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Louise Desrenards | 23 May 2013 23:05
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#McKenzieWark Événements et liens / Events and Links

Festival de Littérature de Londres - London Literature Festival (May
20 - September 8). McKenzie Wark : 24, 25, 26 May. Wu Ming : 29 May.
(Verso Books).
Célébration de La Commune de Paris — La semaine sanglante eut lieu du
22 au 28 mai 1871. Souvenons-nous de l’hommage de Howard Zinn...
La Commune de Paris—Celebration—22-28 May 1871 : The bloody week. Let
us remind Howard Zinn tribute ..

●  London May 24  ●  London May 25  ●  London May 26 (with Michèle
Bernstein)  ●  London May 29  ●  La Commune de Paris  ●

∆
May mai 24, 2013

[FR below]

    Institute of Contemporary Arts, London
    The Spectacle of Disintegration : On Digital Culture
    McKenzie Wark and Huw Lemmey at the ICA’s Friday Salon

    This Friday Salon will focus on digital culture and the questions
around intellectual property, trolling and creativity raised by the
increased transmissibility and reproducibility of information enabled
by the internet.

    Looking at hacker culture, twitter Maoism and weird twitter,
McKenzie Wark, author of The Spectacle of Disintegration :
Situationist Passages out of the Twentieth Century, will examine these
issues alongside writer and artist Huw Lemmey. They will also discuss
contemporary politicised cultural collectives that echo organisational
(Continue reading)

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Louise Desrenards | 23 May 2013 23:10
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Sorry here is the link (with anchors) Re: #McKenzieWark Événements et liens / Events and Links

http://www.criticalsecret.net/mckenziewark-evenements-et-liens-events-and-links,119.html

2013/5/23 Louise Desrenards <louise.desrenards@...>:
> Festival de Littérature de Londres - London Literature Festival (May
> 20 - September 8). McKenzie Wark : 24, 25, 26 May. Wu Ming : 29 May.
> (Verso Books).
> Célébration de La Commune de Paris — La semaine sanglante eut lieu du
> 22 au 28 mai 1871. Souvenons-nous de l’hommage de Howard Zinn...
> La Commune de Paris—Celebration—22-28 May 1871 : The bloody week. Let
> us remind Howard Zinn tribute ..
>
>
> ●  London May 24  ●  London May 25  ●  London May 26 (with Michèle
> Bernstein)  ●  London May 29  ●  La Commune de Paris  ●
>
>
>
>
>
> ∆
> May mai 24, 2013
>
>
> [FR below]
>
>     Institute of Contemporary Arts, London
>     The Spectacle of Disintegration : On Digital Culture
>     McKenzie Wark and Huw Lemmey at the ICA’s Friday Salon
>
>     This Friday Salon will focus on digital culture and the questions
(Continue reading)

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Séamas Cain | 23 May 2013 20:12
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Visual Creole

_____________________________________

VISUAL POETRY, VISUAL CREOLE :

at JACKET 2,

Gary Barwin's Interview with John M. Bennett ...

https://jacket2.org/commentary/gumbo-mumbo-jumbo-or-sub-rumba-christopher-columbo

http://bit.ly/10M0hn2

_____________________________________
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marc garrett | 23 May 2013 17:01
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Glitch As Symbolic Form

Sorry for any cross posting...

Glitch As Symbolic Form

Rob Myers takes us on a short historical journey of Glitch as an 
aesthetic signifier of technological presence that dates back at least 
to the 1980s. Referencing the Vaught-Kampf machine in Blade Runner 
(1982), the titular character in Max Headroom (1985). And how the use of 
Glitch as an artistic aesthetic in itself has accelerated with the 
democratisation of new technologies.

http://www.furtherfield.org/features/articles/glitch-symbolic-form

--

-- 
--->

A living - breathing - thriving networked neighbourhood -
proud of free culture - claiming it with others ;)

Other reviews,articles,interviews
http://www.furtherfield.org/reviews.php

Furtherfield – online arts community, platforms for creating, viewing,
discussing and learning about experimental practices at the
intersections of art, technology and social change.
http://www.furtherfield.org

Furtherfield Gallery – Finsbury Park (London).
http://www.furtherfield.org/gallery
(Continue reading)

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xname | 23 May 2013 13:11
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dusty mariee live stream :: sick lincoln performance tonight

Hello,

I would like to attract your attention to my new Net art piece 'Dusty
Mariee', commissioned as part of the Barbican Centre's Dancing Around
Duchamp season, and invite you to join the private view happening tonight
in the Net and in my house, a flat in the iconic Balfron Tower in London.

::Where/When::
Live streaming from May 14 to June 9
(take it as a durational performance)

::Private view::
May 23rd H 18 - 21
Featuring:
Site specific performance by Sick Lincoln
live coded sound processing algorithms on the Large Glass
http://sicklincoln.com/
The film 'Who is La Mariee?'
London, and its noise

::How::
Play from the browser here:
http://xname.cc/dusty_mariee
(Firefox and Chrome should work in all platforms)
Point player (videolan, mplayer) to URL:
http://xname.tv:8000/dysty_mariee.ogg

::Interact::
Talk to me:
irc.freenode.net
(Continue reading)

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marc garrett | 23 May 2013 12:47
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Reminder - McKenzie Wark talk at Furtherfield

Sorry for any cross posting...

Saturday 25 May 4-5.30pm

McKenzie Wark, author of The Beach Beneath the Street, will give a talk
at Furtherfield Gallery about his latest book The Spectacle of
Disintegration - Situationist Passages Out of the 20th Century.

Wark is the author of A Hacker Manifesto, Gamer Theory, 50 Years of
Recuperation of the Situationist International and The Beach Beneath the
Street, among other books. He teaches at the New School for Social
Research and Eugene Lang College in New York City.

Writer and academic Dr Richard Barbrook will give a short
introduction to Wark's work and Situationism and its relevance to
contemporary culture.

More information
http://www.furtherfield.org/programmes/event/mckenzie-wark-presents-his-latest-book-spectacle-disintegration

This event has limited availability, to book a place please contact
ale@...
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Radio Web MACBA | 23 May 2013 11:39
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New podcast: Interview with Iman Issa, the winner of the first Han Nefkens-MACBA Contemporary Art Award

New podcast: Iman Issa, the winner of the first Han Nefkens-MACBA Contemporary Art Award, talks about memory and language through her artistic objects.

Link: http://rwm.macba.cat/en/sonia/iman_issa/capsula

Iman Issa was born in Cairo. When she moved to New York, where she now lives and works, Iman started to reflect on her relationship to familiar figures, events and places. She wondered how an artist can represent a specific city from a collection of images of everyday places. This idea came from her early pieces, which were based on personal memory and how it relates to urban and political representations, such as memorials.

In 2012 Iman won the first Han Nefkens-MACBA Contemporary Art Award. Her work has also been shown in the New Museum in New York, the KW in Berlin, the Contemporary Image Collective in Cairo and the Tate Modern in London.
 
In this podcast  Iman Issa taks about memory and language through her artistic objects. But also through the path she has followed from her earlier works to her present reflections, from Cairo to New York.

Follow us at http://twitter.com/Radio_Web_MACBA
<div><div dir="ltr">New podcast: Iman Issa, the winner of the first Han Nefkens-MACBA Contemporary Art 
Award, talks about memory and language through her artistic objects.<br><br>Link: <a href="http://rwm.macba.cat/en/sonia/iman_issa/capsula">http://rwm.macba.cat/en/sonia/iman_issa/capsula</a><br><br>Iman Issa was born in Cairo. When she moved to New York, where she now 
lives and works, Iman started to reflect on her relationship to familiar
 figures, events and places. She wondered how an artist can represent a 
specific city from a collection of images of everyday places. This idea 
came from her early pieces, which were based on personal memory and how 
it relates to urban and political representations, such as memorials.<br><br>In
 2012 Iman won the first Han Nefkens-MACBA Contemporary Art Award. Her 
work has also been shown in the New Museum in New York, the KW in 
Berlin, the Contemporary Image Collective in Cairo and the Tate Modern 
in London.<br>&nbsp;<br>In this podcast&nbsp; Iman Issa taks about memory and language 
through her artistic objects. But also through the path she has followed
 from her earlier works to her present reflections, from Cairo to New 
York.<br><span><br>Follow us at&nbsp;<a href="http://twitter.com/Radio_Web_MACBA" target="_blank">http://twitter.com/Radio_Web_MACBA</a></span><br>
</div></div>
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jk | 23 May 2013 09:50
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Call for Participants, Piksel Remote Hacklab: Experimental Communication System Open Workshop, Venice, May 28-29th.

Piksel Remote Hacklab: Experimental Communication System Open Workshop,

Free 2-day workshop, Venice, May 28-29th, 12pm-late.

Recent studies have shown that the electrical resistance in soil above a buried carcass has a different resistivity to that of near by soil due to the decomposition of bodily tissue. The body leaves a “real”, quantifiable electrical trace when it is dead. Following this idea that traces of the dead can be measured via electricity it may be possible that these traces can be found elsewhere such as in the electromagnetic field.

In this workshop the construction of various electronic devices which apparently enhance the possibility of communication with spirits both audibly and visibly will be undertaken. Attempts at direct electromagnetic induction from such a vitalist earth to human brain will be made in the construction of a diy earth-brain interface, along with devices such as the Germanium Trans-Dimensional Communication Receptor (TDC) and other EMF detectors, emitters, and amplifiers.
These will then be applied to Venetian decomposing geo-bio canal soup mixes in a final experimental communication system performance.

The workshop is free. Places limited to 10.
May 28 - 29th, 12pm - late.

Officina delle Zattere,

Fondamenta Nani, 947 Dorsoduro

30123 Venezia, Italia

(Vaporetto stop: Zattere or Academia)


rsvp x <at> xxn.org.uk


http://mov-artist.com/

http://mov-artist.com/piksel/index.html

http://nnnnn.org.uk/doku.php?id=experimental_communication 
<div>
    <div class="moz-text-html" lang="x-western">
      <div class="moz-text-flowed" lang="x-western">Piksel Remote Hacklab:
        Experimental Communication System Open Workshop, <br><br>
        Free 2-day workshop, Venice, May 28-29th, 12pm-late. <br><br>
        Recent studies have shown that the electrical resistance in soil
        above a buried carcass has a different resistivity to that of
        near by soil due to the decomposition of bodily tissue. The body
        leaves a &ldquo;real&rdquo;, quantifiable electrical trace when it is dead.
        Following this idea that traces of the dead can be measured via
        electricity it may be possible that these traces can be found
        elsewhere such as in the electromagnetic field. <br><br>
        In this workshop the construction of various electronic devices
        which apparently enhance the possibility of communication with
        spirits both audibly and visibly will be undertaken. Attempts at
        direct electromagnetic induction from such a vitalist earth to
        human brain will be made in the construction of a diy
        earth-brain interface, along with devices such as the Germanium
        Trans-Dimensional Communication Receptor (TDC) and other EMF
        detectors, emitters, and amplifiers. <br>
        These will then be applied to Venetian decomposing geo-bio canal
        soup mixes in a final experimental communication system
        performance. <br><br>
        The workshop is free. Places limited to 10. <br>
        May 28 - 29th, 12pm - late. <br><br>
        Officina delle Zattere, <br><br>
        Fondamenta Nani, 947 Dorsoduro <br><br>
        30123 Venezia, Italia <br><br>
        (Vaporetto stop: Zattere or Academia)<br><br><br>
        rsvp <a class="moz-txt-link-abbreviated" href="mailto:x <at> xxn.org.uk">x <at> xxn.org.uk</a> <br><br><br><a class="moz-txt-link-freetext" href="http://mov-artist.com/">http://mov-artist.com/</a>
        <br><br><a class="moz-txt-link-freetext" href="http://mov-artist.com/piksel/index.html">http://mov-artist.com/piksel/index.html</a>
        <br><br><a class="moz-txt-link-freetext" href="http://nnnnn.org.uk/doku.php?id=experimental_communication">http://nnnnn.org.uk/doku.php?id=experimental_communication</a>
      </div>
    </div>
  </div>
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Louise Desrenards | 23 May 2013 05:02
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1. 2013 McKENZIE WARK <at> Carnet de mai_Notebooks of May

Good morning! Bonjour !

CRITICALSECRET_LES CARNETS MENSUELS_THE MONTHLY NOTEBOOKS
 > 2013 McKENZIE WARK  <at>  Carnet de mai_Notebooks of May

There will be 5/6 Items. Please check the two ones already out, the
other one will follow

====/++/+++++/+++/ Cover
 2013 McKENZIE WARK  <at>  Carnet de mai_Notebooks of May

En mai criticalsecret est dédié à McKenzie Wark / In May
Criticalsecret is dedicated to McKenzie Wark.

            Il y a un échec absolu à effectuer le boulot critique par
rapport à la technologie. Quelque chose du genre « Non, je n’aime pas
l’iPhone. » Eh bien, qu’est ce que vous aimez dans ce genre, alors ?
Qu’est-ce que vous voulez ? Décrivez donc un autre monde.
Décrivez-le-moi. Pour sept milliards de personnes. Il y a un type
parmi les situationnistes qui a fait ça exactement, Constant
Nieuwenhuys. Il a imaginé une toute autre planète basée sur la
technologie du milieu du XXe siècle. C’est plus une performance
conceptuelle qu’un vrai projet d’ingénierie, mais il ouvre une porte à
la question posée comment, eh bien, comment re-ingénierez-vous les
villes ? De sorte qu’elles soient sur-vivables, serait-ce un début
mais mieux que. Nous pourrions vraiment supprimer le travail, vous
savez ? Pas complètement. Mais nous pourrions vraiment le réduire à
quelques heures par jour. Et alors, comment va ce projet ? (McKenzie
Wark)

           There’s an absolute failure to perform the critical task in
relation to technology. There’s a kind of “No, I don’t like the
iPhone.” Well, what the fuck do you like then ? What do you want ?
Describe another world. Describe it to me. For seven billion people.
Among the Situationists, someone like Constant Nieuwenhuys did exactly
that, he imagined an entire other planet based on mid 20th Century
technology. That’s more of a conceptual exercise than a real
engineering project, but it opens a door to asking question about how,
well, how do you reengineer cities ? So that they’re survivable would
do for a start, but better than. We really could abolish work, y’know
? Not completely. But we could really get it down to a few hours a
day. So, well, how’s that project going ?
« Wark explained the twenty-first century relevance of the SI’s
critical approach towards technology, culture and capital » (McKenzie
Wark - Verso quotes Rhizome)

====/++/+++++/+++/
http://www.criticalsecret.net/-2013-mckenzie-wark-carnet-de-mai_notebooks-of-may,047-.html
====/++/+++++/+++/

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#McKenzieWark EDITORIAL Du détournement et du design conceptuel / On
Détournement and Conceptual Design
(EN + into FR)

by McKenzie Wark,

             Quand j’ai écrit « Le Spectacle de Désintégration », j’ai
réussi à interviewer les deux femmes qui avaient pris en charge des
films et la vidéo de Guy Debord. Martine Barraqué a monté deux de ses
films [1]. Brigitte Cornand a fait sa pièce en vidéo — en réalité un
sujet de télévision [2]. [ ... ]

            When I was writing The Spectacle of Disintegration, I got
to interview the two women who actually made film and video Guy
Debord. Martine Barraqué edited two of his films. Brigitte Cornand
made his video – actually his television — piece. [ ... ]

====/++/+++++/+++/
http://www.criticalsecret.net/mckenziewark-editorial-du-detournement-et-du-design-conceptuel-on-detournement-and-conceptual,118.html
====/++/+++++/+++/

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#McKenzieWark Spectacle de la désintégration / Interview
(into FR + EN Link)

by  Juliet Jacques (New Statesman),
McKenzie Wark

          Le nouveau livre de McKenzie Wark, The Spectacle of
Disintegration - Situationist passages out of the XXth century (Le
spectacle de la désintégration — Passerelles situationnistes au-delà
du XXe siècle) [1] reprend où le livre précédent The Beach Beneath the
Street - The everyday life and glorious times of the Situationist
International (La plage sous les pavés — La vie quotidienne et les
temps glorieux de l’Internationale Situationniste) [2] s’était arrêté.
Écrit dans un style en prose qui capte quelque peu la fureur urgente
de l’Internationale Situationniste, un groupe d’intellectuels de
gauche qui avaient été saisis par la création avant-gardiste de l’art
et la réalisation de la philosophie radicale, The Beach Beneath the
Street (La plage sous les pavés) avait pour but de décentraliser
l’histoire de l’IS précédemment dominée par son leader autocratique,
Guy Debord. « Le spectacle de la désintégration » se penche sur les
activités des principaux situationnistes après que l’IS se soit
effondrée en 1972, et comment leurs idées et leurs actions pourraient
nous aider à trouver des alternatives au capitalisme néolibéral du
XXIe siècle. [3] [ ... ]

====/++/+++++/+++/
http://www.criticalsecret.net/mckenziewark-le-spectacle-de-la-desintegration-interview,117.html
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Translated from
http://www.newstatesman.com/culture/2013/05/spectacle-disintegration
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/1/...
The events and the links are coming this evening

Cheers

--

-----
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Samuel Kalika - ZK/U Berlin | 22 May 2013 20:36

International Open Call for Residencies at ZK/U Berlin


Zentrum für Kunst und Urbanistik - International Open Call for Residencies

The ZKU offers a space for ‘living & work’ and a platform open to public events.
In the summer of 2012 the Center for Art and Urbanistics / Zentrum für Kunst und Urbanstik (ZKU) launched its research and residency program.

The ZKU offers a space for ‘living & work’: furnished accommodation with mostly private bathroom, studio, wifi, communal facilities, shared and private production areas, a platform open to public events, lectures, performance and presentations.

The residency is partly funded by ZKU. The resident’s costs will be between 500 and 800 euro a month. Applicant Requirements: ZKU welcomes artists, scholars and practitioners (curators, activists, autodidacts etc.) interested in cross-disciplinary theory and practice dealing with the city.
The application proposal should refer to one of the current themes of the ZKU residency program or to an independent research and practice proposal. (‘Ad Hoc’ theme) Artists should be working professionally in their fields, with a broad range of projects and exhibition experience.

Scholars are expected to have attained a level equivalent to a master’s degree, and preferably to have some years of professional experience. Practitioners should have a broad range of professional experience in their fields.

Please check out our website and don't hesitate to distribute the 'Open Call'
www.zku-berlin.org/apply
Deadline: 21/06/2013

<div>
    <br><div class="csc-textpic-clear"></div>
    <div>
      <div>
        <div class="csc-default">
          <h1>Zentrum f&uuml;r Kunst und Urbanistik - International Open Call
            for Residencies</h1>
          <p>The ZKU offers a space for &lsquo;living &amp; work&rsquo; and a
            platform open to public events.<br>
            In the summer of 2012 the Center for Art and Urbanistics /
            Zentrum f&uuml;r Kunst und Urbanstik (ZKU) launched its research
            and residency program.</p>
          <p>The ZKU offers a space for &lsquo;living &amp; work&rsquo;: furnished
            accommodation with mostly private bathroom, studio, wifi,
            communal facilities, shared and private production areas, a
            platform open to public events, lectures, performance and
            presentations.</p>
          <p>The residency is partly funded by ZKU. The resident&rsquo;s costs
            will be between 500 and 800 euro a month. Applicant
            Requirements: ZKU welcomes artists, scholars and
            practitioners (curators, activists, autodidacts etc.)
            interested in cross-disciplinary theory and practice dealing
            with the city.<br>
            The application proposal should refer to one of the current
            themes of the ZKU residency program or to an independent
            research and practice proposal. (&lsquo;Ad Hoc&rsquo; theme) Artists
            should be working professionally in their fields, with a
            broad range of projects and exhibition experience.</p>
          <p>
            Scholars are expected to have attained a level equivalent to
            a master&rsquo;s degree, and preferably to have some years of
            professional experience. Practitioners should have a broad
            range of professional experience in their fields.</p>
          <p class="bodytext">Please check out our website and don't
            hesitate to distribute the 'Open Call'<br><a moz-do-not-send="true" href="http://www.zku-berlin.org/apply" target="_blank">www.zku-berlin.org/apply</a><br>Deadline: 21/06/2013<br></p>
        </div>
      </div>
    </div>
  </div>
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info | 21 May 2013 19:50
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EXHIBITION CALL FOR NEW MEDIA ARTISTS


MADATAC opens until June 3, 2013, a new call  for artists who work in the New Media Art field,
to select around 10 installations for an exhibition at Taipei MOCA Museum (Taiwan)
on April 2014.

The (non-binding) subject is : "TRANSMORPH REALITIES: THE ABDICATION OF THE VISUAL REALM"

Please send , the proposal and material to: info-Tc6au8BX0JPe5aOfsHch1g@public.gmane.org

------------------------------------------------------------------------------------

MADATAC  abre hasta el 3 de junio, 2013, una nueva convocatoria para artistas que trabajan en el campo del New Media Art,
para seleccionar 10 instalaciones para ser parte de una exposición en el Museo MOCA de Taipei
en abril de 2014.

La temática (no vinculante) es: "REALIDADES TRANSMUTADAS: LA ABDICACIÓN DEL REINO VISUAL

Por favor, enviar la propuesta y el material a: info-Tc6au8BX0JPe5aOfsHch1g@public.gmane.org
 



MADATAC/ Staff
WEB: www.madatac.es
FACEBOOK: http://www.facebook.com/MADATAC
BLOG: www.madatac.wordpress.com
PROMO: www.vimeo.com/madatac




<div>
    <span class="userContent"><br>
      MADATAC opens </span><span class="userContent"><span class="userContent"><span class="userContent">until June 3,
          2013, </span></span>a new call&nbsp;</span><span class="userContent"><span class="userContent"> </span>for artists
      who work in the New Media Art field,<br>
      to select around 10 </span><span class="userContent"><span class="userContent">installations </span>for an exhibition at
      Taipei MOCA Museum (Taiwan)<br>
      on April 2014.<br></span><br><span class="userContent"> </span><span class="userContent">The
      (non-binding) subject is : "TRANSMORPH REALITIES: THE ABDICATION
      OF THE VISUAL REALM"<br><br>
      Please send , the proposal and material to: <a class="moz-txt-link-abbreviated" href="mailto:info@...">info@...</a><br><br></span>------------------------------------------------------------------------------------<br><br><div class="row">
      <div class="span5">
        <div lang="es-x-mtfrom-en">MADATAC&nbsp;
          abre hasta el 3 de junio, 2013, una nueva convocatoria para
          artistas que trabajan en el campo del New Media Art,<br>
          para seleccionar 10 instalaciones para ser parte de una
          exposici&oacute;n en el Museo MOCA de Taipei<br>
          en abril de 2014.<br><br>
          La tem&aacute;tica (no vinculante) es: "REALIDADES TRANSMUTADAS: LA
          ABDICACI&Oacute;N DEL REINO VISUAL<br><br>
          Por favor, enviar la propuesta y el material a:
          <a class="moz-txt-link-abbreviated" href="mailto:info@...">info@...</a>
</div>
      </div>
      <div class="span2">
        <div>&nbsp;<br><br><br><br>
</div>
      </div>
    </div>
    <span class="text"> MADATAC/ Staff<br>
      WEB: </span> <a href="http://www.linkedin.com/redirect?url=www%2Emadatac%2Ees&amp;urlhash=5Cfu&amp;_t=mbox_mebc">www.madatac.es</a>
    <span class="text"> <br>
      FACEBOOK: </span> <a href="http://www.linkedin.com/redirect?url=http%3A%2F%2Fwww%2Efacebook%2Ecom%2FMADATAC&amp;urlhash=s4cN&amp;_t=mbox_mebc">http://www.facebook.com/MADATAC</a>
    <span class="text"> <br>
      BLOG: </span> <a href="http://www.linkedin.com/redirect?url=www%2Emadatac%2Ewordpress%2Ecom&amp;urlhash=Vyen&amp;_t=mbox_mebc">www.madatac.wordpress.com</a><br>
    PROMO: <a class="moz-txt-link-abbreviated" href="http://www.vimeo.com/madatac">www.vimeo.com/madatac</a><br><br><br><br><div class="moz-text-html" lang="tr">
      <div class="WordSection1">
        <div class="moz-text-html" lang="tr">
          <div class="WordSection1"><br></div>
        </div>
      </div>
    </div>
  </div>
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