1 Aug 2006 10:51
RE: killer clowns
Joel McKim <joelmckim <at> hotmail.com>
2006-08-01 08:51:38 GMT
2006-08-01 08:51:38 GMT
Has anyone mentioned the presence of very sinister clowns in the artist Bruce Nauman's work (see "Clown Torture" and "Double No")? Samuel Beckett's tragic and pathetic clowns seem appropriate as well. Joel Joel Mckim Phd Centre for Cultural Studies Goldsmiths College University of London j.mckim <at> gold.ac.uk >From: David Schmid <schmid <at> buffalo.edu> >Reply-To: Cultural Studies <cultstud-l <at> comm.umn.edu> >To: cultstud-l <at> comm.umn.edu >CC: schmid <at> buffalo.edu >Subject: [cultstud-l] killer clowns >Date: Sat, 29 Jul 2006 14:11:22 -0400 > >I'm hoping that list members can help an early modernist colleague of mine >who, in his >words, is working on: > >"the trope of the miserable comic - the familiar >and perpetual "tears of a clown" narrative that's an obligatory part of any >great humorist's biography. I'm focusing on the career of the Regency >pantomimist Joseph Grimaldi, who I contend to be the conscious and >unconscious architect of the trope, but to begin, I want to trace a >genealogy of how and when clowns changed from being funny to creepy or >outright psychotic. Leoncavallo's opera "Pagliacci" (1892) is most likely(Continue reading)
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