps if you 
could list the main suspects among this crew others could fill in.   

Vai Becker Jason Steve | 6 Dec 2004 06:19
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Re: John Cage Influences



Marcthor97 <at> aol.com wrote:


In a message dated 12/5/04 10:40:15 AM, rwmk_110385 <at> yahoo.com.hk writes:

<< Obviously Erik Satie played a heavy role in Cage's influences and some
non-music artists(i.e. Marcel Duchamp), also his fellows, mentors,
contmeporaries. Other than these have he mentioned others? >>



The question of influences on Cage is an interesting one. Offhand I cant
think of another composer who writes and talks so extensively about artists,
writers, and philosophies--rather than other composers--as influences. Overall he
is quite stinting in his praise and finds practically nothing of interest in
traditional Western music, the major sticking points being repetition
(especially melodic), rhythmic regularity, and harmony (although his attitudes softened
with age). He does approve of Mozart, Schoenberg, and (for a while at least)
Webern, but in terms of specific aspects (respectively, multiplicity of
ideas, continual development, silence and discontinuity) rather than in terms of
technique, style, or anything else for that matter. Similarly, when he speaks
positively of Ives it is often in personal rather than musical terms, and he
chooses those ideas in Ives's philosophy that jibe with his own beliefs. Even
Satie, a composer for whom Cage's admiration is unconditional, is pressed into
service to justify Cage's own aesthetics and compositional practices. This
pattern can be seen in passages from Conversing with Cage (edited by Richard
Kostelanetz) and in his writings in Silence, for instance, when discussing Feldman,
Cowell, and others.

"fellows, mentors, contemporaries" certainly covers a lot. Perhaps if you
could list the main suspects among this crew others could fill in.

 

Acutally I'm most curious that if Cage have any "non - western music" influences, like Chinese classical msuic for example, and maybe also some ancient music from Greek or other countries.

借過、一拍兩散、奇洛李維斯回信...
全港最大手機下載中心
http://mobile.yahoo.com.hk/

Marcthor97 | 6 Dec 2004 17:57
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Re: John Cage Influences


In a message dated 12/6/04 12:20:30 AM, rwmk_110385 <at> yahoo.com.hk writes:

<< Acutally I'm most curious that if Cage have any "non - western music" 
influences, like Chinese classical msuic for example, and maybe also some ancient 
music from Greek or other countries. >>

Important Eastern influences are philosophical and aesthetic rather than 
theoretical or practical. I suggest David Patterson's chapter in John Cage: Music, 
 Philosophy , and Intention (edited by Patterson) and Tan's chapter in John 
Cage at Seventy-Five (ed. Fleming & Duckworth).

A few other specifics come to mind but I wouldn't call them 
influences--Cage's admiration for shakuhachi and (later) sho, the simulated Korean heterophonic 
entrances in Ryoanji, use of Greek modes (following Satie) in Cheap 
Imitation. 

Katherine Setar | 7 Dec 2004 05:38

Cage Influences

Hi everyone,

I'm new to the list.  My name is Katherine Setar and my friend, Joe 
Zitt, recommended this list to me.  I've done some reading on Cage (and 
a performed few of his pieces.)  In the trivia department, my childhood 
piano teacher went to the Cornish School and performed in some of Cage's 
early percussion pieces.  (Her name was Brabazon Lindsay, and she's 
mentioned on p. 61 of Richard Kostelanetz's anthology JOHN CAGE.)

To answer Ryan's questions on Cage influences:  Off the top of my head: 
  I remember reading the name Daisetz T. (D.T.)Suzuki--a Zen 
scholar--mentioned numerous times by Cage as a major influence.  Cage 
also was a mycologist (mushroom hunter) and ate macrobiotic food when 
his health declined in mid-life.  Incidentally, I think  it was Yoko Ono 
who turned Cage onto macrobiotic cooking.

Katherine Setar
silence-request <at> list.mail.virginia.edu wrote:
> 
> Hi all, I have a general question that I think all "new to Cage" people

  will ask, maybe you guys have answered many times, but please kindly do

  it again!:0
>  
> Obviously Erik Satie played a heavy role in Cage's influences and some

  non-music artists(i.e. Marcel Duchamp), also his fellows, mentors,

  contmeporaries. Other than these have he mentioned others? Cage is very

into the "Zen" thing and Chinese herbs, I wonder if Chinese (ancient)

  music have an influence on him, and also Greek (ancient) music, he used

  to study Greek in high school, dosen't he?
>  
> Please discuss
>  
> regards,
> Ryan
--

-- 
If you found this message as fascinating as I did,
you may find even more excitement at my website at
http://home.pacbell.net/setar/

Ralph Lichtensteiger | 8 Dec 2004 18:00
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bbc.co.uk: JOHN CAGE IN ONE MINUTE

bbc.co.uk: JOHN CAGE IN ONE MINUTE

http://www.bbc.co.uk/music/profiles/cage.shtml

kind regards,
ralph lichtensteiger
http://www.lichtensteiger.de/CD_finder.html

Glenn Freeman | 8 Dec 2004 18:16

Re: bbc.co.uk: JOHN CAGE IN ONE MINUTE

I encourage all members of Silence to inform the BBC that their discography for John Cage is very incomplete ...

http://www.bbc.co.uk/cgi-perl/music/muze/index.pl?site=music&action=discography&artist_id=4851

Visit ...

http://news.bbc.co.uk/1/hi/help/3281777.stm

... and refer the BBC to http://johncage.info for a full and accurate discography, not just a corporate 
discography.


Gmane