Joana Moll | 27 Apr 12:45 2015
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Internet and CO2 emissions

Hi everybody,

In the last year I've been researching the material impact of the transmission of data in the Internet and I recently released a piece called CO2GLE, that displays the amount of CO2 emissions derived from the global visits to google.com every second. The data I use is approximate, as I couldn't find lot of information on the relationship between the Internet and CO2 emissions. If there's someone interested or working in similar issues it would be great to share and exchange information.

Link to CO2GLE: http://www.janavirgin.com/CO2/CO2GLE_about.html

Greetings,
Joana.
<div><div dir="ltr">
<div>
<div>
<div>
<div>Hi everybody,<br><br>
</div>In the last year I've been researching the material impact of the transmission of data in the Internet and I recently released a piece called CO2GLE, that displays the amount of CO2 emissions derived from the global visits to <a href="http://google.com">google.com</a> every second. The data I use is approximate, as I couldn't find lot of information on the relationship between the Internet and CO2 emissions. If there's someone interested or working in similar issues it would be great to share and exchange information. <br><br>
</div>Link to CO2GLE: <a href="http://www.janavirgin.com/CO2/CO2GLE_about.html">http://www.janavirgin.com/CO2/CO2GLE_about.html</a><br><br>
</div>Greetings,<br>
</div>Joana.<br><div><div><div>
<br><div><div>-- <br><div class="gmail_signature">Joana Moll<br><a href="mailto:joanamoll <at> gmail.com" target="_blank">joanamoll@...</a><br><a href="http://www.janavirgin.com" target="_blank">www.janavirgin.com</a><br><br>
</div>
</div></div>
</div></div></div>
</div></div>
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Visualizar'15: Commoning Data | Call for collaborators


Visualizar'15: Commoning Data (Data for the Common Good)

Call for collaborators

Call to collaborate in the project workshop Visualizar'15: Commoning data (data for the common good), that will be carried out from May 5 to 20, 2015. Collaborators will participate in the production of selected projects that propose different uses of big data to improve live in the cities and institutional transparency.

The workshop is complete with a series of conferences and meetings on May 5 and 6.

Medialab-Prado Madrid offers free lodging to collaborators in youth hostels during the workshop (limited seating, shall on request and by order of registration).


Free registration. Deadline: May 4, 2015.


More information:

http://medialab-prado.es/article/visualizar15convocatoriacolaboradores

--

Nerea García Garmendia

Medialab-Prado
Calle Alameda, 15. 28014 Madrid
T. +34 912 191 157

difusion <at> medialab-prado.es

http://www.facebook.com/MedialabPradoMadrid
Twitter: <at> medialabprado

Este correo y sus documentos adjuntos pueden contener información confidencial y/o privilegiada que sólo podrá ser utilizada por su destinatario para el fin del cual es objeto el presente correo. Si usted no es el destinatario o lo ha recibido por error rogamos nos lo comunique y proceda a su eliminación advirtiéndole que toda copia, revelación, distribución y/o cualquier otro uso queda terminantemente prohibido pudiendo incurrir en responsabilidades legales. En cumplimiento de lo dispuesto en el artículo 5 de la Ley Orgánica 15/1999, de 13 de diciembre, de protección de datos de carácter personal, MADRID DESTINO CULTURA TURISMO Y NEGOCIO, S.A. (en adelante, MADRID DESTINO) le informa que sus datos personales o de contacto profesional facilitados serán incorporados en nuestros ficheros de datos personales con la finalidad de gestionar el envío de comunicaciones informativas, así como la relación promocional, comercial y/o negocial (incluyendo, como tal finalidad, la formalización y gestión de contratos y la gestión contable, fiscal, laboral y administrativa) que MADRID DESTINO pudiera mantener con usted. Si lo desea, puede ejercer sus derechos de acceso, rectificación, cancelación y oposición dirigiéndose a MADRID DESTINO CULTURA TURISMO Y NEGOCIO, S.A. sita en Madrid, c/ Montalbán 1, 7ª planta, 28014.
El medioambiente es cosa de todos: antes de imprimir este e-mail, piense bien si es necesario hacerlo.

This email and the attached documents may contain confidential and/or privileged information for the exclusive use of the person named above for whom this message is intended. If you are not the designated recipient or have received it by mistake, please notify us and delete this message. You are also hereby notified that copying, revealing, distributing and/or using the contents of this email in any other way is strictly prohibited and may have legal consequences. In accordance with the stipulations of Spanish Data Protection Law, MADRID DESTINO CULTURA TURISMO Y NEGOCIO, S.A. (hereinafter, MADRID DESTINO) hereby informs you that the personal or professional contact details you provide will be recorded in our personal detail files for the purposes of sending announcements and notices and for managing the promotional, commercial and/or business relationship (including, for such purposes, the formalisation and management of contracts as well as accounting, fiscal, labour and administrative management) that MADRID DESTINO may have with you. If you wish, you may exercise your rights of access, rectification, cancellation or objection by writing to MADRID DESTINO CULTURA TURISMO Y NEGOCIO, S.A. situated at c/ Montalbán 1, 7ª planta, 28014 Madrid.
We are all responsible for the environment: please think before you print this email.”






<div>
    <br><div class="moz-forward-container">
      <div class="moz-forward-container">
        <div class="titular">
          <h2>Visualizar'15:
              Commoning Data (Data for the Common Good)</h2>
          <h2>Call for
              collaborators </h2>
           </div>
         Call to collaborate
          in the project workshop <a moz-do-not-send="true" href="http://medialab-prado.es/article/tallervisualizar15proyectos"><span>Visualizar'15: Commoning data
            </span></a><span><a moz-do-not-send="true" href="http://medialab-prado.es/article/tallervisualizar15proyectos">(data

              for the common good)</a>, that will be carried out from</span>
          May 5 to 20, 2015. Collaborators will participate in the
          production of <a moz-do-not-send="true" href="http://medialab-prado.es/article/visualizar15datosparaelbiencomuncommoningdatarelaciondeproyectosseleccionados" target="_blank">selected projects</a> that
          propose different uses of big data to improve live in the
          cities and institutional transparency.<br><br>
          The workshop is complete with a series of conferences and
          meetings on May 5 and 6.<br><p>Medialab-Prado
            Madrid offers free lodging to collaborators in youth hostels
            during the workshop (limited seating, shall on request and
            by order of registration).<br></p>
        <p><br>Free registration.
            Deadline: May 4,
              2015. </p>
        <p><br>
            More information:<br></p>
        <p><a moz-do-not-send="true" class="moz-txt-link-freetext" href="http://medialab-prado.es/article/visualizar15convocatoriacolaboradores">http://medialab-prado.es/article/visualizar15convocatoriacolaboradores</a><br></p>
        <div class="moz-signature">-- <br><p>Nerea Garc&iacute;a Garmendia<br></p>

          <p>Medialab-Prado<br>
              Calle Alameda, 15. 28014 Madrid<br>
              T. +34 912 191 157<br><br><a moz-do-not-send="true" class="moz-txt-link-abbreviated" href="mailto:difusion@...">difusion <at> medialab-prado.es</a><br><br><a moz-do-not-send="true" href="http://www.facebook.com/MedialabPradoMadrid" target="_blank">http://www.facebook.com/MedialabPradoMadrid</a><br>
            Twitter: <a moz-do-not-send="true" href="https://twitter.com/medialabprado" target="_blank"> <at> medialabprado</a><br><br></p>

          <p>Este correo y sus documentos adjuntos
                pueden contener informaci&oacute;n confidencial y/o
                privilegiada que s&oacute;lo podr&aacute; ser utilizada por su
                destinatario para el fin del cual es objeto el presente
                correo. Si usted no es el destinatario o lo ha recibido
                por error rogamos nos lo comunique y proceda a su
                eliminaci&oacute;n advirti&eacute;ndole que toda copia, revelaci&oacute;n,
                distribuci&oacute;n y/o cualquier otro uso queda
                terminantemente prohibido pudiendo incurrir en
                responsabilidades legales. En cumplimiento de lo
                dispuesto en el art&iacute;culo 5 de la Ley Org&aacute;nica 15/1999,
                de 13 de diciembre, de protecci&oacute;n de datos de car&aacute;cter
                personal, MADRID DESTINO CULTURA TURISMO Y NEGOCIO, S.A.
                (en adelante, MADRID DESTINO) le informa que sus datos
                personales o de contacto profesional facilitados ser&aacute;n
                incorporados en nuestros ficheros de datos personales
                con la finalidad de gestionar el env&iacute;o de comunicaciones
                informativas, as&iacute; como la relaci&oacute;n promocional,
                comercial y/o negocial (incluyendo, como tal finalidad,
                la formalizaci&oacute;n y gesti&oacute;n de contratos y la gesti&oacute;n
                contable, fiscal, laboral y administrativa) que MADRID
                DESTINO pudiera mantener con usted. Si lo desea, puede
                ejercer sus derechos de acceso, rectificaci&oacute;n,
                cancelaci&oacute;n y oposici&oacute;n dirigi&eacute;ndose a MADRID DESTINO
                CULTURA TURISMO Y NEGOCIO, S.A. sita en Madrid, c/
                Montalb&aacute;n 1, 7&ordf; planta, 28014. <br>El medioambiente es cosa de todos: antes de
                  imprimir este e-mail, piense bien si es necesario
                  hacerlo. <br><br>
                This email and the attached documents may contain
                confidential and/or privileged information for the
                exclusive use of the person named above for whom this
                message is intended. If you are not the designated
                recipient or have received it by mistake, please notify
                us and delete this message. You are also hereby notified
                that copying, revealing, distributing and/or using the
                contents of this email in any other way is strictly
                prohibited and may have legal consequences. In
                accordance with the stipulations of Spanish Data
                Protection Law, MADRID DESTINO CULTURA TURISMO Y
                NEGOCIO, S.A. (hereinafter, MADRID DESTINO) hereby
                informs you that the personal or professional contact
                details you provide will be recorded in our personal
                detail files for the purposes of sending announcements
                and notices and for managing the promotional, commercial
                and/or business relationship (including, for such
                purposes, the formalisation and management of contracts
                as well as accounting, fiscal, labour and administrative
                management) that MADRID DESTINO may have with you. If
                you wish, you may exercise your rights of access,
                rectification, cancellation or objection by writing to
                MADRID DESTINO CULTURA TURISMO Y NEGOCIO, S.A. situated
                at c/ Montalb&aacute;n 1, 7&ordf; planta, 28014 Madrid. <br>We are all responsible for the environment:
                  please think before you print this email.&rdquo;<br></p>
          <p><br></p>
        </div>
        <br>
</div>
      <br><br>
</div>
    <br>
</div>
artists-in-labs program | 17 Apr 20:53 2015
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artists-in-labs: upcoming calls and events april - july 2015

Application form and further information:

www.artistsinlabs.ch
 
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For further information:
 
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http://www.idsc.ethz.ch/the-institute/open-lab-and-master-info-event.html
 
Weitere Informationen:

www.popuplab.org
 
For further information:

www.anatomie.unibas.ch/museum
 
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artkillart | 14 Apr 19:30 2015
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AKA10 projectsinge - LogforData

projectsinge - LogforData
AUDIO DATA CASSETTE

We are happy to announce the release of Artkillart 10, "LogforData" by
projectsinge.

LogforData is an audio tape composed of several audio coding protocols
extracted from a 56k modem, FAX as well as personal computers from the
1980's. This audio data also contains several texts from online secure
conversations between several members of an IRC channel.

The decoding of the content is made possible by linking up a cassette
player to a computer connected to the website www.logfordata.net.

A personal version of the text appears according to the accuracy of the
tape player, the swiftness of the computer system and its Internet
connection. The tape has 15 minutes of audio data streams per side, one
in French and one in English.

The decoded texts give us a glimpse into the existence of a pure data
ecosystem, a world where information has mutated towards an independent
life form.

More infos : http://projectsinge.free.fr/?cat=7

Order at Artkillart http://artkillart.tk/
Or Staalplaat http://www.staalplaat.com/artkillart
Or Metamkine http://www.metamkine.com

-----------------------------------------------------------------
Credits : Jean-François Blanquet, David Olivari, Clément Charmet, Jérôme
Blanquet and Sylvain Le Beux
_
Produced by ART KILL ART
with the support of  iMAL / Desert Numerique / DICREAM / Kawenga
AKA 10 - 2015
ltd. ed. 256 ex.

-

eipcp | 18 Mar 09:34 2015
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DIVIDUUM Launch Zürich, Berlin, Wien

DIVIDUUM Launch Zürich, Berlin, Wien

28. März 2015, 19 Uhr, Corner College Zürich
DIVIDUUM Sound- und Lese-Intervention mit Niki Kubaczek, Isabell Lorey, Gerald Raunig und Alexander Tuchaček

1. April 2015, 20 Uhr, b_books Berlin
Doppelpräsentation Michaela Ott, Dividuationen / Gerald Raunig, DIVIDUUM, Moderation: Katja Diefenbach

15. April 2015, 16-20 Uhr, Akademie der bildenden Künste Wien, Schillerplatz, M13
DIVIDUUM Workshop und Diskussion

 
Gerald Raunig
DIVIDUUM. Maschinischer Kapitalismus und molekulare Revolution, Band 1
transversal texts

Die jahrhundertelange Konjunktur des Individuums gerät ins Wanken. Es beginnt das Zeitalter des Dividuellen. Die schlechte Nachricht von Gerald Raunigs Philosophie der Dividualität ist, dass sich das Dividuelle im maschinischen Kapitalismus vor allem als Verschärfung von Ausbeutung und Indienstnahme zeigt: In Algorithmen, Derivaten, Big Data und Social Media wirkt Dividualität als ausufernde Erweiterung von herrschaftlicher Teilung und Selbstzerteilung. Die gute Nachricht: Genau auf dem Terrain des Dividuellen wird auch eine neue Qualität von Widerstand möglich, als kritische Mannigfaltigkeit, molekulare Revolution und Con-division.

ISBN: 978-3-9501762-8-5
256 Seiten, 15 Euro / 21,90 CHF

Erhältlich in linken Buchläden, freier Download unter http://transversal.at/books/dividuum.

 

---
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http://www.eipcp.net | http://transversal.at

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<div>

<p>DIVIDUUM Launch Z&uuml;rich, Berlin, Wien</p>
<p>28. M&auml;rz 2015, 19 Uhr, Corner College Z&uuml;rich<br>
DIVIDUUM Sound- und Lese-Intervention mit Niki Kubaczek, Isabell Lorey, Gerald Raunig und Alexander Tucha&#269;ek</p>
<p>1. April 2015, 20 Uhr, b_books Berlin<br>
Doppelpr&auml;sentation Michaela Ott, Dividuationen / Gerald Raunig, DIVIDUUM, Moderation: Katja Diefenbach</p>
<p>15. April 2015, 16-20 Uhr, Akademie der bildenden K&uuml;nste Wien, Schillerplatz, M13<br>
DIVIDUUM Workshop und Diskussion</p>
<p>&nbsp;<br>Gerald Raunig<br>DIVIDUUM. Maschinischer Kapitalismus und molekulare Revolution, Band 1<br>
transversal texts</p>
<p>Die jahrhundertelange Konjunktur des Individuums ger&auml;t ins Wanken. Es beginnt das Zeitalter des Dividuellen. Die schlechte Nachricht von Gerald Raunigs Philosophie der Dividualit&auml;t ist, dass sich das Dividuelle im maschinischen Kapitalismus vor allem als Versch&auml;rfung von Ausbeutung und Indienstnahme zeigt: In Algorithmen, Derivaten, Big Data und Social Media wirkt Dividualit&auml;t als ausufernde Erweiterung von herrschaftlicher Teilung und Selbstzerteilung. Die gute Nachricht: Genau auf dem Terrain des Dividuellen wird auch eine neue Qualit&auml;t von Widerstand m&ouml;glich, als kritische Mannigfaltigkeit, molekulare Revolution und Con-division.</p>
<p>ISBN: 978-3-9501762-8-5<br>
256 Seiten, 15 Euro / 21,90 CHF</p>
<p>Erh&auml;ltlich in linken Buchl&auml;den, freier Download unter <a class="external-link" href="http://transversal.at/books/dividuum">http://transversal.at/books/dividuum</a>.</p>
<p>&nbsp;</p>
<p>---<br> eipcp - european institute for progressive cultural policies<br> a-1060 vienna, gumpendorfer strasse 63b<br> a-4040 linz, harruckerstrasse 7<br><br><a class="external-link" href="mailto:contact <at> eipcp.net">contact <at> eipcp.net</a><br><a class="external-link" href="http://www.eipcp.net">http://www.eipcp.net</a> | <a class="external-link" href="http://transversal.at">http://transversal.at</a></p>
<p>eipcp newsletter - subscribe/unsubscribe: <a class="external-link" href="http://eipcp.net/institute/nl">http://eipcp.net/institute/nl</a></p>
<p>&nbsp;</p>

</div>
Susanna Garcia | 24 Apr 19:36 2015

Rebel Technology Modular Synth Workshop - Saturday 16 May

Rebel Technology Modular Synth Workshop
Music Hackspace, Container Ville, Unit 15, 5–10 Corbridge Crescent , London, E2 9DS United Kingdom
Saturday 16 May, 11:00 am to 19:00 pm

[Sorry for any cross-posting]

Build your own Rebel Technology synthesizer modules at the Music Hackspace! We are pleased to present a workshop in Eurorack module building by London-based manufacturer Rebel Technology. You don’t have to have previous experience with soldering or electronics, we will be there throughout to help you with any difficulties.

Over the course of the day we will guide you through the construction of a module of your choice, explain how it works and help you with any assembly problems you might have.

The modules on offer are easy to build. They include all electrical components and other parts, and come with professionally made front panels and PCBs. There is no fee for the workshop, you only pay for the kits that you want to build.

You can choose between some of Rebel’s most popular modules:
Stoicheia : Euclidean beat sequencer
Logoi : voltage controlled clock delay and divider (swing / shuffle)
Klasmata : voltage controlled beat sequencer

These modules are great for turning a clock signal into a compelling and musical beat pattern. They are designed to complement each other, but each one functions perfectly well on its own and in combination with other modules.

If you are comfortable building kits and have good soldering experience then you will be able to build more than one.

All our modules are open source: hardware and firmware. This means they’re endlessly customisable. If you are interested in microcontroller programming then we can help you modify the code. The panels are reversible, which means that you can draw your own design if you like. 

More information about the modules can be found here: http://www.rebeltech.org/modules/




---
Music Hackspace Workshops
Unit 15, Container Ville. 5-10 Corbridge Crescent. London E2 9DS
--
---


--
<div>
<div>
<h2 class="tribe-events-list-event-title entry-title summary"><a class="url" href="http://musichackspace.org/events/rebel-technology-modular-synth-workshop-3/" title="Rebel Technology Modular Synth Workshop" rel="bookmark">	</a></h2>
<div>
<h2 class="tribe-events-list-event-title entry-title summary"><a class="url" href="http://musichackspace.org/events/rebel-technology-modular-synth-workshop-3/" title="Rebel Technology Modular Synth Workshop" rel="bookmark">	</a></h2>
<div>
<h2 class="tribe-events-list-event-title entry-title summary"><a class="url" href="http://musichackspace.org/events/rebel-technology-modular-synth-workshop-3/" title="Rebel Technology Modular Synth Workshop" rel="bookmark">	</a></h2>
<div>Rebel Technology Modular Synth Workshop</div>
</div>
</div>
</div>
<div>Music Hackspace, Container Ville, Unit 15, 5&ndash;10 Corbridge Crescent , London, E2 9DS United Kingdom</div>
<div><div>Saturday 16 May, 11:00 am to 19:00 pm</div></div>
<div><br></div>
<div>[Sorry for any cross-posting]</div>
<div><br></div>
<div>Build your own Rebel Technology synthesizer modules at the Music Hackspace! We are pleased to present a workshop in Eurorack module building by London-based manufacturer Rebel Technology. You don&rsquo;t have to have previous experience with soldering or electronics, we will be there throughout to help you with any difficulties.</div>
<div><br></div>
<div>Over the course of the day we will guide you through the construction of a module of your choice, explain how it works and help you with any assembly problems you might have.</div>
<div><br></div>
<div>The modules on offer are easy to build. They include all electrical components and other parts, and come with professionally made front panels and PCBs. There is no fee for the workshop, you only pay for the kits that you want to build.</div>
<div><br></div>
<div>You can choose between some of Rebel&rsquo;s most popular modules:</div>
<div>Stoicheia : Euclidean beat sequencer</div>
<div>Logoi : voltage controlled clock delay and divider (swing / shuffle)</div>
<div>Klasmata : voltage controlled beat sequencer</div>
<div><br></div>
<div>These modules are great for turning a clock signal into a compelling and musical beat pattern. They are designed to complement each other, but each one functions perfectly well on its own and in combination with other modules.</div>
<div><br></div>
<div>If you are comfortable building kits and have good soldering experience then you will be able to build more than one.</div>
<div><br></div>
<div>All our modules are open source: hardware and firmware. This means they&rsquo;re endlessly customisable. If you are interested in microcontroller programming then we can help you modify the code. The panels are reversible, which means that you can draw your own design if you like.&nbsp;</div>
<div><br></div>
<div>More information about the modules can be found here: <a href="http://www.rebeltech.org/modules/">http://www.rebeltech.org/modules/</a>
</div>
<div><br></div>
<div>Please book your place via: <a href="mailto:workshops@...">workshops@...</a>
</div>
<div><br></div>
<div><br></div>
<div apple-content-edited="true"><br class="Apple-interchange-newline"></div>
<div>
<div>---</div>
<div>Music Hackspace Workshops</div>
<div>Unit 15, Container Ville. 5-10 Corbridge Crescent. London E2 9DS</div>
<div>Email: <a href="mailto:workshops@...">workshops@...</a>
</div>
<div>Twitter: <a href="https://twitter.com/musichackspace">https://twitter.com/musichackspace</a>
</div>
<div>Website: <a href="http://musichackspace.org/">http://musichackspace.org/</a>
</div>
<div>--</div>
<div>Check-out what's on: <a href="http://musichackspace.org/whatson/">http://musichackspace.org/whatson/</a>
</div>
<div>---</div>
</div>
<div><br></div>
<div><br></div>
<div>--</div>
<div>
<div>Sus Garcia</div>
<div><a href="mailto:susanna.garcia@...">susanna.garcia@...</a></div>
<div>--</div>
<div>Twitter: <a href="https://twitter.com/sus_mtf">https://twitter.com/sus_mtf</a>
</div>
<div>W: <a href="http://mindthefilm.co.uk">mindthefilm.co.uk</a>
</div>
</div>
</div>
Dawn Scarfe | 24 Apr 18:26 2015
Picon

SoundCamp and Reveil 2-3 May 2015

SoundCamp is a series of outdoor listening events on International Dawn Chorus Day, linked by Reveil: a 24 hour broadcast of the sounds of daybreak, relayed live by audio streamers around the globe. 

Reveil starts in Rotherhithe near the Greenwich Meridian and travels West from one open microphone to the next, picking up audio feeds from forest cams, very low frequency receivers, deep ocean hydrophones and a network of soundcamps and individual streamers in a sequence lasting one earth day.

Each camp provides a listening and broadcasting point as well as a programme of workshops and walks.

<div><div dir="ltr">
<div>SoundCamp is a series of outdoor listening events on International Dawn Chorus Day, linked by Reveil: a 24 hour broadcast of the sounds of daybreak, relayed live by audio streamers around the globe.&nbsp;<br>
</div>
<div><br></div>
<div>Reveil starts in Rotherhithe near the Greenwich Meridian and travels West from one open microphone to the next, picking up audio feeds from forest cams, very low frequency receivers, deep ocean hydrophones and a network of soundcamps and individual streamers in a sequence lasting one earth day.</div>
<div><br></div>
<div>Each camp provides a listening and broadcasting point as well as a programme of workshops and walks.</div>
<div><br></div>
<div>
<div>Listen:&nbsp;<a href="http://soundtent.org/soundcamp_listen.html" target="_blank">http://soundtent.org/soundcamp_listen.html</a><br>
</div>
<div>Camp:&nbsp;<a href="http://soundtent.org/soundcamp_camp.html" target="_blank">http://soundtent.org/soundcamp_camp.html</a><br>
</div>
<div>Stream:&nbsp;<a href="http://soundtent.org/soundcamp_stream.htm" target="_blank">http://soundtent.org/soundcamp_stream.htm</a><br>
</div>
<div>Announce:&nbsp;<a href="http://soundtent.org/docs/soundcamp2015_announce.pdf" target="_blank">http://soundtent.org/docs/soundcamp2015_announce.pdf</a>
</div>
</div>
</div></div>
Paul Brown | 24 Apr 17:54 2015

Brown & Son: Art That Makes Itself - Symposium and Book Launch




Brown & Son:  Art That Makes Itself
Symposium
Saturday 16 May, 2pm - 6.45pm


Concerns of different generations, tribes and networks who make up digital culture, the challenges and opportunities for making and conserving generative artworks and rapid developments in digital image-making since the late 1960s are among the themes of a symposium on 16 May coinciding with the Art That Makes Itself exhibition at Watermans.

Speakers include Frieder Nake, computer art pioneer; Margaret Boden, Professor of Cognitive Science Sussex University; Jim Boulton, digital archaeologist; artists Paul and Daniel Brown; Maria Chatzichristodoulou, lecturer in Performance & New Media at Hull University; Douglas Dodds, Senior Curator at Victoria & Albert Museum; Nick Lambert, CAS chair and Lecturer in digital art and culture; Nico Macdonald, writer on design and innovation; artist and computer art pioneer Ernest Edmonds and artist Alex May.

This event is organised in association with the Computer Arts Society.

The symposium will be followed by the launch of a new publication; Art That Makes Itself, Brown & Son – Purveyors of Digital Images since 1968. The publication has been designed by Daniel Brown and edited by Bronaċ Ferran, with newly commissioned texts from Grant Taylor, Douglas Dodds, Golan Levin, Jim Boulton, Peter Fowler and Maria Chatzichristodoulou with accompanying artworks and new writing by Daniel and Paul Brown and a foreword by Irini Papadimitriou. The book launch will take place at the close of the symposium.

For more information about the exhibition please visit:
http://www.watermans.org.uk/exhibitions/exhibitions/brown---son-art-that-makes-itself.aspx
http://www.brown-and-son.com
 

Also, coming up at Watermans: 

A Basic Introduction to Generative and Code Art
Led by Paul Brown
Tuesday 12 May. 11-4pm  
Free, booking required (max 10 participants, 17+ yrs)
14 May, 2pm - Lumen London Digital Art Seminar
14 May, 6pm -  Lumen Prize Exhibition opening
For more information, please visit the Lumen Prize website: http://lumenprize.com/london-show-open-may-14th


<div>
<div dir="ltr">
<div><br></div>
<div><div dir="ltr">
<div><br></div>
<div><br></div>
<div>
<div>Brown &amp; Son: &nbsp;<span class="">Art</span>&nbsp;<span class="">That</span>&nbsp;<span class="">Makes</span>&nbsp;<span class="">Itself</span>
</div>
<div>Symposium</div>
<div>Saturday 16 May, 2pm - 6.45pm<br>
</div>
<div><br></div>
<div>Bookings: <a href="http://watermans.ticketsolve.com/shows/873530584/events?show_id=873530584">http://watermans.ticketsolve.com/shows/873530584/events?show_id=873530584</a>
</div>
<br>Concerns of different generations, tribes and networks who make up digital culture, the challenges and opportunities for making and conserving generative artworks and rapid developments in digital image-making since the late 1960s are among the themes of a symposium on 16 May coinciding with the Art That Makes Itself exhibition at Watermans.<br><br>
</div>
<div>Speakers include Frieder Nake, computer art pioneer; Margaret Boden, Professor of Cognitive Science Sussex University; Jim Boulton, digital archaeologist; artists Paul and Daniel Brown; Maria Chatzichristodoulou, lecturer in Performance &amp; New Media at Hull University; Douglas Dodds, Senior Curator at Victoria &amp; Albert Museum; Nick Lambert, CAS chair and Lecturer in digital art and culture; Nico Macdonald, writer on design and innovation; artist and computer art pioneer Ernest Edmonds&nbsp;and artist Alex May.</div>
<div><br></div>
<div>This event is organised in association with the Computer Arts Society.</div>
<div>
<br>The symposium will be followed by the launch of a new publication; Art That Makes Itself, Brown &amp; Son &ndash; Purveyors of Digital Images since 1968. The publication has been designed by Daniel Brown and edited by Brona&#267; Ferran, with newly commissioned texts from Grant Taylor, Douglas Dodds, Golan Levin, Jim Boulton, Peter Fowler and Maria Chatzichristodoulou with accompanying artworks and new writing by Daniel and Paul Brown and a foreword by Irini Papadimitriou. The book launch will take place at the close of the symposium.<br><br>For more information about the exhibition please visit:<br><a href="http://www.watermans.org.uk/exhibitions/exhibitions/brown---son-art-that-makes-itself.aspx">http://www.watermans.org.uk/exhibitions/exhibitions/brown---son-art-that-makes-itself.aspx</a><br><a href="http://www.brown-and-son.com">http://www.brown-and-son.com</a><br>&nbsp;</div>
<div>
<br>Also, coming up at Watermans:&nbsp;<br>
</div>
<div>
<br>A Basic Introduction to Generative and Code Art</div>
<div>Led by Paul Brown <br>Tuesday 12 May.&nbsp;11-4pm &nbsp;</div>
<div>Free, booking required (max 10 participants, 17+ yrs)</div>
<div>
<a href="http://watermans.ticketsolve.com/shows/873532249/events?show_id=873532249">http://watermans.ticketsolve.com/shows/873532249/events?show_id=873532249<br></a><br><br>Lumen Prize</div>
<div>14 May, 2pm&nbsp;- Lumen London Digital Art Seminar <br>14 May, 6pm - &nbsp;Lumen Prize Exhibition opening<br>For more information, please visit the Lumen Prize website: <a href="http://lumenprize.com/london-show-open-may-14th">http://lumenprize.com/london-show-open-may-14th</a><br><br><br>
</div>
</div></div>
</div>
</div>
Carmen Platero | 24 Apr 17:47 2015

Call For Applications: Master in Digital Arts - Universitat Pompeu Fabra (Barcelona)

(Apologies for Cross-posting)


Dear all,


We are pleased to send you this information about the XIX edition of our Master in Digital Arts at Universitat Pompeu Fabra - IDEC for those who might be interested in interactive art practice and theory in Barcelona.


Our Interdisciplinary Arts Master’s Program is designed for graduate students, engineers and working adults to explore questions about digital audiovisual practice and culture within the intersection of the Arts, Humanities, Science and Technology.


General Goals:


The Master's Degree in Digital Arts aims to contribute to the formation of audiovisual professionals in different aspects of creative production in the field of interactive audiovisual communication.


  • To approach both theoretically and experimentally the creative and technical aspects of digital media and their role in cultural production.


  • To promote expression through information and communication technologies which lead to new visual, musical and interactive art forms.


  • To provide analytic models and tools to explore specific languages induced by digital media and particularly, interactive audiovisual communication and networking.


  • Master the techniques for generating, processing and editing of images and sounds, and various software environments for authoring visual, musical and interactive compositions.


  • To understand, to experiment and to create with code, by learning the generative, algorithmic and procedural aspects of computer programming as a form of creative writing,


  • Encourage the use of digital media for the production of innovative and significant works.


  • To train students in the fundamental changes at the formal, conceptual, contextual, relational and narrative levels of audiovisual culture that occur with the introduction of electronic and digital media.


  • Encourage and promote new  and unconventional forms of human-computer interaction, and the creation of physical, tangible, embedded and embodied interfaces.


  • To promote contemporary art practices that critically use digital technologies to create aesthetic and meaningful experiences. The emphasis is on the arts, beyond the hegemonic discourse on media and digital culture.



Objectives:


  • To understand the nature of digital media and the cultural and technical aspects that characterize it

  • To learn the role of IT in communication and expression, as well as the new visual, musical and interactive forms driven by it.

  • To explore the specific languages created by digitalization, particularly focussing on online multimedia communication.

  • To gain a solid command of the techniques used to handle and edit images and sound, as well as of several programmes for visual, musical and interactive authorship.

  • To understand computer programming, especially as applied to creative tasks.

  • To be able to use digital media to produce innovative and meaningful pieces of work.


University Pompeu Fabra, has held 17 editions of the Masters’ program in Digital Arts over the years. This constitutes a solid background. Throughout these years, over three hundred students have successfully completed the program, which has allowed them to improve, in most cases, their capabilities and skills in order to meet the new challenges of their careers.



Important Information:

Calendar: October 2015 to December 2016

Language: Spanish

Credits: 90 ECTS.


Application deadlines:

5th Application round: deadline  27/04

6th Application round: deadline  25/05

7th Application round: deadline  22/06


More practical information on our official Website http://www.idec.upf.edu/university-master-in-digital-arts

and on our  Master’s Program in Digital Arts home page http://digitalmedia.idec.upf.edu/content/m%C3%A1ster-universitario-en-artes-digitales and Blog http://digitalmedia.idec.upf.edu/blog (Spanish only)  

Related information will be spread via our Facebook https://www.facebook.com/pages/Master-Universitario-en-Artes-Digitales-UPF-IDEC/84639883522

and Twitter  https://twitter.com/ArteDigitalUPF social media accounts.



For further information please contact: Info-oLLSO4rJmZ32fBVCVOL8/A@public.gmane.org

<div><div dir="ltr">
<span><p><span>(Apologies for Cross-posting)</span></p>
<p dir="ltr"><span><br></span></p>
<p dir="ltr"><span>Dear all,</span></p>
<br><p dir="ltr"><span>We are pleased to send you this information about the XIX edition of our Master in Digital Arts at Universitat Pompeu Fabra - IDEC for those who might be interested in interactive art practice and theory in Barcelona. </span></p>
<br><p dir="ltr"><span>Our Interdisciplinary Arts Master&rsquo;s Program is designed for graduate students, engineers and working adults to explore questions about digital audiovisual practice and culture within the intersection of the Arts, Humanities, Science and Technology.</span></p>
<br><p dir="ltr"><span>General Goals:</span></p>
<br><p dir="ltr"><span>The Master's Degree in Digital Arts aims to contribute to the formation of audiovisual professionals in different aspects of creative production in the field of interactive audiovisual communication.</span></p>
<br><ul><li dir="ltr"><p dir="ltr"><span>To approach both theoretically and experimentally the creative and technical aspects of digital media and their role in cultural production.</span></p></li></ul>
<br><ul><li dir="ltr"><p dir="ltr"><span>To promote expression through information and communication technologies which lead to new visual, musical and interactive art forms.</span></p></li></ul>
<br><ul><li dir="ltr"><p dir="ltr"><span>To provide analytic models and tools to explore specific languages induced by digital media and particularly, interactive audiovisual communication and networking.</span></p></li></ul>
<br><ul><li dir="ltr"><p dir="ltr"><span>Master the techniques for generating, processing and editing of images and sounds, and various software environments for authoring visual, musical and interactive compositions.</span></p></li></ul>
<br><ul><li dir="ltr"><p dir="ltr"><span>To understand, to experiment and to create with code, by learning the generative, algorithmic and procedural aspects of computer programming as a form of creative writing,</span></p></li></ul>
<br><ul><li dir="ltr"><p dir="ltr"><span>Encourage the use of digital media for the production of innovative and significant works.</span></p></li></ul>
<br><ul><li dir="ltr"><p dir="ltr"><span>To train students in the fundamental changes at the formal, conceptual, contextual, relational and narrative levels of audiovisual culture that occur with the introduction of electronic and digital media.</span></p></li></ul>
<br><ul><li dir="ltr"><p dir="ltr"><span>Encourage and promote new &nbsp;and unconventional forms of human-computer interaction, and the creation of physical, tangible, embedded and embodied interfaces.</span></p></li></ul>
<br><ul><li dir="ltr"><p dir="ltr"><span>To promote contemporary art practices that critically use digital technologies to create aesthetic and meaningful experiences. The emphasis is on the arts, beyond the hegemonic discourse on media and digital culture.</span></p></li></ul>
<br><br><p dir="ltr"><span>Objectives: </span></p>
<br><ul>
<li dir="ltr"><p dir="ltr"><span>To understand the nature of digital media and the cultural and technical aspects that characterize it</span></p></li>
<li dir="ltr"><p dir="ltr"><span>To learn the role of IT in communication and expression, as well as the new visual, musical and interactive forms driven by it.</span></p></li>
<li dir="ltr"><p dir="ltr"><span>To explore the specific languages created by digitalization, particularly focussing on online multimedia communication.</span></p></li>
<li dir="ltr"><p dir="ltr"><span>To gain a solid command of the techniques used to handle and edit images and sound, as well as of several programmes for visual, musical and interactive authorship.</span></p></li>
<li dir="ltr"><p dir="ltr"><span>To understand computer programming, especially as applied to creative tasks.</span></p></li>
<li dir="ltr"><p dir="ltr"><span>To be able to use digital media to produce innovative and meaningful pieces of work.</span></p></li>
</ul>
<br><p dir="ltr"><span>University Pompeu Fabra, has held 17 editions of the Masters&rsquo; program in Digital Arts over the years. This constitutes a solid background. Throughout these years, over three hundred students have successfully completed the program, which has allowed them to improve, in most cases, their capabilities and skills in order to meet the new challenges of their careers.</span></p>
<br><br><p dir="ltr"><span>Important Information:</span></p>
<p dir="ltr"><span>Calendar: October 2015 to December 2016 </span></p>
<p dir="ltr"><span>Language: Spanish</span></p>
<p dir="ltr"><span>Credits: 90 ECTS.</span></p>
<br><p dir="ltr"><span>Application deadlines:</span></p>
<p dir="ltr"><span>5th Application round: deadline &nbsp;27/04</span></p>
<p dir="ltr"><span>6th Application round: deadline &nbsp;25/05</span></p>
<p dir="ltr"><span>7th Application round: deadline &nbsp;22/06</span></p>
<br><p dir="ltr"><span>More practical information on our official Website </span><a href="http://www.idec.upf.edu/university-master-in-digital-arts"><span>http://www.idec.upf.edu/university-master-in-digital-arts</span></a></p>
<p dir="ltr"><span>and on our &nbsp;Master&rsquo;s Program in Digital Arts home page </span><a href="http://digitalmedia.idec.upf.edu/content/m%C3%A1ster-universitario-en-artes-digitales"><span>http://digitalmedia.idec.upf.edu/content/m%C3%A1ster-universitario-en-artes-digitales</span></a><span> and Blog </span><a href="http://digitalmedia.idec.upf.edu/blog"><span>http://digitalmedia.idec.upf.edu/blog</span></a><span> (Spanish only) &nbsp;</span></p>
<p dir="ltr"><span> </span></p>
<p dir="ltr"><span>Related information will be spread via our Facebook </span><a href="https://www.facebook.com/pages/Master-Universitario-en-Artes-Digitales-UPF-IDEC/84639883522"><span>https://www.facebook.com/pages/Master-Universitario-en-Artes-Digitales-UPF-IDEC/84639883522</span></a></p>
<p dir="ltr"><span>and Twitter &nbsp;</span><a href="https://twitter.com/ArteDigitalUPF"><span>https://twitter.com/ArteDigitalUPF</span></a><span> social media accounts.</span></p>
<br><br><span>For further information please contact: <a href="mailto:Info@...">Info@...</a></span></span><br>
</div></div>
Piksel Infobot | 24 Apr 16:01 2015
Picon

PIKSEL Newsletter 1-2015

NEWSLETTER INDEX
------------------------------------------------
PIKSEL FESTIVAL
1. Piksel15 Open Call

PIKSEL PULSE
1. Pixel Lab (Paris)
2. Do it Anyway (Sheffield)

--
PIKSEL15 FESTIVAL
------------------------------------------------
1. CALL FOR PROJECTS
The 13th annual Piksel Festival is scheduled for 19-22 Nov. 2015

The Call for Proposals is open:
!! Deadline June 30th 2015 !!

Please use our online platform for submitting applications:
http://piksel.no/ocs

--
PIKSEL PULSE
------------------------------------------------
Piksel is involved in several off-festival activities throughout 2015,
both locally in Bergen and in international collaborations.
These activities are named Piksel Pulse.

As a partner in the EU Grundtvig funded project Open Sourcing Festivals
(http://opensourcingfestivals.eu), Piksel will participate with
presentations and workshops in the two closing events..

1.  Pixsel Lab
------------------------------------------------
PIXEL LAB | CLOSING EVENT
3 DAYS OF PERFORMANCES, SCREENINGS & DISCUSSIONS

24, 25 & 26 April 2015
 <at>  la Gaite lyrique, Paris

with : Nicolas Maigret, Brendan Howell, Benjamin Cadon, Jake Harries,
Owen Kelly, Susanne Palzer, Collectif Dardex, Maite Carajaville,
Andrew Gryf Paterson, Gwenola Wagon, Stéphane Degoutin, Philippe Vasset,
Inke Arns, Albert Laine ...

http://www.malaupixel.org
streams will be available at:
http://gaite-lyrique.net/restitution-pixel-lab

2. Do It Anyway festival
-------------------------------------------------
15, 16 & 17 May 2015
 <at>  Access Space, Sheffield

Access Space is producing the first Pixelache Network International
Digital Arts Festival in the UK! 

As the UK hub of the network they are bringing arts practice from across
Northern Europe - with artists from Finland, France, Iceland, Norway
and Latvia - to Sheffield, South Yorkshire. 

Digital arts performances and workshops over the festival weekend.

Piksel will host 3 workshops by Norwegian artists at the event:

Saturday 16/5/15 
10.30-15.00 
Workshop - Introducing ShrimpCraft! Tools for the water curious -
Amanda Steggell (No), Ross Dalziel + Adrian McEwen (GB) (Main Space)
http://www.testingtesting.org/, http://cheapjackprojects.tumblr.com/

Sunday 17/5/15 
10.30-15.00 
Workshop- Sonification & the Physical - John Nordby (No) (Main Space)
http://www.jonnor.com/
15.00-18.00 
Workshop - Solar kinetic sculptures - Egil Paulsen (No) (Refab Space)
http://www.egilpaulsen.com/

Details at: www.access-space.org

--
Open Sourcing Festivals is co-produced by five experimental
art, design and technology organizations from the Pixelache Network and
focused on open source culture. Open Sourcing Festivals is a mobile
circuit of workshops and seminars organized across Europe during
2013-2015 by Piksel (NO), Pikslaverk (IS), Mal au Pixel (FR) and
Pixelache (FI). In the process the partners have been gradually working
towards 'open-sourcing’ the knowledge embodied in their respective
workshops and festival production, in order to share it with a broader
range of users. A database of resources and documentation is under
construction and accessible at http://opensourcingfestivals.eu
6& http://network.pixelache.ac/

———————————————————————
PIKSEL: FREE AS IN ART!
———————————————————————
Piksel is an international event for artists and developers working
with Free/Libre and Open Source technologies in artistic practice. It
is organised in Bergen, Norway, and involves participants from more
than a dozen countries exchanging ideas, coding, presenting art and
software projects, doing workshops, performances and discussions on the
aesthetics and politics of free technologies, free culture & art.
--
Piksel is supported by the Municipality of Bergen, Arts Council
Norway, PNEK, the Grundtvig Foundation for Life Long Learning,
EEA/Norway grants and others.

--
BLOG http://www.piksel.no/
TECH www.piksel.org
LIST http://www.piksel.no/pwiki/MailingLists
Facebook: https://www.facebook.com/piksel.no
Twitter: https://twitter.com/p1x
Video: https://archive.org/details/ <at> piksel_fest
Streams: http://bambuser.com/channel/piksel

--

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Radio Web MACBA | 24 Apr 13:26 2015
Picon

New podcast: Clémentine Deliss on the possibility of a post-ethnographic and post-colonial museum

New podcast: Clémentine Deliss on the possibility of a post-ethnographic and post-colonial museum

Link: http://rwm.macba.cat/en/sonia/clementine-deliss/capsula

Clémentine Deliss has been Director of the Weltkulturen Museum in Frankfurt since 2010. She studied contemporary art and anthropology and holds a PhD in Philosophy, and has extensive experience as an independent curator in Europe and Africa. She is now directing an institution for the first time – an ethnographic museum that opened over one hundred years ago and is trying to find its reason for being. It is what Deliss calls a sick museum, a permanent condition that needs to be healed.

SON[I]A talks to Deliss about, and about the strategies that she has tested in recent years to counteract the ideology of conservation. These include the 'remediation' of objects in the collection, fieldwork in the museum, and opening up spaces for work, production and research that go beyond storage and exhibition.

This podcast features excerpts from Ben Vida's "Tracers" mix

Timeline
1:37 Taking on the Weltkulturen Museum
2:26 A third space between storage and exhibition
4:43 The Laboratory as a space of cohabitation with the object
6:10 On how ethnographical museums became chronically deficient
9:16 Operating in a state of deficency
10:37 An ideological question: burial, repatriation or remediation
12:52 A way to deal with a sick museum
15:00 To bring in other ways of looking
19:29 Lab-furniture and how to make things possible
22:58 A real use of the collection 
24:41 A research collection
27:30 Fieldwork in the museum
29:03 Bringing people closer to the incongruous
33:00 A position within the context
35:42 Introduction

More podcasts on post-colonialism can be found here: http://rwm.macba.cat/en/post-colonialism-tag

Enjoy!
<div><div dir="ltr">New podcast: Cl&eacute;mentine Deliss on the possibility of a post-ethnographic and post-colonial museum<div><br></div>
<div>Link:&nbsp;<a href="http://rwm.macba.cat/en/sonia/clementine-deliss/capsula">http://rwm.macba.cat/en/sonia/clementine-deliss/capsula</a><br><div><br></div>
<div>Cl&eacute;mentine Deliss has been Director of the Weltkulturen Museum in Frankfurt since 2010. She studied contemporary art and anthropology and holds a PhD in Philosophy, and has extensive experience as an independent curator in Europe and Africa. She is now directing an institution for the first time &ndash; an ethnographic museum that opened over one hundred years ago and is trying to find its reason for being. It is what Deliss calls a sick museum, a permanent condition that needs to be healed.<br><br><a href="http://rwm.macba.cat/en/sonia">SON[I]A</a>&nbsp;talks to Deliss about, and about the strategies that she has tested in recent years to counteract the ideology of conservation. These include the 'remediation' of objects in the collection, fieldwork in the museum, and opening up spaces for work, production and research that go beyond storage and exhibition.<br><br>This podcast features excerpts from&nbsp;<a href="https://soundcloud.com/ben-vida/tracers">Ben Vida's "Tracers" mix</a><br><br>Timeline<br>1:37 Taking on the Weltkulturen Museum<br>2:26 A third space between storage and exhibition<br>4:43 The Laboratory as a space of cohabitation with the object<br>6:10 On how ethnographical museums became chronically deficient<br>9:16 Operating in a state of deficency<br>10:37 An ideological question: burial, repatriation or remediation<br>12:52 A way to deal with a sick museum<br>15:00 To bring in other ways of looking<br>19:29 Lab-furniture and how to make things possible<br>22:58 A real use of the collection&nbsp;<br>24:41 A research collection<br>27:30 Fieldwork in the museum<br>29:03 Bringing people closer to the incongruous<br>33:00 A position within the context<br>35:42 Introduction</div>
</div>
<div><br></div>
<div>More podcasts on post-colonialism can be found here:&nbsp;<a href="http://rwm.macba.cat/en/post-colonialism-tag">http://rwm.macba.cat/en/post-colonialism-tag</a>
</div>
<div><br></div>
<div>Enjoy!</div>
</div></div>

Gmane