greg tappella | 2 Aug 2006 21:37
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InfoD-Cafe: Images in Dreamweaver

Hi all! I am desiging a site in Dreamweaver and am getting frustrated! My site shows up on the net, however, none of the images I place on the page will show up. I have a copy of the image files in my site folder...what am I doing wrong? If anyone has a n extra minute and can walk me through it please IM me on Yahoo IM: grtap314
 
 
Thanks for the help!

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Alan Litchfield | 2 Aug 2006 22:05
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Re: InfoD-Cafe: Images in Dreamweaver

Greg,

Not sure if you've been IM'd but check your paths to make certain they are
relative and absolute, pointing at the folder on your local machine/network.

Alan

greg tappella wrote:
> Hi all! I am desiging a site in Dreamweaver and am getting frustrated! My site
> shows up on the net, however, none of the images I place on the page will show
> up. I have a copy of the image files in my site folder...what am I doing
> wrong? If anyone has a n extra minute and can walk me through it please IM me
> on Yahoo IM: grtap314

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David Sless | 3 Aug 2006 00:32
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Re: InfoD-Cafe: Font legibility issues

Yes, Yatten. I think this is right. Sorry for neglecting this. Having  
been a victim of this I should know better!
This would be the type of context in which some of the traditional  
approaches to legibility as character recognition and discrimination  
between characters would apply. I have no experience of doing this  
type of work, but I know the literature. Is anyone doing this type of  
work today for contemporary applications?

David
-- 
blog: www.communication.org.au/dsblog
web: http://www.communication.org.au

Professor David Sless BA MSc FRSA
Director • Communication Research Institute of Australia
• helping people communicate with people •

Mobile: +61 (0)412 356 795
Phone: +61 (0)3 9489 8640

60 Park Street • Fitzroy North • Melbourne • Australia • 3068

On 31/07/2006, at 9:20 PM, Yateendra Joshi wrote:

> Where context offers little help, legibility of individual characters
> (and especially of similar-looking pairs), matters a great deal:
> e-mail addresses, URLs, numbers or alphanumeric codes assigned to
> difference models of a particular make, and printed passwords
> delivered in sealed packets to new customers or on scratch cards are a
> few examples that come to mind.
>   Yateen <yateendra.joshi <at> gmail.com>
> ___________________________________________________________________
>
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Deborah Taylor-Pearce | 7 Aug 2006 06:14
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InfoD-Cafe: Writing sign language on your computer

For Conrad and others interested in disability-related
computing issues:

Just in case you don't already know about several new
programs having to do with multilingual sign language
databases, you might want to check out the brief write-up on
same in the 14 July 2006 issue of the U.S. journal,
_ComputorEdge_:

"Writing sign language on your computer"
by Valerie Sutton
<http://webserver.computoredge.com/editorial/prg/online.mv?zone=SD&issue=2428&article=in1&src=2&note=SD++1+Sutton%2C+Valerie>

Deborah
_____

Deborah Taylor-Pearce
dtp <at> she-philosopher.com

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Yateendra Joshi | 9 Aug 2006 13:01
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InfoD-Cafe: It took a legible typeface to decipher the correct name of a typeface

_Twentieth Century Type_ by Lewis is set in a sans serif type (Gill
Sans?) and I could not make out whether the second character in the
name of the typeface ('designed by unknown designers for the American
Bankers' Association and widely adopted for machine-recognisable
numerals') was a lowercase l or a cap I or the numeral 1. It was only
when I came across the name again, this time in Water Tracy's _The
Typographic Scene_ (set in Plantin?), that I knew that it was E-13B.

Yateen <yateendra.joshi <at> gmail.com>
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Robin Kinross | 9 Aug 2006 16:32
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Re: InfoD-Cafe: It took a legible typeface to decipher the correct name of a typeface

Yateendra Joshi:

> _Twentieth Century Type_ by Lewis is set in a sans serif type (Gill
> Sans?) and I could not make out whether the second character in the
> name of the typeface ('designed by unknown designers for the American
> Bankers' Association and widely adopted for machine-recognisable
> numerals') was a lowercase l or a cap I or the numeral 1. It was only
> when I came across the name again, this time in Water Tracy's _The
> Typographic Scene_ (set in Plantin?), that I knew that it was E-13B.

a nice rendering of this author's name! Which reminds me that someone 
once referred on this list to Don Monty, the gardening writer (and was 
corrected by Jane T). So he is Lewis Blackwell, not Blackwell Lewis. I 
don't have his book, so can't check on the typeface. Tracy's book is 
set in Monophoto Sabon.

About I and 1 and l -- I really think it's just a question of design 
competence and basic common sense, on the part of the people who 
designed Blackwell's book. One can indeed bring legibility into it, as 
a sort of sledgehammer (and then run tests?). But somehow it's not 
necessary -- it's there for anyone to see and explain in simple 
sentences, as indeed you do.

Robin Kinross

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zimt arlcova | 10 Aug 2006 16:36
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Re: InfoD-Cafe: Special Air Service philosophy

<laughing>

One of the lessons years back in the Red Cross Junior Lifesavers course (a swimming one) was to
throw life rings out and beyond the person you're trying to save. That way it wouldn't bonk them
in the head (hopefully) and they had the chance to grab it as you pulled it by them. If you threw
it short, you'd have to haul it in and throw it again.

This is also the course that pointed out to us that people, not so strangely, freak out when they
think they're drowning. If you have to get in the water with them and the person you're trying to
rescue is going to drown you, too, in their panic, punch them hard in the face. If they're
unconscious, they're not going to fight you.

I can't see myself knocking anyone out even on firm footing and them not moving, much less in the
water, but I see the point of it.

Interestingly, unconscious clients don't fight with you either...

:)

Cheers,
Cinnamon

--- Conrad Taylor <conrad <at> ideograf.demon.co.uk> wrote:

> While reading the SAS Survival Guide,
> I came upon the following advice which,
> suitably generalised, information designers
> might want to take to heart:
> 
>     "If throwing a lifeline,
>      make sure you don't knock out
>      the person you're trying to help."
> 
> :-)
> 
> Conrad
> -- 
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Caroline Jarrett | 14 Aug 2006 17:54
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InfoD-Cafe: Measuring the aesthetics of reading - London, September 14th

Hi all,

Further to our recent discussions about legibility, those of you who 
can get to London in September might like to come to HCI2006 
(www.hci2006.org).

Kevin Larson of Microsoft and co-authors Richard Hazlett, Barbara 
Chaparro and Rosalind Picard are presenting a paper "Measuring the 
Aesthetics of Reading" that I think Cafe-members would find 
interesting... or maybe very interesting... or maybe downright daft. 
For example, one discriminator for aesthetic differences is " reduced 
activation in the corrugator muscle that is associated with frowning".

I'm only reacting to the short description in the conference 
programme, but I think this may provoke some lively discussion and I 
thought it might be something that you're interested in but wouldn't 
ordinarily come across.

Best,

Caroline Jarrett
caroline.jarrett <at> effortmark.co.uk
01525 370379

Effortmark Ltd
Usability - Forms - Surveys 

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Conrad Taylor | 17 Aug 2006 13:37
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InfoD-Cafe: Call for participation : Information Design Conference 2007 : Greenwich, UK

Call for Participation / initial announcement

INFORMATION DESIGN CONFERENCE 2007

Greenwich, London -- 29 & 30 March 2007

     The Information Design Association in the UK is pleased
     to announce an international conference on information
     design and communication design, to be held in elegant
     surroundings: the historic Thames-side campus of the
     University of Greenwich.

*** Aims and focus

     IDC 2007 will be the latest in a series of occasional
     Information Design Conferences spanning several decades.
     These have fruitfully brought together designers, users
     and owners of information, researchers, and teachers.

     People who've been to our previous events know what
     valuable opportunities they provide for networking and
     learning (and we know how to have a good time, too!)

     Our overall aim is to construct an eclectic event,
     particularly strong on interdisciplinary learning and
     practice.  The purpose, as ever, is to share ideas
     about how to make information easier to understand,
     in such diverse fields as:

       #  government and administration
       #  healthcare and health promotion
       #  technical instruction and user guides
       #  reference and learning materials
       #  transport information and signage
       #  forms and transaction interfaces
       #  financial and billing information
       #  Web and interface design.

*** Call for papers & presentations

     The organisers of IDC 2007 are eager to hear from anyone
     who would like to make a presentation to the Conference.
     Any related theme or aspect of Information Design is
     appropriate for submissions.  The Programme Committee
     will look with great favour on submissions based on:

       #  case studies from design practitioners which
          offer generalisable conclusions, methods and
          ideas; and

       #  research studies that provide evidence which
          can be acted on by designers in practice.

     But, whatever your focus, we'll be glad to hear from you
     with any ideas related broadly and imaginatively to
     advancing the fieldd of Information Design.  This time
     around, we are not focusing on any particular sectoral
     theme, such as education or health...  though we will
     nurture and shape themes, if they seem to have emergent
     value.

     The spaces we have booked in the baroque waterfront
     buildings of this former Royal Naval College include
     an excellent exhibition space, so do let us know if
     you have posters, artefacts or multimedia displays
     that you yould like to show.

*** Timetable, contacts

     The deadline for submissions is 3 November 2006,
     but ideally, if you think you may be interested
     in contributing, we'd like to hear from you much
     earlier!  One member of the Organising Committee
     has taken on a dedicated responsibility for
     correspondence with potential contributors:

     >  Conrad Taylor, IDC 2007 Programme Secretary
     >  email:         conrad <at> ideograf.demon.co.uk
     >  skype:         conradtaylor

     For all general information about the Information
     Design Conference, see the Web site:

        http://www.informationdesignassociation.org

     Information about conference fees and discounts,
     accommodation options, travel and so on will be
     added to this site in the forthcoming weeks.

-- 
-------------------------------------------------------------------------
Conrad Taylor:  Information design & electronic publishing
Chairperson, BCS Electronic Publishing Specialist Group (www.epsg.org.uk)
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Dave Crossland | 17 Aug 2006 22:05
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Re: InfoD-Cafe: Call for participation : Information Design Conference 2007 : Greenwich, UK

On 17/08/06, Conrad Taylor <conrad <at> ideograf.demon.co.uk> wrote:
> Call for Participation / initial announcement

I've just posted this to the website :-)

--

-- 
Regards,
Dave
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Gmane