1 Jun 2009 14:35
BMCR 2009.06.03: Miguelez-Cavero on Catoni, La comunicazione non verbale nella Grecia antica. Gli schemata nella danza, nell'arte, nella vita. Universale Bollati Boringhieri 560
Bryn Mawr Classical Review <bmcreview <at> brynmawr.edu>
2009-06-01 12:35:14 GMT
2009-06-01 12:35:14 GMT
Maria Luisa Catoni, La comunicazione non verbale nella Grecia antica. Gli schemata nella danza, nell'arte, nella vita. Universale Bollati Boringhieri 560. Torino: Bollati Boringhieri, 2008. Pp. 416. ISBN 9788833918969. EUR 20.00 (pb). Reviewed by Laura Migue/lez-Cavero and Alicia Migue/lez-Cavero, Postdoctoral Researcher of the Spanish Foundation for Science and Technology (FECYT); University of Leo/n (Spain) (Lmigcav <at> hotmail.com; alimiguelez <at> hotmail.com) Word count: 1223 words ------------------------------- To read a print-formatted version of this review, see http://bmcr.brynmawr.edu/2009/2009-06-03.html To comment on this review, see http://www.bmcreview.org/2009/06/20090603.html ------------------------------- Maria Luisa Catoni, a researcher at the Scuola Normale Superiore di Pisa (Italy), first published this book in 2005.[[1]] It has now been reissued with a preface by Salvattore Settis (pp. vii-xi), a 2008 "Postilla" (pp. 11-15, mainly on mirror neurons), and final indexes of names and quoted passages. The title does not, however, do full justice to what Catoni offers, namely a thoroughly researched study on the uses of the word <greek>sxh=ma</greek>, drawing mainly on sources from the fifth and fourth centuries BC.[[2]] The first chapter (pp. 19-71) deals with the scientific uses of this term. In geometry, two traditions concurred: in the first, sponsored by Aristotle, the Stoics, Euclid, Heron of Alexandria and Proclus, schema is understood as a geometrical figure (i.e. what is contained within(Continue reading)
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