Reginald von Krolock | 2 Sep 2003 04:59
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Reg 2 Twin Peaks DVD- Which pilot?

Hi everyone,
I was wondering which version of the pilot is on the European (Reg 2) 
Box set; the broadcast one or the one with the stuck on finale which 
gave the whole story away which was released in Europe originally?
Best wishes,
Reggie.

Professor Vast | 12 Sep 2003 22:11
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Our good reverend. | 20 Sep 2003 19:29
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I just watched FWWM for the 2nd time.

The first time I watched FWWM, I didn't know what to think. I had 
only seen the first season and the first 7 episodes of the 2nd, up 
until Maddy's death. Later, I watched the whole series hoping that 
after I did, I would understand things like what the ring was, and 
who the hell Phillip Jefferies and Annie were. Well, I found out who 
Annie was of course, but I still didn't understand the ring nor the 
David Bowie scene. I read all of Cooper's autobiography, no mention 
of a Phillip Jefferies. I finnaly sat down and watched the DVD a 
second time last night, paying verrrry close attention to the scene 
with Phillip. This time I noticed some of the dialouge: "I'm not 
going to talk about Judy so don't ask.". I had never heard of a 
"Judy" in the series or in either Coop or Laura's books. This would 
be puzzling enough, but toward the very end of the movie, after 
Laura's death, there is a short shot of a monkey in a blue light. Now 
at first I thought I was imagining it, but the monkey seems to 
whisper: "Judy". I paused, rewound, and there it was agian, "Judy". 
Now here's the thing, I actually lost sleep last night from watching 
this movie! I came up with all kinds of crude therories, like maybe 
Judy is someone Coop possesed by BOB kills later, thus the line, "Do 
you know who that is?" as Phillip thinks Cooper is really BOB. I 
still didn't understand who Jefferies was either. Another therory I 
thought up was that maybe Phillip was this Judy's husband up until 
1987 where he somehow became "unstuck" in time from the power of the 
ring/lodges. What do you people think "Judy" is? On the other hand, I 
reilize that it's impossible to watch a Lynch film, which FWWM is, 
not a Peaks film really, it's impossible to watch one and try to 
dicern completly literal answers out of everything, just watch 
Mullholand Drive. You try to do that and you'll drive yourself insane.

P.S. At about 4 AM in the morning, I convinced myself that the whole 
(Continue reading)

SheriffTruman | 21 Sep 2003 06:20
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Re: I just watched FWWM for the 2nd time.

I would like to try to address your questions but I have to go to bed and get up early to fly out of state. I'll get back to you in about a week. I have put a lot of thought into these questions.

                    --Jeffrey

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C. L. Birch | 21 Sep 2003 06:05
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Re: I just watched FWWM for the 2nd time.


 > What do you people think "Judy" is? On the other hand, I
> reilize that it's impossible to watch a Lynch film, which FWWM is,
> not a Peaks film really, it's impossible to watch one and try to
> dicern completly literal answers out of everything,
---------

Oh, how true. I myself find that the best part of being a fan/viewer is that
my interpretation is but one of many and, as such, is neither necessarily
right or wrong.

For the record, I have developed my own take on "Judy" in an essay I have
written entitled "Electricity."

The "Judy" chapter is as follows: (apologies if the text is buggered in
transmission)

all the best,
Liam

JUDY

 When the monkey says this name, we immediately connect it with the
appearance of Philip Jeffries in the Philadelphia offices. Jeffries's
appearance is accompanied by the same electrical sound associated with the
other spirits. It is likely that he has been in contact with them, and
recently, as the lingering electricity implies. When Jeffries speaks with
Cooper, Rosenfield and Cole, he distinctly says "I'm not going to talk about
Judy. In fact, we're not going to talk about Judy at all." His reluctance to
deal with this supposed woman perhaps indicates a fear he doesn't want to
relive. But his subsequent disappearance likely returns him to the place he
has come from - likely a place like the red room or indeed, the red room
itself. Gordon Cole claims that Jeffries has been gone two years and
Jeffries responds that he "followed." Could this have been an assignment he
was on where he was to follow the spirits, or signs, to the other-worldly
place? The best insight into this concept is information gleaned from the
movie scripts which were not actually filmed. Jeffries was to be in Buenos
Aires, walking onto an elevator. He was to leave the same elevator in the
Philadelphia FBI offices as we witness in the movie. This 'portal'
connecting Argentina to Pennsylvania indicates the possibility that there
are other entrances to the other-worldly place other than Glastonbury Grove.
Jeffries also states that he met with the spirits in their convenience
store. This store is established by Philip Gerard as the place where the
spirits lived and met on Earth, but its location is unknown. Is there just
the one convenience store? Are there several around the world, including
Buenos Aires? Or is the convenience store another spiritual realm much like
the red room itself? The best clue as to what it all might mean is Jeffries
insistence that we all "live inside a dream." His experiences with the
portals, the convenience store and anything else that took place during his
two year absence is likely behind this claim. But where does Judy fit into
all of this? We don't know if Judy is a fellow FBI agent working with
Jeffries. We also don't know why he brings her up without being prompted.
Could his fear of Judy be enough to get that concern off his chest right
from the start? The Man From Another Place says "with this ring, I thee wed"
among the experiences related by Jeffries in Philadelphia. Could the Man
have been implying that Jeffries was to marry 'Judy' (which would make Judy
the Man From Another Place...) - that his taking of the ring would be his
death just as it was for Laura? When Jeffries disappears again after such a
brief appearance, it seems that he is unable to return to his former life.
Perhaps he is trapped in the red room like Cooper eventually becomes. What
is clear is that he is a victim of the whole thing. He stumbled upon the
spirits on Earth and went to one of their meetings. He is now too deeply
involved to be allowed back and Mrs. Tremond's grandson confirms this by
pointing at the camera during Jeffries's testimonial and saying "fell a
victim." The fact that it is the monkey from the convenience store that
states "Judy" reveals that there is a connection between the spirits and
this unknown woman. Is she even a woman at all? Or is 'Judy' a code name
just as Gordon Cole gives codes and hidden meanings to important details?
The open-ended nature of this comment at the very end of the movie, in
particular, after the scene with the garmonbozia, leaves the viewer with the
impression that Judy is probably the single most important factor in
everything that goes on in the world of Twin Peaks. The monkey states it
bluntly and succinctly. Judy. Nothing more, nothing less. Jeffries does not
want to discuss it, yet he believes the whole situation to be a dream. Is
Judy the dream? Is Judy the relationship between the spirits of the
other-worldly place and the humans of our world? Is Judy the electricity
that surges between the worlds and makes the connection felt by those able
to sense it?

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Kiyo Ouchida | 24 Sep 2003 00:45
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Re: I just watched FWWM for the 2nd time.

I don't have much to go on here, but I just remembered
something: Why did Gerad/Mike cut off his arm in the
first place? He said it was beacuse he saw the face of
"God", and was purified. Although Mike still seems
evil in FWWM, I belive that is beacuse he still has a
strong connection with the "arm", the man from another
place. This is evidenced both by the MFAP's indian
whooping chant being heard in the scene where Mike
"attacks" Laura and Leeland, and more literally in the
scene in the red room where the MFAP touches Mike's
left shoulder and they demand their garmonbozia from
BOB in unison. In that scene it appears that the MFAP
is somehow controlling Mike by re-attaching himself to
his mind/body. What I was thinking is that prehaps
"Judy" is God, or at least a being of love from the
white lodge, a sort of antithesis of BOB, the devil of
fear from the black lodge. Mike saw the face of Judy,
and was purified, then cut off his arm which became
the MFAP. Phillip met Judy and well... SOMETHING
happened to him. Maybe he is being punished by her for something?

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SheriffTruman | 27 Sep 2003 05:43
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Re: Judy/electricity/etc.


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SheriffTruman | 27 Sep 2003 06:09
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Re: Judy/electricity/etc. 2nd attempt

Hey folks.
       I've watched FWWM many times and done a lot of circular thinking, but here's some ideas.
       I agree that "Judy", whoever she is, may be the key to everything in Twin Peaks, as Judy, Jeffries, and Gordon Cole's involvement (the "Blue Rose" cases) preceded Laura Palmer's case and everyone involved in it. While Judy may be a code name for a place or case, I don't really think so. Only vehicles really get female names and are then actually called "she". If Judy were a case I think Jeffries would say "In fact, we're not gonna talk about Judy at all, we're gonna leave that (or it) out of it". However, he says "we're gonna leave her out of it". I think Judy is an actual woman, and further that this is her actual first name. Given Lynch's tendency toward "twin" characters (more often polar opposites), I immediately took Jefferies to be Cooper's "twin/opposite": an FBI agent, but blond, unkempt, walking slumped and tired, and wearing a visual opposed outfit to Cooper's, down to white suit and flowered shirt. This made me immediately relat e "Judy" to Caroline Earle (or maybe to the woman who taught Cooper the "value of committment" as he relates when he and Harry's men do target practice; I don't think he was referring to Caroline, since you can't be committed to your married affair).
       It seems a given that Jeffries, an agent with a reputation ("You may have heard of him from the Academy"), was investigating a supernatural, probably a Blue Rose, case. He was succesful. His speech is sometimes unintelligible, but he mentions a couple of names who Cole should tell: "I found something".
       Here's a bunch of observations about this scene and the scene above the convenience store that Jeffries describes:
--Jeffries asks Cole: "Do you know who this is there?" ominously and points at
       at Cooper; this cross-fades into the image of the rage-filled and apparently  mindless creature in the red suit and mask who holds a stick and jumps
       repeatedly off of a platform. I believe this creature is Cooper.
--BOB and the MFAP sit together at the formica table while the other beings line
       the back wall. Without looking at the scene again right now I remember there
       being at least six, maybe seven: the masked creature, Mrs. Tremond/Chalfont,
       her grandson, the Woodsman (played by Jurgen Prochnow, who is in the
       opening title credits though he doesn't say even one word), and at least 2
       more beings who we don't see close up. Who are they?
--Another being (maybe one of the unidentified ones) simply states "Electricity".
       The electrical sound in the movie matches the sound of the MFAP in
       Laura/Cooper's dream when he says he is the arm and sounds "like this".
--The look of the formica table is similar to the look of a static-filled television:
       patterned the same, seeming to have depth, but actually flat and impenetrable.

Lynch's style is often tied to the 1950's, a supposedly idyllic era whose image and look he exploits to creepy effect. The formica table is right out of that era, and I think that there is a very subtle undercurrent of sadness to Jeffries "dream" that suggests lost innocence, much as America lost its innocence after the 50's. Incidentally I think Mrs. Tremond's grandson says that BOB "fell a victim", if you look at his position in the room vs. where he seems to be pointing.

There are many other complications created by FWWM. In the series the route between our world and BOB's seems to be natural, i.e. the sycamores/Glastonbury grove but in FWWM it is completely artificial: power lines/electricity. Why the change? And as important as they seem to Twin Peaks, the ring and garmonbozia are only mentioned in FWWM. Garmonbozia appears as creamed corn, which Mike accuses Leland/BOB of stealing from the convenience store in their road-rage confrontation.

Also, why is the supernatural Mike identical to his human counterpart, Philip Gerard? Did BOB's physical form originally match his supernatural one? I guess my conclusion is that both BOB and Mike were once normal men (though crazed killers) who somehow gained the ability to assume spirit form, and over time BOB lost the ability to appear in his natural form, and can now only take over other people or appear in visions. Mike, on the other hand, severed his actual physical arm, which took on a life of its own in the spirit world as the Man From Another Place.

I'll write again soon about my ideas as to the other beings in Jeffries' dream.
      
                    ---Jeffrey

Through the darkness of future past....

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Mark Harlo | 27 Sep 2003 07:26
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Re: Judy/electricity/etc. 2nd attempt

THhre was an interesting theory on Judy that I heard at the 2002 TP Fan Festival. It was that Judy was not a name but a day as in Thursday in French, Jeudi(?). Teresa Banks and Laura Palmer were both killed on a Thursday.

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C. L. Birch | 27 Sep 2003 16:20
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Re: Judy/electricity/etc. 2nd attempt

 
THhre was an interesting theory on Judy that I heard at the 2002 TP Fan Festival. It was that Judy was not a name but a day as in Thursday in French, Jeudi(?). Teresa Banks and Laura Palmer were both killed on a Thursday.

 

I find this highly interesting since a few years back I created a timeline to figure out exactly what happened on what days.

According to my notes,

Teresa dies Thursday, February 8, 1988
Laura dies Thursday, February 23, 1989
Waldo the bird dies Thursday, March 2, 1989
Jacques Renault is asphyxiated Thursday, March 2, 1989
Cooper and Leo are both shot the same night
Catherine supposedly dies in the fire the same night

My notes stop at Episode 13, Wednesday, March 8

I find it striking that the following episode is the one in which Maddy dies and it would take place on Thursday, March 9.

I think this theory has a lot of merit. I'm off to continue those notes.

Liam



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