Lindsay Palmer | 20 May 2013 18:23
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CFP: Media Spaces of Gender and Sexuality

Apologies for cross-posting!
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CFP: Media Spaces of Gender and Sexuality

Media Fields Journal

University of California, Santa Barbara

 

This issue of Media Fields investigates the connections between media, space, gender, and sexuality, seeking conversations that center on these interrelations and negotiations. We invite papers that raise questions of how media spaces construct gender, and how gender, in turn, constructs media spaces; how spaces condition and are conditioned by gender performances and sexual practices; and how gender legibility limits (or allows) access to various media spaces.

 

Film and media scholarship historically came of age through its study of the relationship between gender, sexuality, and media. Much has been written about the status of women as objects of the cinematic gaze, as well as about the status of female and queer-identified subjects as media producers. Yet in more recent times, issues of gender and sexuality have once again become marginalized in academic discourse, revealing the need for new explorations that coincide with the impact of the “spatial turn.” In this age of conflict, dissent, surveillance, and migration—when the study of media is often also the study of the precariousness and dynamism of the spatial—it is particularly important to trace the interconnections between space, media, and gender.

 

We are inspired by the work of those film and media scholars who have explored such interconnections. Lynn Spigel’s seminal book on the gendered discourse surrounding domestic television viewing provides us with one useful example, as does Lucas Hilderbrand’s forthcoming work on the culture of gay bars after Stonewall. While some scholars like Spigel and Hilderbrand have studied the connections between gender, space, and media in their own work, fewer media studies journals have made this topic a primary focus. As a result, we seek scholarship that deals with space in a range of ways: essays might discuss online spaces that allow for specific negotiations of gender or sexuality, or with gender embodiment in physical spaces of various scales, from the very local (the living room, for example) to the global.

 

Essays might also draw upon feminist interventions into Marxist/historical materialist theories of space, as well as engaging the intersections between gender, race, and class. These important intersections exceed the label, “identity politics”—a label that we feel is now often deployed in order to debunk the continued relevance of gender and sexuality to any scholarly conversation. While we do indeed call for political approaches to gender and space—essays informed by the agendas of feminist and queer activism—we stress that gender and sexuality are not merely areas of special interest, but are instead structuring principles of discrimination that permeate our lives on a number of registers.

 

Thus, our approach is multivalent. We invite submissions that consider this complexity, possibly addressing the following topics:

 

--Transnational Queer and Feminist Media: How are flows of bodies, labor, capital, and images gendered and sexualized?

 

--Queering Questions of Scale: How does heterosexism delimit notions of nation, state, and the transnational?

 

--Gendered Spaces of Conflict and Dissent: How do media contribute to the gendering of the different spaces of war and dissent as well as of the subjects who are involved?

 

--Gender, Sexuality, and Online Spaces: How are social media practices and spaces gendered and sexualized?

 

--Queer/Feminist Gaming: representations of gendered and sexualized spaces in mainstream video games, gendered geographies of video game production,  gendered spaces of gaming culture

 

--Spaces of Surveillance: How is surveillance fundamentally gendered, sexualized, and spatialized? How does voyeurism continue to bolster certain experiences of space and place?

 

--Gendered Infrastructures: How are media infrastructures gendered, and why does this matter?

 

--Gender, Sexuality and Access: How do gender and its legibility (e.g., normativity) result in certain types of access to particular spaces?

 

We are looking for essays of 1500-2500 words, digital art projects, and audio or video interviews exploring the relationship between gender, sexuality, and space. We encourage approaches to this topic from scholars in cinema and media studies, anthropology, architecture, art and art history, communication, ecology, geography, literature, musicology, sociology, and other relevant fields.

 

Feel free to contact issue co-editors, Hannah Goodwin and Lindsay Palmer, with proposals and inquiries.

Email submissions to submissions <at> mediafieldsjournal.org by May 30th, 2013.

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Michelle Rodino-Colocino | 18 May 2013 05:34
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CFP: UDC Project & Censored in San Francisco November 1-3

CFP: The Point is to Change it: Media Democracy and Democratic Media in Action

http://www.democraticcommunications.net/conference/udc-2013/CFP

Union for Democratic Communications and Project Censored Conference 2013

We invite submissions for the Union for Democratic Communication and Project Censored conference November 1-3, 2013 at the University of San Francisco.  Submission deadline is June 1, 2013.

With increasingly precarious employment, accelerating ecological degradation, gulfs between the 1% and the 99%, as well as dramatic booms and busts, we need a global media responsive to the 99%.  We need rigorous critique of corporate media’s commodification of social life. We need critique of all forms of censorship, systematic information exclusion, and propaganda.  We need grounded ideas for democratizing media in all formats and genres.  We need media justice.

To revitalize and retool media democracy in today’s media landscape, the Union for Democratic Communications (UDC) and Project Censored are teaming up for our 2013 conference.  UDC, which held its first conference in 1981, has worked to overcome concentrated political-economic power in order to contribute to a world based on economic justice, equality, and peace.  Project Censored, founded in 1976, has made its mission to expose and counteract modern-day censorship.  Together, UDC and Project Censored hope to contribute to a more democratic society and world by sharing our scholarly and activist projects. 

We invite research, activist & artistic proposals from critical perspectives interrogating media institutions and technologies, political/economic structures, media practices, cultural practices & audiences; we invite studies in critical pedagogy and research on media activism.  Proposals that address pro-democratic media reform or outline efforts to expand citizen access to media are particularly welcome.   

We welcome the following proposals emailed to udcpc2013 <at> gmail.com by June 1, 2013:

1. 500-word abstracts that describe the purpose and significance of your research and/or activist projects, especially those that address the issues outlined in the call. 

2. Full papers (up to 25 pages including references) from graduate and undergraduate students.  The top student paper will be considered for the Top Student Paper Award. Student papers should be indicated as such and also contain a 500-word abstract. Students may apply for funding to cover some of their travel expenses through the Jeanne Hall Memorial Fund. To be considered for such funding, please include a one-line request for consideration of such funding on the top of your proposal.

3. Presentations of Media Literacy projects, including films and multimedia related to the call.

4. Finally, we welcome proposals for pre-constituted panels.  Please include 500-word abstracts for each participant (4-5 participants) and one panel rationale of 200-350 words that articulates the connections between the projects and the overall significance of the panel.

Sponsored in part by the Department of Media Studies, University of San Francisco








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Stevphen Shukaitis | 15 May 2013 19:01

Interface 5(1) now out. Struggles, strategies and analysis of anticolonial and postcolonial social movements

Interface: a journal for and about social movements 
http://interfacejournal.net

Volume five, issue one (May 2013): Struggles, strategies and analysis of 
anticolonial and postcolonial social movements

Issue editors: Aziz Choudry, Mandisi Majavu, Lesley 
Wood
http://www.interfacejournal.net/current/

Volume five, issue one of Interface, a peer-reviewed online journal 
produced and refereed by social movement practitioners and engaged 
movement researchers, is now out, on the special theme "Struggles, 
strategies and analysis of anticolonial and postcolonial social 
movements”. Interface is open-access (free), global and multilingual. 
Our overall aim is to "learn from each other's struggles": to develop a 
dialogue between practitioners and researchers, but also between 
different social movements, intellectual traditions and national or 
regional contexts.

Like all issues of Interface, this issue is free and open-access. You 
can download articles individually or a complete PDF of the issue (7.44 
MB). Please note that you can also subscribe (free) on the right-hand 
side of the webpage to get email notification each time a new issue or 
call for papers is out. This issue of Interface includes 388 pages and 
21 pieces, by authors writing from / about Australia, Brazil, Canada, 
Chile, India, New Zealand, Northern Ireland, the UK and the US among 
other countries.

Articles in this issue include:
• Aziz Choudry, Mandisi Majavu, Lesley Wood,
Struggles, strategies and 
analysis of anticolonial and postcolonial social movements 

Anticolonial and postcolonial social movements
• Dip Kapoor, 
Trans-local rural solidarity and an anticolonial politics 
of place: contesting colonial capital and the neoliberal state in India
• Ian Hussey and Joe Curnow, 
Fair Trade, neo-colonial developmentalism, 
and racialized power relations
• Julia Cantzler, 
The translation of Indigenous agency and innovation 
into political and cultural power: the case of Indigenous fishing rights 
in Australia
• Hilde Stephansen, 
Starting from the Amazon: communication, knowledge 
and politics of place in the World Social Forum
• David Austin, Aziz Choudry, Radha d'Souza and Sunera Thobani, 

Reflections on Fanon's legacy (four short pieces)

General articles
• Cynthia Cockburn, 
A movement stalled: outcome of women's campaign for 
equalities and inclusion in the Northern Irish peace process
• M. Dawn King, 
The role of societal attitudes and activists' 
perceptions on effective judicial access for the LGBT movement in Chile
• Paul Sneed, 
Infotainment and encounter in the pacification of Rocinha 
favela
• Mark Stoddart and Howard Ramos, 
Going local: calls for local 
democracy and environmental governance at Jumbo Pass and the Tobeatic 
Wilderness Area
• Anna Feigenbaum and Stevphen Shukaitis with Camille Barbagallo, Jaya 
Klara Brekke, Morgan Buck, Jamie Heckert, 
Malav Kanuga, Paul Rekret and 
Joshua Stephens,
Writing in a movement: a roundtable on radical 
publishing and autonomous infrastructures (roundtable)

Special contribution
• Tomás Mac Sheoin, 
Framing the movement, framing the protest: mass 
media coverage of the anti-globalisation movement

This issue’s reviews include the following titles:
• Raúl Zibechi, Territories in resistance: a cartography of Latin 
American social movements. Reviewed by Colleen Hackett.
• Peter Dwyer and Leo Zeilig, African struggles today: social movements 
since Independence. Reviewed by Jonny Keyworth.
• D. Roderick Bush, The end of white supremacy: black internationalism 
and the problem of the color line. Reviewed by Hleziphi Naomie Nyanungo.
• Jean Muteba Rahier, Black social movements in Latin America: from 
monocultural mestizaje to multiculturalism. Reviewed by Mandisi Majavu.
• Christian Scholl, Two sides of a barricade: (dis)order and summit 
protest in Europe. Reviewed by Ana Margarida Esteves.
• Alice Te Punga Somerville. Once Were Pacific: Māori connections to 
Oceania. Reviewed by Ella Henry.

A call for papers for volume 6 issue 1 of Interface is now open, under 
the heading "Pedagogical practices of social movements". Along with 
themed submissions we welcome pieces on any aspect of social movement 
research and practice that fit within our mission statement 
(http://www.interfacejournal.net/who-we-are/mission-statement/). We can 
review and publish articles in Afrikaans, Arabic, Catalan, Croatian, 
Danish, Dutch, English, French, German, Hungarian, Italian, Maltese, 
Norwegian, Portuguese, Romanian, Russian, Serbian, Spanish, Swedish, 
Turkish and Zulu. The website has the full CFP and details on how to 
submit articles for this issue at

http://www.interfacejournal.net/wordpress/wp-content/uploads/2013/05/Interface-5-1-CFP-vol-6-no-1.pdf.
 

The forthcoming issue of Interface (November 2013), celebrating our 
tenth issue, is open-themed.



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Caitlin Bruce | 15 May 2013 16:16
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Due Sunday: Film and Media in the Tracks of Deleuze Summer Institute in Rhetoric and Public Culture July 15-19, 2013 at Northwestern University

Subject: DUE SUNDAY: Call for Participants:
Film and Media in the Tracks of Deleuze
Summer Institute in Rhetoric and Public Culture
July 15-19, 2013 at Northwestern University, Evanston, IL 60208

The annual one-week summer institute in Rhetoric and Public Culture
for graduate students will be held at Northwestern University
(Evanston, IL) on July 15-19, 2013. This year’s institute theme is:
“Film and Media in the Tracks of Deleuze”. Thirty years after the
publication in French of Cinema 1: The Movement-Image, Deleuze’s work
on cinema remains at the center of contemporary debates on film, and
its relationship to other visual media, as well as to philosophy,
literature and political thought. This institute will bring together
prominent scholars of film, literature and theory to explore the
relationship of Deleuze’s work on cinema to his thought as a whole, as
well as to that of other major theorists who are, in various ways, in
dialogue or conflict with that work. It will particularly focus on the
possibilities and limits of Deleuze’s approach to media aesthetics
both for interpreting historical and contemporary media practices and
for mapping the relationship of film (and art in general) to politics.

The seminar, directed by Professors Scott Durham and Dilip Gaonkar,
will consist of five days of presentations and discussions led by four
distinguished group of visiting faculty. They are:

Serge Cardinal, Professeur agrégé, Département d’histoire de l’art et
d’études cinématographiques, Université de Montréal.

Tom Conley, Abbot Lawrence Lowell Professor of Romance Languages and
Literatures and of Visual and Environmental Studies, Harvard
University.

Gregory Flaxman, Associate Professor of English and Comparative
Literature and Adjunct Professor of Communication Studies, UNC, Chapel
Hill.

Eleanor Kaufman, Professor of Comparative Literature, English, and
French and Francophone Studies, UCLA.

Lectures will occur in the afternoon and the mornings will be
dedicated to workshops around readings (assigned in advance) for each
lecture. The overlapping format enables both student and faculty
participants to continue informal scholarly discussion during group
lunches and dinners.

The seminar is sponsored by the Center for Global Culture and
Communication, an interdisciplinary initiative of Northwestern
University School of Communication. The Center will subsidize
transportation (up to $250), lodging, and some meals for admitted
students. Applicants should send a letter of nomination from their
academic advisor, along with a one-page statement explaining their
interest in participating in this year’s institute, to the summer
institute coordinator Caitlin Bruce (bruce.caitlin <at> gmail.com). We will
adopt a policy of rolling admissions. Priority will therefore be
granted to strong applications that are submitted in a timely fashion,
preferably by May 19th. All inquiries should be directed to Caitlin
Bruce (bruce.caitlin <at> gmail.com).

Posted by: Caitlin Bruce, bruce.caitlin <at> gmail.com

--

-- 
Caitlin Bruce
Department of Communications
Rhetoric and Public Culture
Northwestern University

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Amanda Lashaw | 14 May 2013 23:01
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The Future of NGO Studies--Call for Session Participants

Call For Participants

The Future of NGO Studies conference is seeking individuals who are interested in becoming presenters for existing sessions. The conference will include roughly fifteen sessions, and the following are currently recruiting participants:

1. Beyond Neoliberalisms: Broadening the Focus of NGO Studies

2. The Anthropology of Conservation NGOs

3. The Ethics and Politics of NGO-Dependent Anthropology 

4. Social Problems through the Lens of NGOs

5. Laboring in Nonprofits and NGOs

6. Re-contextualizing NGOs as Fieldsite

7. NGOs in the World System: Product or Provocation?

Please visit the conference website for session descriptions and email addresses of session organizers, whom you should contact by JUNE 15 if you would like to submit an abstract.  The following link connects to all session descriptions; please note that the subset of sessions seeking presenters is indicated by bold organizer names that link to appropriate contact information.

http://www.niu.edu/ngold/news/conference_sessioins.shtml.

The website also provides a conference overview, a preliminary schedule, and a link to our pre-registration poll of people planning to attend the fall meeting.  We hope you'll join us.


------------------------

The Future of NGO Studies Conference

Presented by: Northern Illinois University's Center for NGO 
Leadership and Development

Co-sponsored by: DePaul University's Irwin W. Steans Center for Community-based Service Learning, Anthropology Department, School of Public Service, and International Public Service

Conference Coordinating Committee: Christian Vannier, Mark Schuller, Steve Sampson, David Lewis, Amanda Lashaw, and Pat Foley 

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Katharine Persephone Zakos | 13 May 2013 18:42
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In Media Res – The Feelings Business: The Real Housewi ves Franchise

 

This week’s In Media Res theme focus is The Feelings Business: The Real Housewives Franchise (May 12 - May 17, 2013).

 

Here's the line-up:

http://mediacommons.futureofthebook.org/imr/

 

 

Monday, May 13, 2013 - Rachel Silverman (Embry Riddle University) presents: Welcome to The Clubhouse

 

Tuesday, May 14, 2013 - Jacquelyn Arcy (University of Minnesota) presents: Real Housework: Branding Emotional Labor in The Real Housewives of New York City

 

Wednesday, May 15, 2013 - Kimberly Springer (School of Information, University of Michigan) presents: The Real Housewives of Atlanta’s African Adventure

 

Thursday, May 16, 2013 - David R. Coon (University of Washington Tacoma) presents: Weathering a Recession with The Real Housewives

 

Friday, May 17, 2013 - Chelsea Bullock (University of Oregon) presents: The Labor of Intimacy in the Affective Marketplace of The Real Housewives of Atlanta

 

Theme week organized by Jing Zhang (Georgia State University).

 

To receive links for each day’s posts and stay up to date on our latest calls for curators, please be sure “like” our newly launched Facebook page: https://www.facebook.com/mediacommons.inmediares

 

You can also follow us on Twitter at <at> MC_IMR

 

For more information, please contact In Media Res at inmediares.gsu <at> gmail.com or email the Coordinating Editor, Alisa Perren, at aperren <at> gsu.edu.

 

Best,

The In Media Res Team

 

 

 

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Joanna Zylinska | 13 May 2013 11:11
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Photomediations Machine: launch + call for contributions

PHOTOMEDIATIONS MACHINE
http://www.photomediationsmachine.net

We are pleased to announce the launch of Photomediations Machine: a 
curated online space where the dynamic relations of mediation as 
performed in photography and other media can be encountered, experienced 
and engaged.

Photomediations Machine adopts a process-based approach to image making 
by tracing the technological, biological, cultural, social and political 
flows of mediation that produce photographic objects. Showcasing 
theoretical and practical work at the intersections of art and 
mainstream practices, Photomediations Machine is both an archive of 
mediations past and a site of production of media 
as-we-do-not-know-them-yet. Photomediations Machine is non-commercial, 
non-profit and fully open access.

Curated by Joanna Zylinska and Ting Ting Cheng, Photomediations Machine 
has an International Advisory Board which includes Katherine Behar, Lisa 
Cartwright, Alberto López Cuenca, Asbjørn Grønstad, Richard Grusin, 
Sarah Kember, Max Liljefors, Melissa Miles, Nicholas Mirzoeff, W.J.T. 
Mitchell, Luiza Nader, Nina Sellars, Jonathan Shaw, Katrina Sluis, 
Marquard Smith, Hito Steyerl and Bernadette Wegenstein. It is a sister 
project to the online open access journal Culture Machine 
(http://www.culturemachine.net), established in 1999.

***
Photomediations Machine invites the following types of submissions:

• Visual projects that fit the photomediations theme (selection of 
images, links to video hosted elsewhere). We accept submissions from 
artists themselves as well as from theorists and curators. All visual 
projects need to be accompanied by a short description or a 
contextualisation piece.

• Short articles (up to 2000 words, including references) on any aspect 
of photomediations, accompanied by one or more images.

• Reviews (up to 1400 words, including references) of any relevant 
exhibitions, events or publications, accompanied by one or more images.

• Interviews with artists, theorists, activists and curators (up to 2000 
words) working at the interstices of photography and media, accompanied 
by one or more images.

• Announcements / news about current exhibitions, installations, events 
and publications that will be of interests to Photomediations Machine’s 
readers (100-500 words), accompanied by one or more images.

Please submit all text as a Word or rtf document and all images as 
low-res jpegs (1024×768 px; 72dpi). For written submissions, please use 
the Culture Machine style sheet. Authors need to clear copyright to all 
images used. Decisions about individual submissions will be made by 
Photomediations Machine’s curators in consultation with members of its 
International Advisory Board and external advisors.

Please send your submission to: mail <at> photomediationsmachine.net

Website: http://www.photomediationsmachine.net
Twitter:  <at> Photomediations

--

-- 
Professor Joanna Zylinska
Department of Media and Communications
Goldsmiths, University of London
http://www.joannazylinska.net

Artistic Director of the Festival of New Media and Video Transitio_MX05 "Biomediations" in Mexico City in 2013

New book: Life after New Media: Mediation as a Vital Process
http://mitpress.mit.edu/books/life-after-new-media-0

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Benita Heiskanen | 12 May 2013 03:20
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2nd CFP: Traveling Whiteness: Interchanges in the Study of Whiteness

2nd CFP: Traveling Whiteness: Interchanges in the Study of Whiteness

October 18-19, 2013
University of Turku, Finland

Keynote Speakers        

Dr. Mike Hill (University at Albany-SUNY)
Dr. Philomena Essed (Antioch University)

The study of Whiteness emerged in the United States as a field of inquiry into the historical, social, and cultural aspects of Whiteness as a source of identity formation and socio-historical power relations. During the past three decades, the notion of Whiteness has been studied from a number of inter/disciplinary, theoretical, and geographic perspectives. As the study of Whiteness has traveled across geographic locations and scholarly contexts, it has become a subject of heated debates regarding its epistemological conceptualization, theoretical delineation, and methodological applicability. 

“Traveling Whiteness” calls attention to the various geographic, socio-historical, and cultural contexts within which the study of Whiteness emerges. In particular, we are seeking to explore the following questions: Where does the study of Whiteness appear? How does the notion of Whiteness transform in its multiple locations? How does it shape our understanding of race/racism? What epistemological, theoretical, and methodological challenges does traveling bring with it? How does Whiteness transform within specific inter/national, socio-historical, and political contexts? What possibilities and prospects does traveling entail? 

Possible topics for paper presentations, complete panels, and thematic workshops may include:

•       Social Constructions of Whiteness
•       Identity Formation and Whiteness
•       Race, (Anti-)Racism, and Whiteness
•       Ideologies and Discourses of Whiteness
•       Class, Social Inequalities and Whiteness
•       Gender, Sexuality, and Whiteness
•       Spaces/Places of Whiteness
•       Representational Whiteness
•       Legislation and Whiteness
•       Sporting Whiteness

Please email abstracts of 250 words for either 20-minute paper presentations or complete panels or thematic workshops, together with a max. 150-word bio, including name, institutional affiliation and position, phone number and postal and email addresses, to travelingwhiteness <at> gmail.com.

Abstract Deadline: June 15, 2013. Participants will receive notifications of acceptance by July 15, 2013.

For further information, please visit the conference website at: www.utu.fi/traveling-whiteness/

For general inquiries, please contact the Conference Coordinator Aleksi Huhta, email: aleksi.huhta <at> utu.fi.

The Organizing Committee at the University of Turku:

Dr. Benita Heiskanen (Turku Institute for Advanced Studies and Cultural History)
Ph.D. Candidate Aleksi Huhta (General History)
Dr. Suvi Keskinen (Sociology)
Dr. Lotta Kähkönen (Gender Studies)
Dr. Johanna Leinonen (Turku Institute for Advanced Studies and General History).
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Tony Adams | 11 May 2013 07:04
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New issue: Liminalities, "On Studying Ourselves and Others"

Stacy Holman Jones and I are pleased to announce a special issue of Liminalities: A Journal of Performance Studies (issue 9.2):

http://liminalities.net/9-2/

The issue, "On Studying Ourselves and Others," features essays about identity, performance, reflexivity, narrative, community, ethnography, and autoethnography. The contents:

Performing Identity, Critical Reflexivity, and Community: The Hopeful Work of Studying Ourselves and Others     
Tony E. Adams & Stacy Holman Jones

(I)dentities: Considering Accountability, Reflexivity, and Intersectionality in the I and the We    
Bernadette Marie Calafell 

Seeking Care: Mindfulness, Reflexive Struggle, and Puffy Selves in Bullying 
Keith Berry 

Once Upon a Time: Looking to the Ecstatic Past for Queer Futurity 
Julie Cosenza 

Notes from a Pretty Straight Girl: Questioning Identities in the Field 
Sandra L. Faulkner 

Finding "Home" in/through Latinidad Ethnography: Experiencing Community in the Field with "My People"  
Wilfredo Alvarez 

Collaborative Intersectionality: Negotiating Identity, Liminal Spaces, and Ethnographic Research    
Brielle Plump & Patricia Geist-Martin 

Blackgirl Blogs, Auto/ethnography, and Crunk Feminism   
Robin M. Boylorn 

Listening for Echoes: Hypertext, Performativity, and Online Narratives of Grief   
Kurt Lindemannn



Liminalities is an open-access peer-reviewed journal for performance studies, theory and praxis. The goal of the journal is to embrace the possibilities for presenting work in performance studies (broadly construed) by exploring and exploiting the "staging" potential of digital media. Liminalities publishes essays, aesthetic works, digital media projects, artist pages, performance scripts, themed forums, documentaries, reviews, interviews, works about performance in urban environments, and works about pedagogy & performance.

For information on submitting work to the journal, see here for a general call, as well as for information on our three ongoing series (The City, Digital Horizons, and Performance & Pedagogy): http://liminalities.net

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Dr Michael Bull | 10 May 2013 21:37
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Hiroshima bomb description?

Hi there.
This  may  or  may  not  be  a question   that  can  be answered. somewhere  in  
the depths  of   my  memory  i  seem  to  remember  a  film  clip of  the  
bombing  of  hiroshima  with  a  commentary -  from  a  priest I  think(!)  about  
it  being the  most  beautiful  thing  in  creation - or  something  like that - I've 
tried to  track it  down  but  with   no  success - ?

Any  ideas?

many  thanks

Michael Bull

University  of  Sussex

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Gabriela Mendez Cota | 10 May 2013 20:42
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Call for Postdoc Residency in Mexico


Research Group on Creative Knowledge Production 'Beyond the (Verbal) Text' at Universidad de las Americas Puebla (www.udlap.mx) Issues Call for Postdoctoral Residency:


 

http://web.udlap.mx/masalladeltexto/files/2013/02/Call-for-Postdoctoral-Residency_2013.pdf



For More Info E-Mail Dr. Alberto Lopez Cuenca, alberto.lopez <at> udlap.mx

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Gmane