Katerina Karoussos | 20 Aug 17:42 2014
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extended deadline for the I-Node ARA programme

The 2014 I-Node ARA Grant Programme

EXTENDED DEADLINE: 10 SEPTEMBER

www.i-node.org

The I-Node of the Planetary Collegium and its host Institution –Ionion Center of Arts and Culture- are announcing three (3) grants for promising researchers, to undertake post-doctoral study. Advanced Research Associates are valued members of Planetary Collegium Community, playing a critical role in Art|Sci|Tech Academic Community. The Collegium was awarded The World Universities Forum Award for Best Practice in Higher Education, and the President Prof. Roy Ascott is the Golden Nica Winner of Ars Electronica 2014.

General Theme

Next Nature

New Technological developments and the new practice of science are bringing new kinds of creativity in an integrated approach to real world problem solving. They are culturally and academically desirable but they need the syncretic standpoint so to launch new initiatives and productions that will ensure the sustainability of research.

 

Advanced Research Accociateship (ARA)

The Advanced Research Associateship (ARA) involves post-doctoral or advanced practice research.ARA.’s are neither students nor employees. ARA is a unique platform where the researcher pursuing advanced studies beyond the doctoral level in preparation for an independent career.  Postdoctoral researchers are enrolled for a limited period of time and involved in a comprehensive calendar of events, conferences and sessions that are offered through the I-Node as well as by the entire Planetary Collegium (PC) community. Hence, they have the opportunity to interact with the large and growing group of transdisciplinary Planetary researchers involved with (faculty, graduates, honorary members and other candidates).

 For further information, please contact the Executive Director of the I-Node, Katerina Karoussos at inode.karoussos <at> gmail.com

 

 

 

 



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<div class="WordSection1">
<p class="MsoNormal"><span lang="EN-US">T<span>h</span>e<span> </span>2014<span> </span>I-Node ARA<span> </span><span>G</span>r<span>a</span><span>n</span>t <span>P</span>rogr<span>amme</span><p></p></span></p>
<p class="MsoNormal"><span lang="EN-US"> </span><span lang="EN-US">EXTENDED DEADLINE: 10 SEPTEMBER</span><span lang="EN-US"><p></p></span></p>
<p class="MsoNormal"><span lang="EN-US"><a href="http://www.i-node.org">www.i-node.org</a> <p></p></span></p>
<p class="MsoNormal"><span lang="EN-US">The I-Node of the Planetary Collegium and its host Institution &ndash;Ionion Center of Arts and Culture- are announcing three (3) grants for promising researchers, to undertake post-doctoral study. Advanced Research Associates are valued members of Planetary Collegium Community, playing a critical role in Art|Sci|Tech Academic Community. The Collegium was awarded The World Universities Forum Award for Best Practice in Higher Education, and the President Prof. Roy Ascott is the Golden Nica Winner of Ars Electronica 2014.</span><span lang="EN-US"><p></p></span></p>
<p class="MsoNormal"><span lang="EN-US">General </span><span lang="EN-US">Theme<p></p></span></p>
<p class="MsoNormal"><span lang="EN-US">Next Nature<p></p></span></p>
<p class="MsoNormal"><span lang="EN-US">New Technological developments and the new practice of science are bringing new kinds of creativity in an integrated approach to real world problem solving. They are culturally and academically desirable but they need the syncretic standpoint so to launch new initiatives and productions that will ensure the sustainability of research.<p></p></span></p>
<p class="MsoNormal"><span lang="EN-US"><p>&nbsp;</p></span></p>
<p class="MsoNormal"><span lang="EN-US">Advanced Research Accociateship (ARA)<p></p></span></p>
<p class="MsoNormal"><span lang="EN-US">The Advanced Research Associateship (ARA) involves post-doctoral or advanced practice research.ARA.&rsquo;s are neither students nor employees. ARA is a unique platform where the researcher pursuing advanced studies beyond the doctoral level in preparation for an independent career.&nbsp; Postdoctoral researchers are enrolled for a limited period of time and involved in a comprehensive&nbsp;calendar&nbsp;of events, conferences and sessions that are offered through the I-Node as well as by the entire Planetary Collegium (PC) community. Hence, they <span>have the opportunity to interact with the large and growing group of transdisciplinary Planetary researchers involved with</span></span><span class="apple-converted-space"><span lang="EN-US">&nbsp;(faculty, graduates, honorary members and other candidates).</span></span><span class="apple-converted-space"><span lang="EN-US"><p></p></span></span></p>
<p class="MsoNormal"><span lang="EN-US">&nbsp;For further information, please contact the Executive Director of the I-Node, Katerina Karoussos at <a href="mailto:inode.karoussos@..." target="_blank">inode.karoussos <at> gmail.com</a> <p></p></span></p>
<p class="MsoNormal"><span lang="EN-US">&nbsp;<p></p></span></p>
<p class="MsoNormal"><span lang="EN-US">&nbsp;<p></p></span></p>
<p class="MsoNormal"><span lang="EN-US">&nbsp;<p></p></span></p>
<p class="MsoNormal"><span lang="EN-US"><p>&nbsp;</p></span></p>
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Maria Chatzichristodoulou | 20 Aug 11:26 2014
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Extended Deadline: INTER-FACE_International Conference 2014

INTER-FACE_International Conference on Live Interfaces 2014

http://icli.lurk.org

IMPORTANT DATES

  *   EXTENDED abstract submission deadline: August 31st, 2014
  *   Notification of selected works: September 15th, 2014
  *   Camera-ready deadline for accepted papers: November 1st, 2014
  *   Conference: November 20th-23rd, 2014

Dr Maria Chatzichristodoulou
Lecturer in Performance and New Media
School of Drama, Music and Screen
University of Hull
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To view the terms under which this email is 
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Louise Desrenards | 18 Aug 23:38 2014
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L'horloge sonne / The clock is ticking

Haidar Eid

[...] C’est exactement ce que Steve Biko, héros Sud-Africain de la
lutte anti-apartheid — qui a payé de sa vie pour la liberté de tous
les Sud-Africains — pensait, quand il a dit :

« Non seulement les Blancs furent coupables d’être à l’offensive,
mais, par des manœuvres habiles, ils réussirent à contrôler les
réponses des Noirs à la provocation. Non seulement ils ruaient le Noir
de coups, mais ils lui dirent aussi comment réagir aux coups. Pendant
longtemps, le Noir a été à l’écoute des conseils reçus avec patience
sur la meilleure façon de répondre à un coup de pied. Avec une lenteur
douloureuse, il commence maintenant à montrer les signes que c’est son
droit et son devoir de répondre à un coup de pied selon la façon dont
il l’entend. »

Or nous, Palestiniens, nous avons décidé de répondre au coup de pied
sioniste comme nous l’entendons ! Et pour cela, nous avons besoin du
soutien de « chaque homme et chaque femme » épris de liberté, par
opposition aux dirigeants officiels du monde, complices qui ont choisi
de soutenir l’oppression et de blâmer la victime. Il est maintenant
temps pour la société civile mondiale de nous aider à mettre fin au
racisme israélien et au génocide. Pour la société mondiale, le seul
moyen d’assurer une paix juste et la réparation de la dépossession des
Palestiniens est d’intensifier le boycott de l’État israélien de
l’apartheid, et de plaider pour le désinvestissement en Israël et pour
des sanctions contre Israël. [...]

La suite (en français) :
http://www.criticalsecret.net/le-temps-est-compte,155.html

>From the source :

[...] This is exactly what Steve Biko, a hero of the South African
anti-apartheid struggle - who paid with his life for the freedom of
all South Africans - meant when he said:

"Not only have the whites been guilty of being on the offensive, but
by some skilful manoeuvres, they have managed to control the responses
of the blacks to the provocation. Not only have they kicked the black,
but they have also told him how to react to the kick. For a long time
the black has been listening with patience to the advice he has been
receiving on how best to respond to the kick. With painful slowness he
is now beginning to show signs that it is his right and duty to
respond to the kick in the way he sees fit."

And we, Palestinians, have decided to respond to the Zionist kick in
the way we see fit! And for that, we need the support of the
freedom-loving “every man and every woman”, as opposed to the
complicit, official world leaders who have chosen to support
oppression and blame the victim. Now is the time for global civil
society to help us end Israeli racism and genocide. The only way to
ensure a just peace and redress for Palestinian dispossession is for
global civil society to intensify the boycott of the apartheid Israeli
state, and by advocating for divestment from Israel and sanctions
against it. [...]

Following
http://thecitizen.in/NewsDetail.aspx?Id=119&THE%20CLOCK%20IS%20TICKING

--

-- 

-----

marc garrett | 18 Aug 16:48 2014

Beyond the Interface Exhibition at ISMAR Conference, Munich 2014

Sorry for any cross posting...

Beyond the Interface Exhibition at ISMAR Conference, Munich 2014.
http://www.furtherfield.org/programmes/exhibition/beyond-interface-exhibition

Featuring artists: Erica Scourti, Jennifer Chan, Nick Briz, Julian 
Oliver, Mez Breeze, Heath Bunting, Pierre Proske, Genetic Moo, Zach Blas,

Panel Speakers: Tatiana Bazzichelli, Annetta Domz, Wolf Lieser, Thomas 
Grundnigg, Ruth Catlow, Marc Garrett, and Julian Stadon.

Exhibition Opening 7 - 10 pm 10th Sept
Date: 10th-12th September 2014
Venue: ISMAR, Conference, Munich

Exhibition curated by
Marc Garrett, Julian Stadon

About the exhibition

The interface is the boundary across which information is exchanged, 
causing a transformation in one or both sides of that boundary. This 
exhibition features art that disrupts or bypasses this interface. 
Interfaces have always been a site of control, hidden in plain view: 
symbolic, social or technological. They facilitate and shape the 
dialogue that happens between different tribes from religions, 
scientific or philosophical backgrounds; between components of computer 
systems; or between machines and living beings.

Technological/designed interfaces deploy audiovisual and tactile inputs 
with touch screens, mice, joysticks and buttons on our mobile phones, 
games consoles, televisions, radios and laptops. Amazed and engaged, we 
forget to question how we might be being dominated and reprogrammed by 
the very facilities that were supposed to free us as part of the Digital 
Revolution. Lori Emerson suggests this is an “overwhelming push to 
disempower users/consumers with closed devices”. http://bit.ly/1kbMfLU

The artists in this exhibition, critical practitioners in art and 
technology, lift the veil on contemporary interfaces; setting out 
alternative routes, aesthetic visions and disruptive behaviours.

2014 ISMAR MASH’D Panel Discussions

Beyond the Interface - Artists Panel
10th September 4-5.30 pm
Chair - Marc Garrett
Speakers - Heath Bunting, Nick Briz, Julian Stadon and Ruth Catlow

Beyond the Interface - Disrupting the Market
11th September 2-3.45 pm
Chair - Marc Garrett
Speakers - Tatiana Bazzichelli, Annetta Domz and Wolf Lieser

Beyond the Interface - Rethinking Aesthetics
11th September 4-5.30 pm
Chair - Ruth Catlow
Speakers - Thomas Grundnigg, Nick Briz and Zach Blas
ABOUT ISMAR 2014

ISMAR 2014 (International Symposium on Mixed and Augmented Reality) will 
cover the FULL range of technologies encompassed by the Mixed Reality 
spectrum, from interfaces in the real world to fully immersive 
experiences. http://ismar.vgtc.org/index_ismar2014.php

Augmented Reality (AR) and Mixed Reality (MR) melt the barriers between 
virtual media, the physical world and our imagination by enriching our 
ability to interact with all three. New applications in diverse areas 
such as Engineering, Entertainment, Arts, Education Media and Humanities 
push the boundaries of science and technology. As the premier conference 
in the field, ISMAR is responding to this evolution by expanding the 
program scope.

EXHIBITION LOCATION
Weisser Saal
Faculty for Architecture Level 5
Technical Universsity campus
Arcisstrasse 21 80333 Munich

PANEL LOCATION
Technical University of Munich
Boltzmannstraße 15
85748 Garching
Munich
Directions - http://www.tum.de/en/about-tum/contact-directions/#c8412

[artNET] | 17 Aug 12:43 2014
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Screening: CologneOFF 2014 Lativia

CologneOFF 2014 Latvia

2014 - 10 Years Cologne International Videoart Festival
 <at>  Waterpieces Art & Video Festival Riga/Latvia
 <at>  RIGA 2014 - European Capital of Culture

15-17 August 2014

http://www.noass.lv
http://coff.newmediafest.org/blog/?page_id=4009

CologneOFF XP - Art in Urban Environments
selection curated by Wilfried Agricola de Cologne

List of videos

Albert Merino (Spain) -Visàvis, 2013, 5.05
Sinem Serap Duran (Turkey) - Adequate, 2012, 9:11
Julia Morgan (Canada) - Quiet City, 2012, 6:38
Alexander Callsen (Germany) - Gap Camp, 2013, 6:04
Evertt Beidler (USA) - Moves Manager, 2011, 4:09
Michael Murnau (UK) - Hanging On Me, 2012, 7:26
Bill Aitchison (UK) - Proletarian Dance 1, 2012, 4:50
Santiago Parres (EZO) (Spain) - Transit Zone, 2012, 7:45
Susanne Wiegner (Germany) - Just Midnight, 2010, 3:43
Belén Paton (Spain) - City of Caves, 2012, 06:45
Eric Osberg (Canada) - Chase, 2012, 3:20
Manuel Saiz (Spain) - Sic Transit, 2009, 5:00 

---------------------------------------------

artvideoKOELN international
artvideoKOELN@...

Piksel Infobot | 15 Aug 15:03 2014
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PIKSEL14 - open CALL / Deadline extended to August 31!!

()()()()()()()()()()()()()()
Piksel14
November 13-16 2014
Bergen, Norway
()()()()()()()()()()()()()()

Piksel is an international event for artists and developers working with
Free/Libre and Open Source technologies in artistic practice. It is
organized in Bergen, Norway,and involves participants from more than a
dozen countries exchanging ideas, coding, presenting art and software
projects, doing workshops, performances and discussions on the
aesthetics and politics of free technologies, free culture & art.

()()()()()()()()()()()()()()

open CALL for PROJECTS

For the exhibition and other parts of the program we currently seek
projects in the following categories:

1. Installations

Projects to be included in the exhibitions.
The works must be realized by the use of free and open source
technologies. For Piksel14 we specially encourage projects in the field
of DIY BIOart and sustainable technologies to apply.

2. Audiovisual performance

Live art realized by the use of free software and/or open/DIY
hardware.      

3. Presentations

Innovative DIY/open hardware and audiovisual software tools or software
art released under a free/open license. (Also includes presentations of
artistic projects realized using free/open technologies.)
For Piksel14 we specially encourage projects in the field of DIY BIOart
and sustainable technologies to apply.

4. Workshops

Hands on workshops utilizing free software and/or open/DIY hardware for
artistic use. For Piksel14 we specially encourage projects in the field
of DIY BIOart and sustainable technologies to apply.

5. PikselSavers

Video and software art based on the screensaver format – short
audiovisual (non)narratives made for endless looping. Possible thematic
fields  includes but are not limited to: sustainable resource
allocation, renewable technologies, energy harvesting, fair trade
hardware, free content, open access, DIY economy, shared development.
The works must be realized by the use of free/open source technologies.

()()()()()()()()()()()()()()

!!!!!!!!!!  Deadline - august 31. 2014 !!!!!!!!!!

Please use the online submit form at:
http://piksel.no/ocs

or send documentation material - preferably as a URL to online
documentation with images/video to piksel14 (AT) piksel.no

()()()()()()()()()()()()()()

Piksel14 is supported by the Municipality of Bergen, Arts Council 
Norway, PNEK and others.

more info: www.piksel.no

Andreas Broeckmann | 14 Aug 11:07 2014
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JOB: Hexagram Montreal, Interaction Design (theory/practice)

Strategic Hire in Interaction Design, Theory and Practice

*Hexagram/Concordia University, Montreal*

http://www.concordia.ca/finearts/about/jobs/strategic-hire-interaction-design-theory-and-practice.html

Concordia University in Montreal, Quebec, invites applications for a
tenure-track strategic hire position in the area of Interaction Design,
Theory and Practice. Depending on the selected candidate’s profile, the
appointment will be made either in the Faculty of Fine Arts, the Faculty 
of Arts and Sciences or in the Faculty of Engineering and Computer 
Science. The goal of the strategic hire program is to augment existing 
research capacity at Concordia through the development of high profile 
interdisciplinary research clusters. The successful candidate will 
receive an attractive research support and teaching package.

Working with the internationally-known Hexagram Centre for
Research-Creation in Media Art and Technology
<http://hexagram.concordia.ca> at Concordia as well as the larger
Hexagram network (http://hexagram.ca), the strategic hire in Interaction 
Design, Theory and Practice will build on Concordia’s leadership in the 
growing field of digital media art and design to enhance our 
understanding of the cultural and technological potential of interaction 
within digital culture, develop new research partnerships and 
applications, and innovate programs and curriculum. Hexagram, which is 
the largest and most productive new media network in Canada, is an 
interdisciplinary, cross-faculty and cross- university research network 
dedicated to advanced research-creation and graduate training in new 
media art, design, technology and digital culture.

Applicants for this position should have a PhD, MDes, MFA or appropriate 
terminal degree in Interaction Design, Media Art, STS with a focus on 
Design, Computer Science and HCI, or related fields,
as well as a superior record of research and/or research-creation.

We are seeking a candidate who conducts research and/or does creative
work and has teaching and/or industry experience in at least one of the
following areas of arts/entertainment HCI: interaction design,
experience design, cognitive/social science methods or digital arts and
design.

*We are also particularly interested in applicants whose profile is:*

   * multidisciplinary,
   * crosses art, design, computer science and Science and Technology
     Studies,
   * employs experimental, ethnographic, and/or critical methods, and
   * focuses on innovative design approaches within the context of
     ecological-economic sustainability and socio-cultural responsibility.

The successful candidate is expected to have demonstrated abilities to
work in collaborative interdisciplinary settings, attract and mentor
excellent graduate students and secure external funding. The candidate
will also be expected to take a leading role within Hexagram at both the 
local Concordia antenna as well as within the larger Hexagram network.

The successful candidate for the position in Interaction Design, Theory
and Practice will be appointed at the rank of Assistant or Associate
Professor in one of several departments at Concordia including Design
and Computation Arts, Computer Science and Software Engineering or
Sociology and Anthropology.

*Applications should be submitted electronically and consist of:*

   * a cover letter,
   * curriculum vitae,
   * copies of recent publications and/or portfolio of creative work,
   * a statement of teaching philosophy/interests,
   * a statement of research achievements,
   * a three-year research plan and evidence of teaching effectiveness.

Candidates must also arrange to have three letters of reference sent
directly to:

Christopher Salter, PhD
Chair, Interaction Design, Theory and Practice Search Committee
c/o Mary Di Pietrantonio
Academic Personnel Administrator, Faculty of Fine Arts
Concordia University
1455 De Maisonneuve Blvd. W., EV 2.763
Montreal, Quebec, Canada  H3G 1M8

All inquiries about the position should be directed to Mary Di
Pietrantonio:
mary.dipietrantonio@...
Tel:      514-848-2424, ext. 4603
Fax:     514-848-4599

Subject to budgetary approval, we anticipate filling this position,
normally at the rank of Assistant Professor, for August 1, 2015.
Appointments at a more senior level will also be considered. Review of
applications will begin immediately and continue until the position is
filled. All applications should reach the chair of the hiring committee
no later than *December 4, 2014*.

All qualified candidates are encouraged to apply; however, Canadian
citizens and permanent residents of Canada will be given priority.
Concordia University is committed to Employment Equity and encourages
applications from women, aboriginal peoples, visible minorities and
persons with disabilities.

marc garrett | 13 Aug 10:47 2014

SEFT 1 Parkland Walk with Tim Waterman <at> Furtherfield 12 July 2014

SEFT 1 Parkland Walk with Tim Waterman  <at> Furtherfield 12 July 2014

Video (handheld) of Tim Waterman's talk Death Collapsing into Life: A 
Parkland Walk, Finsbury Park, London Saturday 12 July 2014.

Watch a short film of the SEFT-1 journey here
https://www.youtube.com/watch?v=PITHgn-qwPI

As part of the programme for the exhibition, SEFT-1 Abandoned Railways 
Exploration Probe - Modern Ruins 1:220 at Furtherfield Gallery.

"Death needs time for what it kills to grow in" wrote William S 
Burroughs. True, but so is its opposite. Life needs what death kills to 
grow in. Hope has its roots in ruin. This walk, along a disused railway 
line between Finsbury Park and Highgate will explore how vicious nature 
and the ruthless engines of urban decay can show us a new way of 
imagining utopia.

Tim Waterman is Research Associate (Landscape & Commons) at 
Furtherfield. He is a landscape architect, urbanist, writer, editor, 
lecturer, and speaker. His research focuses on the relationship between 
people and place that constructs landscape, from the ecological to the 
sociocultural. Of particular interest are explorations of power and 
democracy and their shaping of public space and public life; taste, 
etiquette, belief and ritual; and foodways in community and civic life 
and landscape. At Furtherfield, Tim facilitates research and events at 
the intersection of the physical and the digital commons and how art 
practice can shape the construction of empowering space, both real and 
virtual.

For more about the exhibition and other events, a partnership between 
The Arts Catalyst and Furtherfield that took place during 20 June–27 
July 2014 see - 
http://www.furtherfield.org/programmes/exhibition/seft-1-abandoned-railways-exploration-probe-modern-ruins-1220

Andreas Broeckmann | 11 Aug 13:34 2014
Picon

Fwd: Open Call: Test Exposure at the 16th Media Art Biennale WRO 2015

16th Media Art Biennale WRO 2015

Opening events: May 13–17, 2015

Open Call: Test Exposure

Submission deadline: December 10, 2014

WRO Media Art Center Foundation / The WRO Art Center
ul. Widok 7
50-052 Wrocław
Poland

T +0048 71 343 32 40
biennale@...

http://www.wro2015.wrocenter.pl

The WRO Media Art Biennale is the major forum for new media art in
Poland, and one of the leading international art events in Central
Europe. Since its inception in 1989, WRO has been presenting art forms
using new media for artistic expression and communication, exploring
current creative territories and building a critical perspective toward
emerging issues in culture, art, society and technology.

The previous edition of the WRO Biennale—WRO 2013 /Pioneering Values/
Biennale—was held at 18  sites around the city of Wrocław: museums,
galleries, art house cinemas, department stores, old factory halls and
public space,  where the works of over 200 artists were shown. The
exhibitions, concerts, performances, video projections, installations
and conferences were attended by more than 1,000 accredited guests and
over 110,000 visitors. The WRO Catalog is available both in print and
online, here

WRO 2015: Test Exposure

The aim of the WRO 2015 Biennale is to give exposure to new media art
experiments, individual explorations and approaches investigating the
potential of art both to affect and to reflect emerging issues in culture.

Artists are invited to submit works that take on the risks of
innovation, inquiry and imagination, using original observations,
contemporary technologies and procedures in the process of creating
inventive forms, interpreting the present and revising the notion of the 
future (which no longer seems to be a clearly defined project).

The WRO 2015: Test Exposure Biennale is a testing ground for creative,
unconstrained investigations of art's potential to react to the present
and to anticipate future challenges.

To submit a work, click here

http://wro2015.wrocenter.pl/entry/

Imagining, reflecting, cultivating, projecting, testing!

Artistic director: Piotr Krajewski

ll | 11 Aug 12:14 2014
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( nula ) new filecast: 56880 æther. mp3, 11 minutes.

56880 æther

The luminiferous æther was thought for centuries to be the pervasive medium via which light propagated
throughout the universe. Its existence came into doubt only in the 19th century, when careful
experiments failed to measure any of its predicted effects.

http://nula.cc/56880 
http://soundcloud.com/nulacc/56880-aether

•

56859 solar cycle

“Until recently it was thought that there were 28 cycles in the 309 years between 1699 and 2008, giving an
average length of 11.04 years, but recent research has showed that the longest of these (1784–1799)
seems actually to have been two cycles, so that the average length is only around 10.66 years.”

http://nula.cc/56859 
http://soundcloud.com/nulacc/56859-solar-cycle

---

all filecasts: http://nula.cc/list

+ main page: http://nula.cc/
+ project information: http://nula.cc/text
+ contact, unsubscribe requests: editor@...
Radio Web MACBA | 11 Aug 11:39 2014
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New podcast: PROBES #8.2 Auxiliaries. Curated by Chris Cutler

PROBES #8.2 Auxiliaries.

Curated by Chris Cutler

 

Link: http://rwm.macba.cat/en/curatorial/probes8-2-chris-cutler/capsula  

PDF: http://rwm.macba.cat/uploads/20140808/Probes8_2_eng.pdf

 

The PROBES Auxiliaries collect materials related to each episode that try to give a broader – and more immediate – impression of the field. They are a scan, not a deep listening vehicle; an indication of what further investigation might uncover and, for that reason, most are edited snapshots of longer pieces. We have tried to light the corners as well as the central arena, and to not privilege so-called serious over so-called popular genres. This auxiliary explores extended techniques for strings.

 

You can find the complete series here: http://rwm.macba.cat/en/probes_tag

<div><div dir="ltr">
<p class="MsoNormal"><span lang="EN-GB">PROBES #8.2 Auxiliaries. </span></p>

<p class="MsoNormal"><span lang="EN-GB">Curated by Chris Cutler</span></p>

<p class="MsoNormal"><span lang="EN-GB">&nbsp;</span></p>

<p class="MsoNormal"><span lang="EN-GB">Link: <a href="http://rwm.macba.cat/en/curatorial/probes8-2-chris-cutler/capsula">http://rwm.macba.cat/en/curatorial/probes8-2-chris-cutler/capsula</a>
&nbsp;</span></p>

<p class="MsoNormal"><span lang="EN-GB">PDF: <a href="http://rwm.macba.cat/uploads/20140808/Probes8_2_eng.pdf">http://rwm.macba.cat/uploads/20140808/Probes8_2_eng.pdf</a>
</span></p>

<p class="MsoNormal"><span lang="EN-GB">&nbsp;</span></p>

<p class="MsoNormal"><span lang="EN-GB">The PROBES Auxiliaries collect materials related to
each episode that try to give a broader &ndash; and more immediate &ndash; impression of
the field. They are a scan, not a deep listening vehicle; an indication of what
further investigation might uncover and, for that reason, most are edited
snapshots of longer pieces. We have tried to light the corners as well as the
central arena, and to not privilege so-called serious over so-called popular
genres. This auxiliary explores extended techniques for strings. </span></p>

<p class="MsoNormal"><span lang="EN-GB">&nbsp;</span></p>

<p class="MsoNormal"><span lang="EN-GB">You can find the complete series here: <a href="http://rwm.macba.cat/en/probes_tag">http://rwm.macba.cat/en/probes_tag</a>
</span></p>
</div></div>

Gmane