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Medialab-Prado comunicacion | 23 May 11:55
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Call for Projects | Interactivos?’12 Ljubljana. Obsolete Technologies of the Future


Próximas actividades / Upcoming Activities · 09.01.2012 - 15.01.2012MEDIALAB-PRADO
Área de Las Artes del Ayuntamiento de Madrid
Arts Department of the Madrid City Council
http://medialab-prado.es
 

Interactivos?’12 Ljubljana. Obsolete Technologies of the Future
Call for Projects

Ljudmila, Digital Medialab of Ljubjliana, in collaboration with SGMK of Zurich and Medialab-Prado are seeking for proposals for an upcoming workshops in collaborative prototyping which will be hold in Ljubljana (September 5 - 15, 2012) with the participation of advisors, technical assistants.

Deadline: June 8, 2012
Call for Collaborators: starting July 2, 2012
Project development (workshop): September 5- 15, 2012

Suggested areas of focus include:
  •     Projects that suggest different usages of existing urban technological infrastructures
  •     Rethinking outdated technologies and recycling the computer and IT wasteland.
  •     Projects which allow people to interact with technology to provoke new ways of perceiving the surrounding, the self, the visual, the material, and stimulate aesthetic experience.
  •     Particular attention will be paid to projects which promote open source communities, collaborative work and collective modes of behavior.
  •     Playing with data - submissions for works, which connect data forms and physically embody data streams, bridging ‘on’ and ‘off’ line worlds.
  •     Products and services that provide sustainable solutions for our needs, including the use of open data, data mash ups and remixes.

We are seeking proposals for:
  •     Installations (interactive, responsive, generative)
  •     Performances (participatory, gesticular, dance)
  •     Visualisations (moving images, generative, projections, holograms)
  •     Free Software (FLOSS) / Open Hardware / Open Design / Services / Start-ups / Apps / Devices

The open call is aimed at designers, artists, engineers, coders, sociologists, architects, city planners, teachers, programmers, psychologists, journalists, environmentalists... or to any other person interested in the theme of the workshop.

Complete information and guidelines:
http://medialab-prado.es/article/interactivos12_ljubljana_future_obsolete_technologies

Advisors: Luka Frelih, Ida Hirsenfelder, Chris Sugrue and Yago Torroja.

Activity within the framework of Studiolab European project:
http://www.studiolabproject.eu/
http://medialab-prado.es
http://www.sciencegallery.com/


-- Nerea García Garmendia Comunicación / Press Medialab-Prado Intermediae Matadero Madrid Paseo de la Chopera, 14 28045 Madrid (Temporary Location) Tel. +34 915 177 288 difusion-50z9jtdCIMHYiZynhT6jr/U/3Eu2kcEP@public.gmane.org www.medialab-prado.es http://www.facebook.com/MedialabPradoMadrid Twitter: <at> medialabprado 
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Malte Steiner | 22 May 16:45

location changed:Pd-berlin meeting next tuesday, 22th May

Attention: NK cant provide room for tonight so PD-Berlin meeting tonight 
going to be at In-Berlin: Lehrter Str. 53 10557 Berlin
IN-Berlin = Individual Network Berlin e.V.
http://www.in-berlin.de/
http://tinyurl.com/fb-in-berlin
Internet Service Provider & Hackerspace 
http://hackerspaces.org/wiki/IN-Berlin
http://tinyurl.com/in-berlin-de GoogleMaps
http://osm.org/go/0MbFEoZH- OpenStreetMap
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Malte Steiner | 21 May 16:24

Pd-berlin meeting next tuesday, 22th May

Hello,

next tuesday, 22th May 20:00, will be the next meeting of Pure Data 
users in Berlin at NK (http://www.nkprojekt.de/) - Elsenstr. 52, 2HH 2Etage.

For more information, look up
http://puredata.info/community/groups/pd-berlin/pd-berlin-users-group/
We also encourage you to take an active part, and put up suggestions for
topics you want to talk about / topics you want to be talked about.

Pd-Berlin Google group: You can join the open group
http://groups.google.com/group/pd_berlin, and make questions to the users
there.

Doors are open from 20h-20h15. After that they'll be closed, and you will
have to call someone from the Pd-meeting to get in. To get a telephone
number to call or confirm assistance you can write to
steiner AT block4 DOT com.

Please, don´t call to the staff of NK to open the doors. They let us use
the space but we have to take care about having the meeting without
producing any disturbance to them, and to clean the space after the
meeting.

We would apreciate if you would send us a small mail to
steiner AT block4 DOT com with your name, Pd experience and interests, so
that we know how many people might be coming. Or put your name in the
pd-berlin wiki page.

We would like to thank the support and willingness of NK in the
organization of these events.

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Nicolas Montgermont | 21 May 14:08
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Workshop Brussels August : Pd and GEM introduction

Hello all,

jack (rybn) and me will be teaching two pd workshop this summer at iMAL in Brussels:

31/07/2012 -> 03/08/2012 : Pure Data, an introduction
14/08/2012 -> 17/08/2012 : Gem, Real time video in Pure Data

you can find the complete announce down there (in fr)

there are other workshop as well (arduino, processing, ...), if you want to check:
http://www.imal.org/en/activity/summer-digital-art-workshops-2012/
please forward if you know people interested,

Best,
n

--
Pure Data I & II / IMAL 2012
http://www.imal.org/en/activity/summer-digital-art-workshops-2012/puredata

|| Pure Data I : Introduction son-image temps-réel

Pure Data (Pd) est un logiciel libre utilisé dans le domaine de l'audio, de la 3D et de l'art interactif par une communauté sans cesse grandissante de personnes issues de milieux différents (musiciens, VJ, chorégraphes, plasticiens, conteurs, éclairagistes, etc.). Pd offre un très vaste champ d'exploration : diffusions et traitements multimédias temps réel (vidéo, 3D, son), gestion d'interfaces physiques (joystick, souris, tablettes graphiques, capteurs), actions robotiques et lumineuses.

Cette initiation à Pure Data abordera principalement l'aspect son, vidéo/3D (avec la librairie GEM) et réseau. Comment intéragir en temps réel sur une vidéo ou de la 3D à partir du son ? Comment partager des données entre plusieurs ordinateurs ? Comment ouvrir de nouvelles voies à la création musicale, vidéo et 3D ? Ce stage répondra à toutes ces questions (et à bien d'autres) grâce à l'apprentissage, pas à pas, de cet outil. Une documentation et un cours (qui sera expliqué tout au long du stage) sera remis à chaque participant.

Prérequis: connaissance de base du traitement de l'image et de la vidéo numérique, ainsi qu'une curiosité pour les environnements de programmation visuelle.
Dates et durée: Du mardi 31 juillet au vendredi 3 août 2012, de 10h à 18h (4 jours)
Prix: 100€

Formateur: Jean-Marie Boyer (FR)
Jean-Marie Boyer est artiste-développeur, membre du collectif RYBN. Son travail s'articule autour du détournement d'outils ou de concepts afin d'apporter un regard différent sur notre société. Pour cela il utilise la donnée comme matière première, données généralement issues de l'immense base qu'est internet. Il co-organise les rencontres entre artistes et  développeurs /dev/art/ chaque mois sur Paris.

 
|| Pure Data II : Gem / Vidéo-3D temps-réel

La librairie GEM permet de manipuler en temps-réel des données graphiques dans le logiciel Pure Data. S'appuyant sur une architecture openGL, les possibilités offertes par cet environnement de programmation sont très nombreuses : dessin 3D, lumières, textures, traitement d'images fixes ou animées.
Durant ce stage, nous ferons un tour d'horizon des programmes que l'on peut développer avec cette librairie.

Les participants apprendront dans un premier temps les techniques de base de travail dans GEM: dessin de formes simples, mouvement, mapping de textures, lumières. Ensuite, des exemples avancés de création vidéos seront détaillés: interaction image - son, manipulation de webcam, création de structures aléatoires et bruitées, représentation de modèles physiques,...

Certains exemples spécfiques pourront être abordés à la demande des participants.

Prérequis: connaissance de base de l'environnement Pure Data (ex. après le stage “Introduction son-image temps-réel - Pure Data I”).
Dates et durée: Du mardi 14 au vendredi 17 août 2012, de 10h à 18h (4 jours)
Prix: 100€

Formateur: Nicolas Montgermont
Nicolas Montgermont (FR) est un artiste/chercheur qui étudie les relations entre art et sciences en utilisant l'ordinateur comme un atelier. Sa démarche de création est la recherche d'une esthétique particulière au numérique, en utilisant et développant des outils personnels pour explorer les possibilités spécifiques à l'ordinateur. Il fait partie de deux collectifs d'artistes : chdh, qui développe un travail de performance audiovisuelle synesthésique et art of failure qui réalise des installations. Son travail est montré dans de nombreux festivals et expositions en Europe. Plus d'infos sur son site: http://nim.on.free.fr


--
http://nim.on.free.fr 
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Andy Farnell | 18 May 07:48
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Workshop Newcastle June 11

To: pd-announce@...

UK, Newcastle, Culture, Lab Monday 11th June 2012, 

A hastily organised but hopefully fun and informative
Pd workshop. Suitable for brave beginners but also hope to
touch some advanced stuff along the way. Bring laptop,
charged battery, headphones, with extended for max enjoyment

http://tinyurl.com/NCL-PD-workshop

By the way this is just prior to the ACM DIS in case
anyone is going to that

http://www.dis2012.org/

best 2 all
Andy
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D - F U S E _ N E W S L E T T E R _ 0 6 2 | 18 May 00:13

D - F U S E _ N E W S L E T T E R _ 0 6 8 message

 

Your newsfeed for the D-Fuse latest audio-visual performances, projects and screenings. Thank you for subscribing.

  
 

 

22 MAY - 3 JUNE ¬ RE-CONSTRUCT CINECHAMBER. MUTEK FESTIVAL. MONTREAL. CANADA.
The new D-Fuse installation Re-Construct [Particle 3.0], which has been created specifically for Recombinant Media Labs' CineChamber, a 10-screen installation lab for panoramic performance, will premier in the installation at Cinema Excentris at Mutek Festival in Montreal, Canada. Re-construct [Particle 3.0] is a reworking of one of the main strands of D-Fuse's output from the last few years. Taking its cue from the live cinema performance pieces Particle and Latitude, Re-construct follows a trajectory from abstraction to reconstruction, creating a narrative that plays out as much through immersive spatial experience as it does over time. Investigating an urban space that is at the same moment real-and-imagined, the piece merges layers of experience that range from the existential to the reflexive, from singular concrete observations to abstract patterns and textures.

Other artists include Signal (Carsten Nicolai,Olaf Bender, Frank Bretschneider), Ryoichi Kurokawa, Telcosystems, Biosphere & Egbert Mittelstadt, Fennesz & Lillevan plus many more.

Recombinant Media Labs was founded to research the qualities and artistic potential of spatial media synthesis. It does so by means of experiential engineering, or exploring processes that expand the aesthetic and technological boundaries of simulative installation, surround cinema, and multi-channel AV environments. RML acts as producer and presenter of hybrid cross-genre artworks, residencies, and concerts in the mobile exhibition theatre. D-Fuse's reconstructive landing into this vacillating vortex brings in several distinctive contextual characteristics never before presented in Recombinant's experiential archives and by planting this projectile seed into the phono-optic fabric some further architectural extensions are anticipated.
http://www.rml-cinechamber.org/ 
http://cinemaexcentris.com/MUTEK-presente-CINECHAMBER 
http://www.mutek.org/tv/326-cinechamber-teaser   



18 MAY¬ WALK IN ILLUSION. DESIGN MUSEUM. LONDON SE1. UK
D-Fuse are performing for Walk Into Illusion, an evening of visual spectacle celebrating the most highly anticipated Design Museum's exhibition of the year - Christian Louboutin, the iconic French shoe designer, celebrating a career which has pushed the boundaries of high fashion shoe. Curated by Double Decker, the evening is taking place in association with Museums at Night. D-Fuse will present two audio-visual performances inspired by Christian Louboutin's work, projected on the outside of the building and in an immersive space overlooking the River Thames. The event takes place between 8pm - 11 pm, Tickets are priced £11.
designmuseum.org/design-overtime 
www.double-decker.org.uk/news/2012/05/design-museum-walk-into-illusion/#more-1669   
www.culture24.org.uk/places+to+go/museums+at+night 



3 JULY ¬ FOOD AND SOCIETY. BRITISH LIBRARY CONFERENCE CENTRE. LONDON. UK.
Michael Faulkner has been accepted to present his IE MRes paper Global Food Superhighways - How Food Shapes Cities at the British Sociological Association (BSA) Food and Society Conference. Following the success of last year's event, the aim of this third conference is to further examine the role of food in contemporary society, examining both empirical questions raised by the relation of food to social and intergenerational inequalities, and exploring theoretical issues of food as an item of consumption, cultural symbol and commodity.

Global Food Superhighways investigates the relationship between food and cities by interrogating film, using observational methods and visual ethnography. Using food as his 'lens' and selecting from a database of video clips filmed over the past three years for D-Fuse's 'Endless Cities' project, Faulkner has edited 14 films for analysis, based on the inclusion criteria that they must have evidence of food, food culture, food products or food byproducts. The methodology used to analyse the films involved creating a series of categories or 'meta tags' relating to food and cities. The films were then put online, and a select audience of academics and practitioners was invited to view and comment, reflecting on the films and the themes coming out of them. Faulkner then combined these with my own analysis in a multimodal meta-narrative around the 14 films.The films and comments can be viewed viewed here.
http://vimeo.com/album/1704327  
www.britsoc.co.uk/events/food    
www.britsoc.co.uk/specialisms/Food.aspx 



17 JULY ¬ O/E COLLAB OUTEREDIT T-SHIRT COLLABORATION
Launching in July, OuterEdit is an online T-shirt company founded in Singapore that takes a radically different approach to the global graphic apparel retail scene. It celebrates and showcases creative talents and processes behind graphic design via a near real-time and collaborative game format known as the O/E Collab. The invited artists work in a set of groups working on different themes. D-Fuse have been selected to collaborate with Motomichi (ECU), Shobo Shobo (PAR), Lu Liling (TOK) and Cesar Pesquera (BAR). working with the theme of P.P.P.P.P.Powerrr.
www.outeredit.com 
www.facebook.com/OuterEdit



  OUT NOW ¬ ATLAS BOOK + ONLINE.
Atlas: Geography, Architecture and Change in an Interdependent World combines recent thinking on human geography and architecture on global environmental change issues, setting out to develop a reinterpretation of cartography and a reframing of sustainability. The Atlas makes space for us to consider the practical and ethical challenges presented by globalisation and global environmental change. This website and linked publication: Atlas: Geography, Architecture and Change in an Interdependent World (Black Dog Publishing 2012), offers a range of contributions that navigate the novel ethical and political questions of our current state of global interdependence between people, places and things, near and far, in both space and time. This publication includes work from people and organisations who have participated in events arising out of the Interdependence Day (ID) project.

D-Fuse's work Small Global was exhibited at the Interdependence Day(ID) project and is featured in the Atlas publication. Small Global is an ongoing installation project - an immersive space filled with data visualisations that highlight the interconnectedness between global consumption and various environmental and social issues.

Themes addressed in Small Global include the destruction of the world's rainforest to make way for the cattle needed for fast food production, as well as ongoing wars in the Congo related to the mining of Coltan, a rare mineral crucial for mobile phone production, which has caused profound human suffering as well as the near extinction of gorillas in the Congo.

The publication was produced in collaboration with the Open Space Research Centre at The Open University and is a collaboration between academics from the Geography discipline OU, the School of Architecture, University of Sheffield and researchers at the New Economics Foundation.
http://www.atlas-id.org/8 
http://blackdogonline.com/all-books/atlas.html 
http://www.open.ac.uk/socialsciences/interdependenceday
https://vimeo.com/album/248508  



3 JUNE ¬  TEDxUCL: PERSPECTIVES. UNIVERSITY COLLEGE LONDON. UK.
TEDxUCL, a TEDx event, will present "Perspectives", as series of talks accompanied by labs, on 3 June 2012. Featuring speakers from the science, technology and the arts, the event seeks to address the issue of "perception", its role in social construction and how this affects society and the sciences. It will be held at UCL Bloomsbury. A showcase of digital artworks including a selection of D-Fuse films and performances will be screened in the labs between 2pm-9pm.
http://tedxucl.org 



OUT NOW ¬  STORUNG: SOUND + VISUAL ART DVD.
Störung: Sound & Visual Art is the ninth release of Störung, a Barcelona based festival and DVD label. This DVD and Book package contains 11 exclusive audiovisual works made by more than twenty artists from different parts of the world. The book contains synopses written by the artists, their biographies and selected photographs taken during the past six years of the Störung Festival. The DVD includes works by Dextro (AUT), Kim Cascone (US/IT), and Francisco López (ES). D-Fuse's audio-visual piece Gradualism is an experimental reworking of the D-Fuse Particle live cinema performancee.
www.storung.com/  
www.facebook.com/StorungSoundVisualArt  
www.moviesdistribucion.com/todo/ficha/?St%F6rung+%3A+Sound+%26+Visual+Art 
 

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Marco Donnarumma | 16 May 19:18

Donnarumma, Tanaka, Parkinson, Biophysical and mobile music 19th May

(sorry for x-post)

Dear all,

this weekend, a concert of biophysical and mobile music in New York.
Both me and Atau&Adam use Pd. (they use iPhones with custom RjDj patches)

19th May
h. 8pm
Harvestworks
FREE entry
596 Broadway, #602 | New York, NY 10012
Subway: F/M/D/B Broadway/Lafayette, R Prince, 6 Bleeker

Info at: http://bit.ly/K1PA9m

~~~~~~~~~~~~~~~~
In a double bill on May 19th, Marco Donnarumma starts with a performance utilizing the award-winning biophysical instrument Xth sense, that he teaches this weekend in a class at Harvestworks. This is followed by Adam Parkinson's and Atau Tanaka's exploitation of a common consumer electronics device, the iPhone.

~~~~~~~~~~~~~~~~

Marco Donnarumma's Music for Flesh II is a seamless mediation between human biosonic potential and algorithmic composition. By enabling a computer to amplify and augment the muscle sounds of human tissues, the work approaches the biological body as a means for computational artistry.

Adam Parkinson & Atau Tanaka reappropriate the iPhone and its advanced technical capabilities to transform the consumer object into an expressive musical instrument for concert performance. In a duo, with one in each hand, they create a chamber music, 4-hands iPhone.

hope to see some of you there,
best wishes,

--
Marco Donnarumma
New Media + Sonic Arts Practitioner, Performer, Teacher, Director.
ACE, Sound Design MSc by Research (ongoing)
The University of Edinburgh, UK
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Portfolio: http://marcodonnarumma.com
Research: http://res.marcodonnarumma.com | http://www.thesaddj.com | http://www.flxer.net
Director: http://www.liveperformersmeeting.net

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Eldad Tsabary | 11 May 03:47
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Call for 60 second works for 60x60's 10th anniversary

Vox Novus is inviting composers/sound artists to submit (fixed) works 60 seconds or less in length to be included in its tenth annual 60x60 project. 60 compositions will be selected to be played continuously in a one-hour concert.

Act fast! The deadline is in less than a month!

Your works can be considered for multiple mixes, including the International and local mixes (Canada, Europe, NOrth-East, UK) and a variety of other thematic mixes. Please check the appropriate boxes when you submit your work: 

International mix
Canada mix
Un-Twelve mix - for microtonal works
The Athena mix - for female composers
Voice mix - works incorporating the human voice
John Mix - for works that are based on recorded natural or urban sounds
North American Soundscapes - focusing on urban soundscapes in North America
Presenters mix - from composers who presented 60x60
Latin-American mix
Europe Mix
UK mix
North-East mix

More information about the call and submit your works here:


Best,
Eldad Tsabary
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Epic Jefferson | 13 May 00:12
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Intro to Pure Data Workshop / Taller introductorio de Pure Data @ Conservatorio de Musica de Puerto Rico

Recently, I gave an "Introduction to Pd" workshop at the Puerto Rico Music Conservatory. As far as I know, it's the first one ever given in Puerto Rico!

We covered:

-Basic synthesis [osc~]

-Sample playback [soundfiler]

-Basic Arduino interface

Workshop materials are HERE (comments are in spanish)


-----

Recientemente realice un taller introductorio de Pure Data en el Conservatorio de Música de Puerto Rico. Que yo sepa, es el primero realizado en Puerto Rico!

Se cubrió:

-síntesis básica [osc~]

-reproducción de archivos de audio [soundfiler]

-interfaces básicos con Arduino

Los materiales del taller están AQUI.

-- 

www.epicjefferson.com
www.avmachinists.org Puerto Rico based Art Collective/ Non-Profit Org
Twitter: <at> epicjefferson 
G+ & Facebook: Epic Jefferson 
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oskoff lovich | 13 May 14:01
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Noish - Black Nature - [Hum.rec 2012]



Hi list!
It is a placer to share here my last audio work and some code..

The patch is a ensemble using boids lib. I made a gui to control
2 groups of boids wich are conected to 2 sound generator..


The release inagurates HUM.RECHum.rec label which will support experimental sounds made ​​from the open source philosophy. (Free / Libre and Open Source Software) and in which “releases” also include the source code. Each release will be available for free download – high-quality FLAC and also in physical format, in this case in cassette 40 minutes.


Download FULL ZIP AUDIO (FLAC) + CODE + INFO

feedback and comments are wellcom!!
enjoy it

oscar


 _   _       _     _               ____  _            _      _   _       _                 
| \ | | ___ (_)___| |__           | __ )| | __ _  ___| | __ | \ | | __ _| |_ _   _ _ __ ___
|  \| |/ _ \| / __| '_ \   _____  |  _ \| |/ _` |/ __| |/ / |  \| |/ _` | __| | | | '__/ _ \
| |\  | (_) | \__ \ | | | |_____| | |_) | | (_| | (__|   <  | |\  | (_| | |_| |_| | | |  __/
|_| \_|\___/|_|___/_| |_|         |____/|_|\__,_|\___|_|\_\ |_| \_|\__,_|\__|\__,_|_|  \___|



Noish - Black Nature [hum.rec, 2012] Available in cassette [C20] http://humrec.org/ Release title : black nature by Oscar Martin [noish] http://noconventions.mobi/noish Coded, edited and master <at> txukrut studio BCN 2 nov 2011 Software : Pure Data, SuperCollider and Ardour under Ubuntu "lucid" artwork: lcpino http://lcpino.com/ licensed under GPLv3 Side A : track 001 boids_01 track 002 boids_02 extra 003 eetz_zzz Side B : track 004 karplus track 005 noish vs antom mobin Side A : track 001 come from a exploration of the sound posibilities of the "boids algorithm" I used the boids lib from Pure Data and some [phasor~] audio generators. (c) 1995-98 Eric L, Singer float/2d/3d adaptation by a. sier / jash Based on Simon Fraser's implementation of Craig Reynolds' Boids algorith. Boids is free for non-commercial use. Boids is a bird flight and animal flock simulator. It is based on the same algorithm which was used in Jurassic Park for the herding dinosaurs. For more information about the boids algorithm, see Craig Reynolds' Web site at http://reality.sgi.com/employess/craig/boids.html track 002 is a hybrid between boids sound material and sounds generated by "eetz" my previus work still under development. +info about "eetz" audio&code http://www.apo33.org/records/doku.php?id=virtual_records Side B : 004 Karplus For this track i used code i found in a supercollider's tutorial random melodies with the Karplus-Strong clasic sound algoritm.. the code could be by Paul Berg, Nick Collins, Alo Allik, Jan Trutzschler, Zlatko Baracskai, Sergio Luque, Jorrit Tamminga, David Cottle, Julio d'Escriván.. not too much especifications in the tutorial,, 005 noish vs anton mobin (extract) live <at> A Maïzing Session #24 (KKWNE radio) very specials thanks to Zorei anton mobin: impro with tape, scratch cassette, delay noish: impro with a Pd patch anton mobin web: http://antonmobin.blogspot.com

--
oscar martin  &&   [noish]
:::::::::::::::::::::::::::::::::::::::::::::
http://noconventions.mobi/noish
http://metaminafnr.hotglue.me/
http://www.minipimer.tv/
http://ursonatefanzine.tk/
---------------------------------------------



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Galerie Mark Hachem - Beirut | 14 May 00:00

<< FINE PIXELS >> BY RICARDO MBARKHO - OPENING MAY 15, 2012 @ 6 PM

FRENCH BELOW
================

RICARDO MBARKHO
<< FINE PIXELS >>
OPENING: TUESDAY MAY 15, 2012 @ 6 pm
Artist Talk starts @ 7 pm
www.ricardombarkho.com

at Galerie Mark Hachem - Beirut
Monday - Saturday, 10 am - 7 pm

Galerie Mark Hachem (Beirut) is proud to present “FINE PIXELS” by Lebanese artist RICARDO MBARKHO.
The exhibition opens on Tuesday, 15 of May 2012 and will run until Tuesday, 29 of May 2012.

The exhibition will showcase Ricardo Mbarkho’s images: The artist manipulates different layers of
significations by investigating multiple questions related to language, communication, cultural
industries, history of art as well as the visual representation within the sociopolitical sphere.
Mbarkho’s images are made from texts. The artist uses the computer as a tool to transcend texts into
images; the text's binary codes, those simple digits that computers use to stock information, are
transposed into a unique corresponding visual. By this creative process, the shapes and colors of
Ricardo Mbarkho’s art are constantly unveiling new facets of the initial texts.

Ricardo Mbarkho’s work stems from the vibrant scene of today’s global digital art practices. Mbarkho
divulges alternative readings to issues pertaining to his local cultural and sociopolitical
environments, where the latter’s significance and information are embodied and channeled through
the artist’s own flux.

Galerie Mark Hachem invites the public to share the artist’s doubts and findings through Ricardo
Mbarkho’s solo show, “Fine Pixels”.

mark hachem I contemporary art gallery
Capital Gardens Bldg. | Salloum St. | Mina el Hosn | Beirut Central District | Lebanon

T +961 1 999313 | E beirut@... | W www.markhachem.com | SKYPE beirut.markhachem

FRANCAIS
===========

RICARDO MBARKHO
<< FINE PIXELS >>
VERNISSAGE LE 15 MAI 2012 A 18h
Artist Talk à 19h
www.ricardombarkho.com

à la Galerie Mark Hachem - Beyrouth
Lundi - Samedi, 10h - 19h

La Galerie Mark Hachem (Beyrouth) a le plaisir de vous inviter au vernissage de “FINE PIXELS”,
l’exposition de l’artiste libanais RICARDO MBARKHO, le mardi 15 mai 2012. L’exposition se
poursuit jusqu’au mardi 29 mai 2012.

Au programme, les images numériques de Ricardo Mbarkho: Le langage, la communication, les industries
culturelles, l’histoire de l’art ou encore la représentation visuelle de l’espace
sociopolitique, autant d’aspects que l’artiste met en exergue en manipulant moult strates de sens
relatives à l’objet de son questionnement.

A l’origine, il y’a un texte. L’artiste le prend tel quel, ou le compose dans l’optique
particulière de l’œuvre finale. Puis il y’a l’ordinateur, outil de choix de Mbarkho, cet outil
de mutation des textes initiaux en visuels. Des images uniques vont ainsi se révéler à chaque fois,
images générées par les codes binaires de ces textes, codes qui ne sont autre que la simple unité de
base dont l’ordinateur use pour  stocker l’information.

En phase avec les pratiques contemporaines de l’art numérique, l’œuvre de Ricardo Mbarkho propose
une lecture renouvelée de l’environnement culturel et sociopolitique de l’artiste. Un momentum
très particulier que nous livre Ricardo Mbarkho ; une transcendance, une sorte de mise à nu de textes, de
leurs mots, de leurs sens. De ces textes, l’artiste ne retient que l’essentiel, la moelle substantifique.

mark hachem I contemporary art gallery
Imm. Capital Gardens | Rue Salloum | Mina el Hosn | Beirut Central District | Liban

T +961 1 999313 | E beirut@... | W www.markhachem.com | SKYPE beirut.markhachem
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