LARRYSMILE | 2 Jun 2008 00:57
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Rantoul Theatre Group: Actors Needed for "Inherit The Wind"

PRESS RELEASE:

Actors Needed for “Inherit The Wind”

Director Michael C. Nelson is seeking additional cast members, male/female, to augment for modest roles in this historic courtroom drama based on the real life John Scopes’ “Monkey Trial” in Dayton, Tennessee in July of 1925.  The play has 30+ characters and townspeople, jurors, and spectators are needed.  A limited weekly commitment is required.

The play will be performed on July 25, 26, 27, August 1, 2, 3, 2008. Rehearsals are underway. 

The play version of “Inherit The Wind” by Jerome Lawrence and Robert E. Lee is drama based on the trial.  Phrases from the actual transcript are included in the play.   The story pits the teaching of Creationism against scientific facts regarding Darwin’s Theory of Evolution.  Scopes, a high school biology teacher, was charged with illegally teaching the theory of evolution.  

Interested actors can e-mail the director at webmaster <at> helicon7.org or call the theatre answer machine at 892-1121 and leave a message.

Larry Smith
Rantoul Theatre Group




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Kay Holley | 9 Jun 2008 15:03
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hi

v

 

Dear friend:

   We are an electronic products wholesale .Our products are of high quality and low price. If you want to do business , we can offer you the most reasonable discount to make you get more profits. We are expecting for your business.

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Kay Holley | 9 Jun 2008 20:47
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My apologies

Hey Station List--
 
Sorry about the bizarre email.  I guess I've been hacked.
 
Or punked?
 
Kay

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LARRYSMILE | 10 Jun 2008 17:28
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RE: The previously posted website for electronics products.

I noticed at the bottom of their website that their telephone number is in Europe.  Also, that prices are listed in Euros and the company seems to be in Germany.  And, their website starts to automatically download a program to your computer! 

Maybe there are companies a little "closer to home?"

Caveat Emptor

Larry Smith



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Fwd: RE:HI

This is the second message that has slipped by the filter.  The only way these spam messages can be sent to the list is if they are sent from the addresses of people who are subscribed to the list.  I do not allow new subscribers who are not legitimate, in order to safeguard against this.

Let's see if it continues to happen.  Joshua, did you send this message?  Or were you hacked as well?

Greg Springer

---------- Forwarded message ----------
From: Joshua Stewart <stewy05 <at> hotmail.com>
Date: 2008/6/10
Subject: [stationtheatre] RE:HI
To: "rhard <at> parkland.edu" <rhard <at> parkland.edu>, "ritas <at> uiuc.edu" <ritas <at> uiuc.edu>, "rmorris <at> parkland.edu" <rmorris <at> parkland.edu>, Rob Birchenough <rob <at> jlallen.com>, "rtbecket <at> hotmail.com" <rtbecket <at> hotmail.com>, Ryan Byers <tolonoguy <at> aol.com>, "sanmigl <at> uiuc.edu" <sanmigl <at> uiuc.edu>, "sbadman <at> parkland.edu" <sbadman <at> parkland.edu>, "screenwrite02 <at> yahoo.com" <screenwrite02 <at> yahoo.com>, "sdfeger <at> ilstu.edu" <sdfeger <at> ilstu.edu>, "singintim2002 <at> hotmail.com" <singintim2002 <at> hotmail.com>, "smcgowan <at> stu.parkland.edu" <smcgowan <at> stu.parkland.edu>, "stanton <at> soltec.net" <stanton <at> soltec.net>, "stationtheatre <at> yahoogroups.com" <stationtheatre <at> yahoogroups.com>, Steve <scomingd <at> css.edu>, "stewy05 <at> hotmail.com" <stewy05 <at> hotmail.com>, "sugababy_3 <at> excite.com" <sugababy_3 <at> excite.com>, Tara Cook <bunniechr3 <at> aol.com>, The Hemmers <whemmer <at> netcare-il.com>, The Sutherlands <jrsutherland <at> hotmail.com>, Theresa Carwile <lilqtchik01 <at> aol.com>, Theresa Richer <theresahope78 <at> hotmail.com>, "therickster20 <at> aol.com" <therickster20 <at> aol.com>, Tim Schirmer <tschirmer <at> parkland.edu>, "tkurtz <at> uiuc.edu" <tkurtz <at> uiuc.edu>, Tom Dowler <thees01 <at> aol.com>, Tom Hawk <guru <at> advancenet.net>, "tommygirl233045 <at> hotmail.com" <tommygirl233045 <at> hotmail.com>, "too_fly_hula <at> hotmail.com" <too_fly_hula <at> hotmail.com>, "tschnarre <at> parkland.edu" <tschnarre <at> parkland.edu>, "unitymusicboosters <at> mchsi.com" <unitymusicboosters <at> mchsi.com>, Vicki Schroader <trentsma1 <at> yahoo.com>, Vida Murray <vida_jm <at> yahoo.com>, "volleychick35 <at> hotmail.com" <volleychick35 <at> hotmail.com>, "wackyrose222 <at> yahoo.com" <wackyrose222 <at> yahoo.com>, Zach LeCrone <zlecrone <at> stu.parkland.edu>


hi,
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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Joshua D. Stewart
Illinois State University
Theatre Production and Theatre History Departments












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James Seay | 12 Jun 2008 23:04
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Theatre terms redefined

While these are not the definitions we learned in college, they are, perhaps, more accurate.  Read them and enjoy!
 
Jim Seay
 

The Community Theater Dictionary

Eternity The time that passes between a dropped cue and the next line Prop A hand-carried object small enough to be lost by an actor 30 seconds before it is needed on stage
Director The individual who suffers from the delusion that he or she is responsible for every moment of brilliance cited by the critic in the local review

Bloc king The art of moving actors on the stage in such a manner as not to collide with the walls, the furniture, the orchestra pit or each other. Similar to playing chess, except that the pawns want to argue with you.
Blocking Rehearsal A rehearsal taking place early in the production schedule where actors frantically write down movements which will be nowhere in evidence by opening night
Quality Theater Any show with which you were directly involved
Turkey Every show with which you were not directly involved
Dress Rehearsal Rehearsal that becomes a whole new ball game as actors attempt to maneuver among the 49 objects that the set designer add ed at 7:30 that evening
Tech week The last week of rehearsal when everything that was supposed to be done weeks before finally comes together at the last minute; reaches its grand climax on dress rehearsal night when costumes rip, a dimmer pack catches fire and the director has a nervous breakdown. Also known as hell week.
Set An obstacle course which, throughout the rehearsal period, defies the laws of physics by growing smaller week by week while continuing to occupy the same amount of space
Monologue That shining moment when all eyes are focused on a single actor who is desparately aware that if he forgets a line, no on e can save him
Dark Night The night before opening when no rehearsal is scheduled so the actors and crew can go home and get some well-deserved rest, and instead spend the night staring sleeplessly at the ceiling because they're sure they needed one more rehearsal
Bit Part An opportunity for the actor with the smallest role to count everybody else's lines and mention repeatedly that he or she has the smallest part in the show.
Green Room Room shared by nervous actors waiting to go on stage and the precocious children whose actor parents couldn't get a babysitter that night, a situation which can result in justifiable homicide
Dark Spot An area of the stage which the lighting designer has inexplicably forgotten to light, and which has a magnetic attraction for the first-time actor. A dark spot is never evident before opening night.
Hands Appendages at the end of the arms used for manipulating one's environment, except on a stage, where they grow six times their normal size and either dangle uselessly, fidget nervously, or try to hide in your pockets
Stage Manager Individual reponsible for overseeing the crew, supervising the set changes, babysitting the actors and putting the director in a hammerlock to keep him from killing the actor who just decided to turn his walk-on par t into a major role by doing magic tricks while he serves the tea
Lighting Director Individual who, from the only vantage point offering a full view of the stage, gives the stage manager a heart attack by announcing a play-by-play of everything that's going wrong
Makeup Kit (1) among experienced community theater actors, a battered tackle box loaded with at least 10 shades of greasepaint in various stages of dessication, tubes of lipstick and blush, assorted pencils, bobby pins, braids of crepe hair, liquid latex, old programs, jewelry, break-a-leg greeting cards from past shows, brushes and a handful of half-melted cough drops; (2) for first-time male actors, a helpless look and anything they can borrow
The Forebrain The part of an actor's brain which contains lines, blocking and characterization; activated by hot lights
The Hindbrain The part of an actor's brain that keeps up a running subtext in the background while the forebrain is trying to act; the hindbrain supplies a constant stream of unwanted information, such as who is sitting in the second row tonight, a notation to seriously maim the crew member who thought it would be funny to put real tabasco sauce in the fake Bloody Marys, or the fact that you need to do laundry on Sunday.
Stage Crew Group of individuals who spend their evenings coping with 50-minute stretches of total boredom interspersed with 30-second bursts of mindless panic
Message Play Any play which its director describes as "worthwhile," "a challenge to actors and audience alike," or "designed to mak e the audience think." Critics will be impressed both by the daring material and the roomy accommodations, since they're likely to have the house all to themselves.
Bedroom Farce Any play which requires various states of undress on stage and whose set sports a lot of doors. The lukewarm reviews, all of which feature the phrase "typical community theater fare" in the opening paragraph, are followed paradoxically by a frantic attempt to schedule more performances to accommodate the overflow crowds.
Assistant Director Individual willing to undertake special projects that nobody else would take on a bet, such as working one-on-one with the brain-dead actor whom the rest of the cast has threatened to take out a contract on.
Set Piece Any large piece of furniture which actors will resolutely use as a safety shield between themselves and the audience, in an apparent attempt to both anchor themselves to the floor, thereby avoiding floating off into space, and to keep the audience from seeing that they actually have legs

Definitions From Our Visitors

Upstaging Acting method utilized by the character "Delightful" in the southern comedy Dearly Departed.
From Dennis Knapp, Barnwell County Circle Theatre
Critic 1) After a rave review, a font of wisdom and authority; 2) After a damning review, a fool who wouldn't know if his hair was on fire.
From Samela Harris
Costume An article of clothing which doesn't fit, smells of mothballs, and is in constant need of repair. (See also Goodwill)
From The V-Man
Headset 1) An electronic device which the stage manager uses to give cues to the light board operator, and other crew members.
2) An electronic device which when worn gives the user the right to say absolutely anything about any cast member, crew member, audience member, or anybody else, except others with headsets, at any time.
Nora S. Beck, Stage Coach Players, Dekalb, Illinois
Pit 1) The 10 foot by 5 foot area which the stage manager insists is more than enough room for 2 pianos, a drum set, 4 horns, 2 woodwinds, 2 strings, a make-shift dressing room, three set pieces, and several thousand beer cans.
2) A group of trained or untrained musicians who willingly give up their time to gather together to eat vast amounts of gummy ____ (insert your favorite here), as well as other forms of nourishment, and use their honorarium, which hardly covers their gas money, to buy as much beer as possible, and lastly to provide at least one form of entertainment for the paying audience.
Brian Vaupel, Stage Coach Players, Dekalb, Illinois
Strike The time immediately following the last performance while all cast and crew members are required to stay and dismantle, or watch the two people who own Makita screw drivers dismantle, the set.
Gloria Dennison, Stage Coach Players, Dekalb, Illinois
Actors (As de fined by a set designer) People who stand between the audience and the set designer's art, blocking the view. That's also the origin of the word "blocking", by the way.
Greg Quillinan, Florham Park Players, Morris Plains, NJ Stage Right, Stage Left Two simple directions actors pretend not to understand in order to drive directors crazy. ("No, no, your OTHER stage right!")
Teri Robert, Actor's Guild of Parkersburg, WV
I'm not entirely sure whether this is a definition or an aphorism, but it's one of our favorites.
"Just remember: It's only community theatre until it offends someone... then it's ART!"
Scott R. Bloom
The Community Theater Green Room
www.communitytheater.org
© 1999 - 2007 Chris & Mike Polo
All rights reserved.


James L. "Jim" Seay
Playwright, Drama Critic, and Director
332 Norwalk Road
Springfield, IL 62704-1288
Ph. No. 217-726-6683
Cell Ph. No.  217-416-7194
Fax No. 217-726-6683 (Call First)
e-mail: james_seay31 <at> yahoo.com

"When power leads man to arrogance,
poetry reminds him of his limitations."
--John Fitzgerald Kennedy
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James L. "Jim" Seay
Playwright, Drama Critic, and Director
332 Norwalk Road
Springfield, IL 62704-1288
Ph. No. 217-726-6683
Cell Ph. No.  217-416-719 4
Fax No. 217-726-6683 (Call First)
e-mail: james_seay31 <at> yahoo.com

"When power leads man to arrogance,
poetry reminds him of his limitations."
--John Fitzgerald Kennedy

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dellarte69 | 16 Jun 2008 01:01
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Zoo 2.0 this Wednesday

That's right...it's that Third Wednesday of the Month....which
means.....

Zoo Improv....Live!  Wednesday, June 18th, Iron Post, 8 pm, $4 cover.

Come see the impact that our training in Chicago during the Chicago
Improv Festival has had on us.  A whole new level of improv.  New
approaches to long form.  New energy between us.

Each show is unique!  This performance has never been seen before and
will never be seen again!  Zoo Improv performs a mixture of short and
long form improvisation.

Short form consists of short, unrelated scenes within a game,
structure, or idea, and inspired by audience suggestions.

Long form involves performers creating mini-shows in which improvised
scenes are connected or progressive, interrelated by story, characters,
or themes.

The Iron Post serves food as well as beverages so come and enjoy! (
http://www.theironpost.com/ )

Visit us at zooimprov.com! ( http://www.zooimprov.com/ )

See you all Wednesday!

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Kay Holley | 16 Jun 2008 08:24
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Celebration Company Banquet

The Celebration Company Annual Banquet will be held Sunday August 3rd, 2008 at the Great Impasta.
 
Cocktails will begin at 6 pm, and dinner will be served at 6:30.  Cost per person is $13.00.  We will celebrate the season just-past and announce the season for '08-'09.
 
If you wish to attend, please call Rick Orr at 398-1103 and tell him your name and the number of people in your party.  There is also a sign up sheet at the theatre.  Please let us know by July 29th. 
 
Join us!

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Kay Holley | 16 Jun 2008 21:35
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Banquet redux--

The Celebration Company Annual Banquet will be held Sunday August 3rd, 2008 at the Great Impasta.
 
Cocktails will begin at 6 pm (cash bar), and dinner will be served at 6:30.  Cost per person is $13.00.  We will celebrate the season just-past and announce the season for '08-'09.
 
If you wish to attend, please call Rick Orr at 398-1103 and tell him your name and the number of people in your party.  There is also a sign up sheet at the theatre.  Please let us know by July 29th. 
 
Join us!

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Kathy | 18 Jun 2008 04:07
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Do you need a monologue for an Audition? Class? or Workshop?

Do you need a monologue for an Audition? Class? or Workshop?

Do you need advice on how to prepare a monologue?

http://kgmccarty.homestead.com/

You'll find monologues, for all types of characters, as well as a 
video explanation of the work necessary to prepare your monologue.

Kathryn G. McCarty, a Southern IL native, is Founder/Artistic 
Director of Galatean Players Ensemble, now in its 16th year. As a 
playwright, she has been produced throughout the San Francisco Bay 
Area, Los Angeles and Chicago.  She has 25 years experience teaching 
and directing in numerous venues throughout the country.   "McCarty's 
plays have a sharp and refreshing wit, and a vibrant sort of story-
telling that gives her characters a wonderful sense of humanity, and 
her plays a unique take on the passing scene."   Pat Craig, Contra 
Costa Times

"The diversity in McCarty's writing - with themes ranging from aging, 
to homosexuality, to Blues music is immense. The way she 
empathatically touches on the human experience, bringing her 
audiences from laughter to tears in a split second proves a cathartic 
experience for all those involved."   Sally Hogarty,  Orinda News

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